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The thirteenth novel in Craig Johnson's beloved New York Times bestselling Longmire series, the basis for the hit Netflix series Longmire Sheriff Walt Longmire is enjoying a celebratory beer after a weapons certification at the Wyoming Law Enforcement Academy when a younger sheriff confronts him with a photograph of twenty-five armed men standing in front of a Challenger steam locomotive. It takes him back to when, fresh from the battlefields of Vietnam, then-deputy Walt accompanied his mentor Lucian to the annual Wyoming Sheriff's Association junket held on the excursion train known as the Western Star, which ran the length of Wyoming from Cheyenne to Evanston and back. Armed with his trusty Colt .45 and a paperback of Agatha Christie's Murder on the Orient Express, the young Walt was ill-prepared for the machinations of twenty-four veteran sheriffs, let alone the cavalcade of curious characters that accompanied them. The photograph--along with an upcoming parole hearing for one of the most dangerous men Walt has encountered in a lifetime of law enforcement--hurtles the sheriff into a head-on collision of past and present, placing him and everyone he cares about squarely on the tracks of runaway revenge.
This narrative poem on the settling of the United States was awarded the Pulitzer Price posthumously in 1944. We are republishing this classic works with a new additional biography of the author. Benét was an accomplished writer at an early age, having had his first book published at 17. His best known works are the book-length narrative poem American Civil War, John Brown's Body (1928), and two short stories, The Devil and Daniel Webster (1936) and By the Waters of Babylon (1937).
The Light of Western Stars is a western romance novel by Zane Grey. In this story, a New York society girl heads west and ends up with more adventure than she had bargained for. This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This eBook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes
“It’s the scenery—and the big guy standing in front of the scenery—that keeps us coming back to Craig Johnson’s lean and leathery mysteries.” —The New York Times Book Review Walt journeys into the northern Mexican desert alone to save his daughter Cady, who has been kidnapped by the cartel Welcome to Walt Longmire's worst nightmare. Winter is creeping closer, but for Sheriff Longmire this one is looking to be harsh in a way to which he is wholly unaccustomed. He has found himself in the remotest parts of the northern Mexican desert, a lawless place where no horse or car can travel, where no one speaks his language or trusts an outsider, far from his friends and his home turf back in Wyoming. But desperate times call for desperate measures. Tomas Bidarte, the head of one of the most vicious drug cartels in Mexico, has kidnapped Walt's beloved daughter, Cady. The American government is of limited help and the Mexican one even less so. Armed with his trusty Colt .45 and a father's intuition, Walt must head into the 110-degree heat of the desert, one man against an army.
Designed by G.J. Churchward, no. 40 was constructed at Swindon in April 1906. It was Swindon’s first 4 cylinder simple engine and was the forerunner of Churchward’s famous 4 cylinder Star Class 4-6-0s. Initially built as a 4-4-2 Atlantic, no. 40 was named North Star in September 1906, rebuilt as a 4-6-0 in 1909, and renumbered 4000 in 1913. Including no. 40, the Star class eventually numbered seventy-three locomotives, all built at Swindon in batches between 1906 and 1923. In service the Stars proved to be both free-running and reliable locomotives, and for many years were used to haul the Great Western’s top link services, including the world-famous ‘Cornish Riviera Express’. The introduction of the Collett Castle Class 4-6-0s in 1923, and the King Class 4-6-0s in 1927, saw the Stars relegated to secondary passenger, freight and parcels services. A number of Stars were rebuilt by Collett as Castles, including the prototype no. 4000 North Star, but the remaining Stars continued to give good service. At Nationalisation in 1948, no less than forty-seven of these fine locomotives passed into Western Region ownership, the last example, no. 4056 Princess Margaret, being withdrawn in October 1957. In this book, Laurence Waters charts the history of the class from the prototype, right through to the final workings in October 1957. Using many previously unpublished photographs from the Great Western Trust photographic collection, accompanied by informative captions, every member of the Class is illustrated. This book should appeal to those interested in the history of Great Western locomotive development as well as modellers of the Great Western and Western Region.
That Indonesia’s ongoing occupation of West Papua continues to be largely ignored by world governments is one of the great moral and political failures of our time. West Papuans have struggled for more than fifty years to find a way through the long night of Indonesian colonization. However, united in their pursuit of merdeka (freedom) in its many forms, what holds West Papuans together is greater than what divides them. Today, the Morning Star glimmers on the horizon, the supreme symbol of merdeka and a cherished sign of hope for the imminent arrival of peace and justice to West Papua. Morning Star Rising: The Politics of Decolonization in West Papua is an ethnographically framed account of the long, bitter fight for freedom that challenges the dominant international narrative that West Papuans' quest for political independence is fractured and futile. Camellia Webb-Gannon’s extensive interviews with the decolonization movement’s original architects and its more recent champions shed light on complex diasporic and intergenerational politics as well as social and cultural resurgence. In foregrounding West Papuans’ perspectives, the author shows that it is the body politic’s unflagging determination and hope, rather than military might or influential allies, that form the movement’s most unifying and powerful force for independence. This book examines the many intertwining strands of decolonization in Melanesia. Differences in cultural performance and political diversity throughout the region are generating new, fruitful trajectories. Simultaneously, Black and Indigenous solidarity and a shared Melanesian identity have forged a transnational grassroots power-base from which the movement is gaining momentum. Relevant beyond its West Papua focus, this book is essential reading for those interested in Pacific studies, Native and Indigenous studies, development studies, activism, and decolonization.
