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The "woman question", this book asserts, is a Western one, and not a proper lens for viewing African society. A work that rethinks gender as a Western contruction, The Invention of Women offers a new way of understanding both Yoruban and Western cultures. Oyewumi traces the misapplication of Western, body-oriented concepts of gender through the history of gender discourses in Yoruba studies. Her analysis shows the paradoxical nature of two fundamental assumptions of feminist theory: that gender is socially constructed in old Yoruba society, and that social organization was determined by relative age.
Western Female Seminary, the first daughter institution of Mount Holyoke College, opened its doors in 1855 as a Christian institution. The seminary, which became Western College for Women, was founded on the Mt. Holyoke plan, with a strong emphasis on academics. Many of its graduates in the 19th century served as home and foreign missionaries, and by the 20th century, young women from many foreign countries attended Western. In the 1950s, the curriculum was expanded to include a strong international emphasis. Western was the first college in the country to have an artist-in-residence, when composer Edgar Stillman Kelley was invited to live on campus. Western attracted national attention when it hosted civil rights training for Freedom Summer 1964. In the 1970s, independent study programs were developed, and the college became coeducational. With its diverse architecture and the early emphasis on landscaping on its rolling campus, the college was listed in the National Register of Historic Places in 1979.
DIVExplores issues of gender, race and national identity in Japan, by taking up for critical analysis an emergent national trend, in which some urban Japanese women turn to the West--through study abroad, work abroad, and romance with Westerners-- in order/div
"Do look after my music!" Irene Wienawska Polowski exclaimed before her death in 1932. And from the urgency of that sentiment the authors here have taken their cue to reveal and "look after" the previously neglected contributions of women throughout the history of Western art music. The first work of its kind, Women Making Music presents biographies of outstanding performers and composers, as well as analyses of women musicians as a class, and provides examples of music from all periods including medieval chant, Renaissance song, Baroque opera, German lieder, and twentieth-century composition. Unlike most standard historical surveys, the book not only sheds light upon the musical achievements of women, it also illuminates the historical contexts that shaped and defined those achievements.
In this pathbreaking study of the works of Plato, Aristotle, Rousseau, and Mill, Susan Moller Okin turns to the tradition of political philosophy that pervades Western culture and its institutions to understand why the gap between formal and real gender equality persists. Our philosophical heritage, Okin argues, largely rests on the assumption of the natural inequality of the sexes. Women cannot be included as equals within political theory unless its deep-rooted assumptions about the traditional family, its sex roles, and its relation to the wider world of political society are challenged. So long as this attitude pervades our institutions and behavior, the formal equality women have won has no chance of becoming substantive.
There are two Icelands. One is the island in the North Sea, occupied since before the arrival of the Vikings. The other is "Western Iceland," the communities throughout North America, settled by Icelandic immigrants in the 19th and 20th centuries, and still maintaining strong ties to their mother country. While the prominent role of women in the development of Western Iceland has long been acknowledged, there is little recognition of their contribution to its literary life. This collection of short stories and poems spans 75 years of writings. It includes translated work by little-known authors such as Undina, "a modest poet," as well as works in English by prominent writers such as Laura Goodman Salverson, twice a winner of the Governor-General's Award. From the hopefulness of the early immigration in the 1870s to the conflict of assimilation in the 1950s, the pieces reflect a range of experiences common to immigrant women from many cultures. Writings by Western Icelandic Women includes many works translated for the first time from their original Icelandic, and rescues from obscurity the voices and experiences of women as they struggled in a new country. It offers insight into the many obstacles, both personal and professional, that faced these pioneering writers. An introduction by Kirsten Wolf provides a literary and historical context, and is complemented by photographs and brief author biographies.
[This book] is a survey of women's history in Western Civilization from the earliest days of human experience to the present. It examines women of all classes, religions, and ethnicities and provides balanced coverage of political, social, economic, intellectual, and cultural history. The text focuses on five major themes: the relationship between historical events and ideas and women's lives; the history of the family and sexuality; the social construction of gender; the differences between cultural ideas about women and the lives of actual women; women's perceptions of themselves and their roles.-Back cover.
Minority Women and Western Media: Challenging Representations and Articulating New Voices presents research examining media portrayals of women from Africa, Asia, Australia, Europe, and North America. It provides qualitative and quantitative findings of how women are stereotyped and misrepresented not only because of their gender but also their race, religion, ability, physical attributes, and political status. Whilst their voices are frequently excluded, marginalized and misrepresented, the chapters in this volume show how minority women are creating and articulating new discourses and challenging assumptions and expectations about themselves. This book provides insights into how women are represented in different media, including newspapers, television shows, films, and online platforms. Scholars of media studies, women’s studies, and communication will find this book particularly useful.
The historical exclusion of women's voices has diminished academic disciplines, including philosophy. In this groundbreaking new account of Western philosophy throughout the past 2,600 years, Karen J. Warren has paired sixteen women philosophers along-side their historical male contemporaries in conversations on philosophy. An overview essay, together with chapter introductions, primary readings, and expert commentaries, offer a rich description and evaluation of each philosopher's vital contributions to Western philosophy. Book jacket.
This striking array of stories, essays, and poems reflects women’s experiences in the American West. Though the tales they tell reflect a variety of viewpoints, these writers share the struggle against the overwhelming isolation brought on by gender and the physical environment. Contributors include:Christina Adam, Gretel Ehrlich, Anita Endrezze, Tess Gallagher, Molly Gloss, Pam Houston, Teresa Jordan, Cyra McFadden, Deirdre McNamer, Melanie Rae Thon, Marilynne Robinson, Annick Smith, Terry Tempest Williams, and Claire Davis