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Creating Global Music in Turkey looks at the rise of ”world music” in Turkey by analyzing this country’s various “traditional” or ethnic music forms. The book focuses on the uniquely Turkish musical forms exemplified by Gypsy, Sufi, and Folk music, and explores how these have been incorporated into the global discourses of world music. In doing so, the book also shows how the place-making strategies of globalization are embodied through the construction of an “authentic” Istanbul sound under the label of world music. The reader is invited to consider each musical tradition as being a unique realm in its incorporation into world music. The process of incorporation and appropriation is explained by examination of the specificities of each realm. This book is unique within the relevant literature, focusing on the production of a global cultural form outside of the Western world. It uses the findings of comprehensive ethnographic research to reveal to the reader the strategies of actors, the discursive mechanisms in the field, and how the world music markets operate.
The first volume of the book series Ottoman Empire and European Theatre focuses on the period between 1756 and 1808, the era of W. A. Mozart (1756-1791) and Sultan Selim III (1761-1808). These historical personalities, whose life-spans overlap, were towering figures of their time: Mozart as an extraordinary composer and Selim III as both a politician and a composer. Inspired by the structure of opera, the forty-four contributions of Volume I are arranged in eight sections, entitled Ouverture, Prologue, Acts I-V and Epilogue. The Ouverture includes the opening speeches of diplomats, politicians, and scholars as well as a memorial text for the "Genius of Opera", Turkish prima donna Leyla Gencer (1928-2008). The Prologue, "The Stage of Politics", features texts by distinguished historians who give an historical overview of the Ottoman Empire and Europe in the late eighteenth century, from both Turkish and Austrian points of view. Act I features texts concerning "Diplomacy and Theatre", and Act II takes the reader to "Europe South, West and North". Act III has contributions concerning theatre in "Central Europe", while Act IV deals with "Mozart" and the world of the seraglio. Act V turns our attention to the Ottoman "Sultan Selim III", and the Epilogue considers literary and theatrical adventures of "The Hero in the Sultan's Harem". Contributions by Metin And, Emre Araci, Tülay Artan, Esin Akalin, Thomas Betzwieser, Annemarie Bönsch, Emil Brix, Christian Brunmayr, Bertrand Michael Buchmann, Aysin Candan, Helga Dostal, Erich Duda, Wolfgang Greisenegger, Heidemaria Gürer, Matthew Head, Caroline Herfert, Bent Holm, Frank Huss, Michael Hüttler, Nadja Kayali, Hans-Peter Kellner, Alexandre Lhâa, Isabelle Moindrot, Ilber Ortayli, Zeynep Oral, Cemal Öztas, William F. Parmentier, Matthias J. Pernerstorfer, Gabriele C. Pfeiffer, Walter Puchner, Günsel Renda, Mustafa Fatih Salgar, Ulrike Schneider, Selin Ipek, Käthe Springer-Dissmann, Suna Suner, Marianne Travén, B. Babür Turna, Derek Weber, Mehmet Alaaddin Yalçinkaya, Selim Yenel.
The book series “Ottomania” researches cultural transfers between the Ottoman Empire and Europe, with the performing arts as its focus. In Ottoman Empire and European Theatre, vol. IV: Seraglios in Theatre, Music and Literature, the series continues to explore one of the most popular subjects of eighteenth-century art: the seraglio and its harem. This volume provides a deeper understanding of the seraglio's various manifestations in the artworks, music and theatre of the Austrian/ Habsburg and central European regions, including interconnections with Italy and France, from the sixteenth to the nineteenth centuries. The studies examine descriptions of the seraglio by European diplomats, the seraglio's visual traces in European artworks, and depictions of the seraglio in eighteenth-century Austrian Singspiele. They also consider seraglios from the Ottoman point of view and investigate the music of the seraglio in eighteenth-century opera.
