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Canon Vs. Culture explores the consequences of one of the main educational shifts of the last quarter century-- the changes from academic inquiry conducted through a selected list of accepted authorities to an investigation of the cultural operations of an entire society.
Hailed as a landmark in Canadian literary scholarship when it was originally published in 1965, the Literary History of Canada is now being reissued, revised and enlarged, in three volumes. This major effort of a large group of scholars working in the field of English-language Canadian literature provides a comprehensive, up-to-date reference work. It has already proven itself invaluable as a source of information on authors, genres, and literary trends and influences. It represents a positive attempt to give a history of Canada in terms of writings which deserve attention because of significant thought, form, and use of language. Volume 3 has been newly written for this edition of the History, and covers the years from about 1960 to 1974. The contributors to this volume are Claude Bissell, Desmond Pacey, Lauriat Lane, jr, Michael S. Cross, Thomas A. Goudge, John Webster Grant, John H. Chapman, William E. Swinton, Henry B. Mayo, Malcolm Ross, Brandon Conron, Clara Thomas, Sheila A. Egoff, John Ripley, William H. New, George Woodcock, and Northrop Frye.
This study overturns core conceptions regarding Calvin revising what we know about Calvin, history, tradition, and our own situation.
Dr Donald K. McKim gathers together an international array of major Calvin scholars to consider phases of Calvin's theological thought and influence. Here, historians and theologians meet to present a full picture of Calvin's contexts, the major themes in Calvin's writings, and the ways in which his thought spread and has increasing importance today. The chapters serve as guides to their topics and provide further readings for additional study. This is an accessible introduction to the significant Protestant reformer and will appeal to the specialist and non-specialist alike.
In this provocative re-examination of the work of Robert Kroetsch, who has been hailed as the father of Canadian post-modernism, Dianne Tiefensee argues that Kroetsch's "deconstruction" fails to address, or even comprehend, the radical nature of Derrida's theory.
Examines aspects of Mauriac's work and career that have been unduly neglected and suggests new critical approaches.