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Play of a Fiddle gives voice to people who steadfastly hold to and build on the folk traditions of their ancestors. While encountering the influences of an increasingly overwhelming popular culture, the men and women in this book follow age-old patterns of folklife and custom, making their own music and dance in celebration of them. Shedding new light on a region that maintains ties to the cultural identities of its earliest European and African inhabitants, Gerald Milnes shows how folk music in West Virginia borrowed rhythmic, melodic, and vocal forms from the Celtic, Anglo, Germanic, and Af.
From fiddle tunes to folk ballads, from banjos to blues, traditional music thrives in the remote mountains and hollers of West Virginia. For a quarter century, Goldenseal magazine has given its readers intimate access to the lives and music of folk artists from across this pivotal state. Now the best of Goldenseal is gathered for the first time in this richly illustrated volume. Some of the country's finest folklorists take us through the backwoods and into the homes of such artists as fiddlers Clark Kessinger and U.S. Senator Robert Byrd, recording stars Lynn Davis and Molly O'Day, dulcimer master Russell Fluharty, National Heritage Fellowship recipient Melvin Wine, bluesman Nat Reese, and banjoist Sylvia O'Brien. The most complete survey to date of the vibrant strands of this music and its colorful practitioners, Mountains of Music delineates a unique culture where music and music making are part of an ancient and treasured heritage. The sly humor, strong faith, clear regional identity, and musical convictions of these performers draw the reader into families and communities bound by music from one generation to another. For devotees as well as newcomers to this infectiously joyous and heartfelt music, Mountains of Music captures the strength of tradition and the spontaneous power of living artistry.
Music in the Air is a study on fiddle music and folk traditions. It is also a look into the broad influences that folk music has on fiddlers? compositions and their practices. By exploring the oral histories of seven, life-long musicians, Erynn Marshall illuminates the diversity of these music traditions and the culmination of the fiddle song genres. Through the studies of the musicians lives, oral transmissions, social contexts, and analysis of various genres within the contexts, Marshall expresses how the instrumental and vocal tradition have merged and transformed over time, blurring the preset boundaries and perceptions of the art. Included with this intense survey of Appalachian tradition is a CD of Marshall's field and archival recordings of West Virginia musicians.
Long an icon of American musical and political life, Pete Seeger has written eloquently in a diverse array of publications but nowhere is his life story more personally chronicled than in these, his private writings, documents and letters stored for decades in his family barn. Pete Seeger: His Life in His Own Words, collects Seeger's letters, notes, published articles, rough drafts, stories and poetry - creating the most intimate picture yet available of Seeger as a musician, an activist and a family man. The book covers the passions, personalities and experiences of a lifetime of struggle - from the pre-WWII labour movement and the Communist Party, to Woody Guthrie, the Civil Rights movement and the struggle against the war in Vietnam. The portrait that emerges is not of a saint, but a flesh-and-blood man, struggling to understand his time and his place.
Folk Music in Overdrive is a reader of music scholar Ivan Tribe's more significant published articles, revised and updated from their original publication in magazines such as Bluegrass Unlimited, Precious Memories: Journal of Gospel Music, Old Time Music, and Goldenseal: West Virginia Traditional Life, as well as two never-before published essays. Tribe delivers essays on well-known solo artists such as Charlie Monroe and Mac Odell; country music duos like husband and wife team Joe and Stacy Isaacs or the brotherly duos of The Bailes, Callahan, and Goins brothers; famous and lesser-known sidemen such as fiddlers Tater Tate and Natchee the Indian, or dobro player Speedy Krise; and musical groups such as the enigmatic Coon Creek Girls. This collection represents an important contribution to music studies and spans bluegrass as a genre from its beginnings to the present. Originally built around interviews with these figures and their close associates, these thirty-nine revised articles yield new information from a variety of sources, much from Bear Family boxed sets as well as counsel, advice, and knowledge shared by other music scholars. Tribe's profiles cover musicians and bands that were bluegrass pickers and singers themselves, as well as some musicians who are often characterized as traditional country musicians. Some led bands for all or part of their careers, while others ranked as noted sidemen or band members. Others composed songs that have become popular, indeed often standard, fare in the bluegrass field. As part of the Charles K. Wolfe Music Series, formed in honor of the late music scholar, Folk Music in Overdrive succinctly advances traditional music scholarship and Wolfe's own love of early country and bluegrass. IVAN TRIBE is emeritus professor of history at the University of Rio Grande in Ohio. He is the author of The Stonemans: An Appalachian Family and the Music That Shaped Their Lives, Mountaineer Jamboree: Country Music in West Virginia, and Country: A Regional Exploration.
While the Goose Island Ramblers are a remarkable group, they are entirely representative of the many bands who, from the 1920s through the 90s, have synthesized an array of "foreign," "American," folk, popular, and hillbilly musical strains to entertain rural, small town, working class audiences throughout the Midwest. Based on more than twenty years of field research, this study of the Goose Island Ramblers alters our perception of what American folk music really is. The music of the Ramblers - decidedly upper Midwest, multicultural, and inescapably American - argues for a most inclusive, fluid notion of American folk music, one that exchanges ethnic hierarchy for egalitarianism, that stresses process over pedigree, and that emphasizes the pluralism of American musical culture. Rootsy, constantly evolving, and wildly eclectic, the polkabilly music of the Ramblers constitutes the American folk music norm, redefining in the process our understanding of American folk traditions.
" West Virginia boasts an unusually rich heritage of ghost tales. Originally West Virginians told these hundred stories not for idle amusement but to report supernatural experiences that defied ordinary human explanation. From jealous rivals and ghostly children to murdered kinsmen and omens of death, these tales reflect the inner lives—the hopes, beliefs, and fears—of a people. Like all folklore, these tales reveal much of the history of the region: its isolation and violence, the passions and bloodshed of the Civil War era, the hardships of miners and railroad laborers, and the lingering vitality of Old World traditions.