The need for a research volume on European theatre music and sound is almost self-evident. Musical and sonic practices have been an integral part of theatre ever since the artform was first established 2,500 years ago: not just in subsequent genres that are explicitly driven by music, such as opera, operetta, ballet, or musical theatre, but in all kinds of theatrical forms and conventions. Conversely, academic recognition of the role of theatre music, its aesthetics, creative processes, authorships, traditions, and innovations is still insufficient. This volume unites experts from different disciplines and backgrounds to make a significant contribution to the much-needed discourse on theatre music. The term itself is a shapeshifter that signifies different phenomena at different times: the book thus deliberately casts a wide net to explore both the highly contextual terminologies and the many ways in which different times and cultures understand ‘theatre music’. By treating theatre music as a practice, focusing on its role in creating and watching performances, the book appeals to a wide range of readerships: researchers and students of all levels, journalists, audiences, and practitioners. It will be useful to universities and conservatoires alike and relevant for many disciplines in the humanities.
In recent years classical music has become a test case for debates over the future of culture. As times have changed, the value traditionally placed on this music has been challenged on social rather than aesthetic grounds. Lovers of classical music have been asked how its privileged history can be reconciled with growing demands for social justice and social inclusiveness. They have been asked how the music’s standing as one of the great accomplishments of the West can be reconciled with the many injustices on which those accomplishments in part depended. How can the future of classical music escape the darker shadows of its past? ‘Classical Music in a Changing World: Crisis and Vital Signs’ addresses the crisis provoked by such questions in two complementary ways. Several of the chapters show how the classical music world is already grappling with the crisis, and finding vital signs beyond the borders of the music’s traditional European strongholds: in Turkey from Ottoman times to the present, in Colombia, and in a Black American film. Other chapters identify areas that still need improvement, especially on behalf of female and LGBTQ+ musicians, and suggest how advances can be made both on concert stages and in schools. This volume, which opens with an introduction by Alberto Nones that contextualizes the book and outlines the main arguments of its chapters, contains an essay by Lawrence Kramer that examines the place of classical music in the history of consciousness—a history now changing rapidly—and concludes with a Postscript written by the two editors. The writing in this volume will be accessible to a wide audience, including scholars and students, professionals and amateurs, performers and listeners. Teachers will find it a source of lively classroom debate, and scholars a source of learning outside the usual arenas. The book’s “vital signs” include the accompanying audio tracks (available for download at: https://vernonpress. com/book/1281), which feature vibrant music-making from a diverse range of performers and composers.
Reform, Notation and Ottoman Music in Early 19th Century Istanbul: EUTERPE presents the first complete set of transcription and edition of Euterpe (1830) from Byzantine neumatic notation into the modified staff notation used by classical Turkish music and is accompanied by a substantial examination of the related historical, theoretical and musical topics. Through a series of Ottoman/Turkish classical vocal music compositions that can be dated to the 18th and 19th centuries, Euterpe and related sources reinforce a much broader picture of musical practice and transmission in which we clearly see that the Greek and Turkish traditions are linked. Reform, Notation and Ottoman Music in Early 19th Century Istanbul is presented in two parts: historical discussion and musical analysis, and complete transcription and edition of Euterpe. This book will appeal to music scholars and university students interested in minorities, cosmopolitanism in the Middle East and Balkans, the relationship between music and national identity, musical notation, classical Ottoman/Turkish music, Byzantine music, and, most significantly, ethnomusicology.
Welcome to "The Migration: Of Art Between History & Geography," a book that explores the fascinating concept of the migration of arts throughout history and geography. In this book, we will embark on a journey that explores how art has traveled through time and space, from one region to another, transforming and adapting as it migrates. We will examine the cultural, social, and political influences that shape the migration of art and how it impacts the way we see and experience the world today. This book aims to introduce the concept of art migration to our modern-day society and highlight the importance of understanding this process. As we live in a world that is increasingly globalized and interconnected, the migration of art is becoming more prevalent than ever before. In this context, it is crucial to understand how art has traveled across the world, the ways in which it has been transformed, and how it has impacted different cultures and societies. Through our exploration, we will delve into the migration of various forms of art, including painting, sculpture, literature, music, dance, photography and digital design. We will examine the factors that have driven the migration of art, such as trade, conquest, migration of people, and the spread of ideas and religion. We will also examine how the migration of art has led to the emergence of new art forms, and how it has influenced the development of different cultures throughout history. This book is designed to appeal to anyone interested in art, history, or geography, and it will challenge you to think critically about how art has migrated and continues to migrate throughout the world. It is our hope that by reading this book, you will gain a deeper appreciation for the richness and diversity of art across cultures and time periods, and understand how it has helped to shape our world today.