In The Story of Oklahoma, Deputy U.S. Marshal Bass Reeves appears as the "most feared U.S. marshal in the Indian country." That Reeves was also an African American who had spent his early life enslaved in Arkansas and Texas made his accomplishments all the more remarkable. Black Gun, Silver Star sifts through fact and legend to discover the truth about one of the most outstanding peace officers in late nineteenth-century America--and perhaps the greatest lawman of the Wild West era. Bucking the odds ("I'm sorry, we didn't keep Black people's history," a clerk at one of Oklahoma's local historical societies answered one query), Art T. Burton traces Reeves from his days of slavery to his Civil War soldiering to his career as a deputy U.S. marshal out of Fort Smith, Arkansas, when he worked under "Hanging Judge" Isaac C. Parker. Fluent in Creek and other regional Native languages, physically powerful, skilled with firearms, and a master of disguise, Reeves was exceptionally adept at apprehending fugitives and outlaws and his exploits were legendary in Oklahoma and Arkansas. In this new edition Burton traces Reeves's presence in the national media of his day as well as his growing modern presence in popular media such as television, movies, comics, and video games.
The American West, as we know it, is defined by the movies, and the Western is the oldest film genre. When the movies were born, it was not that long after Promontory Point and the Civil War, so those memories were still there in the minds of the very first movie audiences as they watched The Great Train Robbery. And the myth-making is as important as the brutal truths of history. As the reporter tells Jimmy Stewart in Ford's The Man Who Shot Liberty Valance, "This is the West, sir. When the legend becomes fact, print the legend." Rendered in rare, evocative tones reminiscent of Edward Sheriff Curtis's immortal photographs, Western Portraits provides readers with a collection of stylized portraits that capture the allure and mystique of the Old West, complete with authentic costuming, weaponry and settings. From the epic feature film to the TV series and serial, this coffee table book will put the story of character actors and the significance of their memorable roles into an entertaining perspective. The subjects include such popular, recognizable actors as Karl Malden, David Carradine, Denver Pyle, R. G. Armstrong, L. Q. Jones, Horst Buchholz, Henry Silva, Ruta Lee, Morgan Woodward, Bo Hopkins, Clu Gulager and 72 others. The market for this book will include lovers of classic cinema, Western history aficionados, writers, scholars and collectors of nostalgia and fine art photography. It will awaken movie memories in people's hearts, introduce others to the amazing work of these acting artists and serve as a record of the best of the Hollywood Western. THE PHOTOGRAPHS: R. G. Armstrong, John Beck, Crispian Belfrage, Bruce Boxleitner, Tom Bower, Horst Buchholz, R. D. Call, John "Bud" Cardos, David Carradine, Robert Carradine, Johnny Crawford, Rick Dano, Michael Dante, Robert Davi, Bruce Davison, Lee de Broux, Fred Dryer, Robert Evans, Ed Faulkner, Al Fleming, Robert Forster, Rosemary Forsyth, Gray Frederickson, Max Gail, Bruce Glover, Billy Green Bush, Clu Gulager, Buddy Hackett, George Hamilton, Gregory Harrison, Richard Harrison, Richard Herd, Louis Herthum, Darby Hinton, Bo Hopkins, John Dennis Johnston, L. Q. Jones, Leon Isaac Kennedy, Terry Kiser, Jeff Kober, Paul Koslo, Marty Kove, Art LaFleur, Ruta Lee, Ken Luckey, Barbara Luna, Karl Malden, Ray "Boom Boom" Mancini, Monte Markham, Ken Medlock, Dick Miller, Chris Mulkey, Jan Murray, Louis Nye, Hugh O'Brian, Michael Par , Michael Parks, Denver Pyle, Richard Roundtree, Peter Mark Richman, Jorge Rivero, Stefanie Powers, Mitchell Ryan, John Savage, John Schneider, Jacqueline Scott, Henry Silva, Tom Sizemore, Paul L. Smith, William Smith, Phil Spangenberger, Bo Svenson, Tim Thomerson, Jan-Michael Vincent, Jesse Vint, Hunter von Leer, Kateri Walker, Fred "The Hammer" Williamson, Lana Wood, Robert Wood, Morgan Woodward, Rob Word, Harris Yulin; with photographs in book's back section of Steve Carver, C. Courtney Joyner, Robert Zinner, Danny Chuchian
The new novel in Craig Johnson's beloved New York Times bestselling Longmire series. "It's the scenery—and the big guy standing in front of the scenery—that keeps us coming back to Craig Johnson's lean and leathery mysteries." —The New York Times Book Review Recovering from his harrowing experiences in Mexico, Sheriff Walt Longmire returns to Absaroka County, Wyoming, to lick his wounds and try once again to maintain justice in a place with grudges that go back generations. When a shepherd is found dead, Longmire suspects it could be suicide. But the shepherd's connection to the Extepares, a powerful family of Basque ranchers with a history of violence, leads the sheriff into an intricate investigation of a possible murder. As Walt searches for information about the shepherd, he comes across strange carvings on trees, as well as play money coupons from inside Mallo Cup candies, which he interprets as messages from his spiritual guide, Virgil White Buffalo. Longmire doesn't know how these little blue cards are appearing, but Virgil usually reaches out if a child is in danger. So when a young boy with ties to the Extepare clan arrives in town, the stakes grow even higher. Even more complicating, a renegade wolf has been haunting the Bighorn Mountains, and the townspeople are out for blood. With both a wolf and a killer on the loose, Longmire follows a twisting trail of evidence, leading to dark and shocking conclusions.
Poirot receives a visit from Miss Mary Marvell, the famous American film star on her visit to London. She has received three letters, handed to her by a Chinese man, which warn her to return her fabulous diamond jewel, the "Western Star", to where it came from – the left eye of an idol – before the next full moon.