Discover the captivating world of the Ottoman Empire with "Ottoman Empire: The Sultan's Domain" - a remarkable book bundle that takes you on a journey through the rise and fall of one of history's most influential empires. Dive into the rich tapestry of Ottoman history, exploring its politics, art, architecture, cultural brilliance, and its encounters with the wider world through trade and diplomacy. Book 1 - "The Rise And Fall Of The Ottoman Empire: A Comprehensive History" - delves into the origins and expansion of the empire, tracing its rise to power and exploring the key events that shaped its destiny. Uncover the strategies, military campaigns, and political maneuvers that propelled the Ottomans to become a formidable force in the region and learn about the factors that led to its eventual decline. Book 2 - "The Ottoman Empire: Power, Politics, And Imperial Legacy" - offers a nuanced examination of the empire's political landscape. Delve into the inner workings of the Ottoman court, the power struggles among the ruling elite, and the complex dynamics that governed its vast territories. Gain a deeper understanding of the empire's governance, institutions, and the lasting impact it left on the regions it once ruled. Book 3 - "Splendors Of The Ottoman Empire: Art, Architecture, And Cultural Brilliance" - takes you on a visually stunning journey through the artistic and architectural marvels of the empire. Marvel at the grandeur of the Hagia Sophia, explore the intricate designs of Ottoman carpets and ceramics, and discover the beauty of Ottoman calligraphy and miniature painting. Immerse yourself in the rich cultural heritage that continues to captivate admirers to this day. Book 4 - "Ottoman Encounters: Exploring Trade, Diplomacy, And Cross-Cultural Exchanges" - sheds light on the empire's interactions with the wider world. Uncover the vibrant trade networks that connected the Ottoman Empire to distant lands, learn about its diplomatic engagements with European powers, and explore the fascinating cross-cultural exchanges that took place along the empire's borders. Gain insights into the economic, political, and social dimensions of Ottoman engagement with other civilizations. This book bundle offers a comprehensive and engaging exploration of the Ottoman Empire, combining meticulous research with vivid storytelling to transport you to a world of grandeur, intrigue, and cultural splendor. Whether you are a history enthusiast, a student of geopolitics, or simply curious about this extraordinary empire, "Ottoman Empire: The Sultan's Domain" is a must-have collection that will enrich your understanding of one of history's most influential periods. Immerse yourself in the epic tale of the Ottomans, from their humble beginnings to their far-reaching impact on the world stage. Delve into the triumphs and tribulations, the art and architecture, the politics and diplomacy that shaped the empire's destiny. Order your copy of "Ottoman Empire: The Sultan's Domain" today and embark on a captivating journey through history's illustrious corridors.
In recent years we have become interested in the diffusion of “small” Western technologies in the countries of the Middle East during the 19th and 20th centuries, the era of Imperialism and first globalization. We postulated a contrast between “small” and “big” technologies. Under the latter category we may understand railway systems, electricity grids, telegraph networks, and steam navigation, imposed by foreign powers or installed by connected local entrepreneurs. But many “small” Western technologies, such as sewing machines, typewriters, pianos, eyeglasses, and similar consumer goods, which had been developed and manufactured in Europe and America, were wanted, and willingly acquired by the agency of individual users elsewhere. In a few cases, however, the inventions had to be adapted, or were overstepped, and even delayed. Some were adopted as social markers or status symbols only by elites who could afford them. Processes of adoption and diffusion therefore differed according to cultural settings, preferences, and needs. Social and cultural historians, and social scientists, not only of the Middle East, will find in this collection of essays a new approach to the impact of Western technological inventions on the Middle East.