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Peter Brown’s haunting photographs of the high plains, interspersed with Kent Haruf’s narratives of the people who live there. West of Last Chance is a unique collaboration between celebrated photographer Peter Brown and award-winning author Kent Haruf. The result is a profound visual/verbal dialogue of short prose pieces and large-format color images that brings to life this sometimes brutal and incredibly beautiful part of the country. Awarded the Dorothea Lange–Paul Taylor Prize by the Center for Documentary Studies at Duke University for this project in 2005, the authors write: “Our interest in this part of the world is contemporary but also includes its history and a mix of stories that have passed down over the years, stories that resonate with the land in interesting ways.” It is an evocative work concerned with “moments that describe the beauty, power, tragedy, and cultural complexity of the place itself: the way the land has been used, the way people have lived on it, and the visual record that has been left behind.”
Blankley paints the picture of a Europe in which radical Islam is triumphant - a threat that becomes more real with every passing day. Blankley also shows what the United States must do to avoid the same fate.
A powerful, bracing and deeply spiritual look at intensely, troubled youth, Last Chance in Texas gives a stirring account of the way one remarkable prison rehabilitates its inmates. While reporting on the juvenile court system, journalist John Hubner kept hearing about a facility in Texas that ran the most aggressive–and one of the most successful–treatment programs for violent young offenders in America. How was it possible, he wondered, that a state like Texas, famed for its hardcore attitude toward crime and punishment, could be leading the way in the rehabilitation of violent and troubled youth? Now Hubner shares the surprising answers he found over months of unprecedented access to the Giddings State School, home to “the worst of the worst”: four hundred teenage lawbreakers convicted of crimes ranging from aggravated assault to murder. Hubner follows two of these youths–a boy and a girl–through harrowing group therapy sessions in which they, along with their fellow inmates, recount their crimes and the abuse they suffered as children. The key moment comes when the young offenders reenact these soul-shattering moments with other group members in cathartic outpourings of suffering and anger that lead, incredibly, to genuine remorse and the beginnings of true empathy . . . the first steps on the long road to redemption. Cutting through the political platitudes surrounding the controversial issue of juvenile justice, Hubner lays bare the complex ties between abuse and violence. By turns wrenching and uplifting, Last Chance in Texas tells a profoundly moving story about the children who grow up to inflict on others the violence that they themselves have suffered. It is a story of horror and heartbreak, yet ultimately full of hope.
A candid and colorful memoir by the singer, songwriter, and “Duchess of Coolsville” (Time). This troubadour life is only for the fiercest hearts, only for those vessels that can be broken to smithereens and still keep beating out the rhythm for a new song . . . Last Chance Texaco is the first-ever no-holds-barred account of the life of two-time Grammy Award-winner and Rickie Lee Jones in her own words (Hilton Als). It is a tale of desperate chances and impossible triumphs, an adventure story of a girl who beat the odds and grew up to become one of the most legendary artists of her time, turning adversity and hopelessness into timeless music. With candor and lyricism, she takes us on a singular journey through her nomadic childhood, her years as a teenage runaway, her legendary love affair with Tom Waits, and ultimately her longevity as the hardest working woman in rock and roll. Rickie Lee’s stories are rich with the infamous characters of her early songs—“Chuck E’s in Love,” “Weasel and the White Boys Cool,” “Danny’s All-Star Joint,” and “Easy Money”—but long before her notoriety in show business, there was a vaudevillian cast of hitchhikers, bank robbers, jail breaks, drug mules, and a pimp with a heart of gold, and tales of her fabled ancestors. This intimate memoir by one of the most trailblazing and tenacious women in music is filled with never-before-told stories of the girl in the raspberry beret, whose songs defied categorization and inspired American pop culture for decades. “A striking, distinctive self-portrait.” —The New York Times “Terrific . . . Jones is as fearless in prose as she is on stage.” —Minneapolis Star-Tribune “Men leave, fame fizzles, family breaks your heart . . . but Jones knows a good story and how to tell it.” —Kirkus Reviews (starred review) “[The] premiere song-stylist and songwriter of her generation.” —Hilton Als, Pulitzer Prize–winner and author of White Girls
Get swept away to Copper Ridge, Oregon, by New York Times bestselling author Maisey Yates, and meet the town's prodigal son who has finally come home... The man who ruined Rebecca Bear's life just strolled back into it with one heck of an offer. Years ago, Gage West's recklessness left Rebecca scarred inside and out. Now he wants to make amends by gifting her the building that houses her souvenir store. Rebecca won't take Gage's charity, but she's willing to make a deal with the sexy, reclusive cowboy. Yet keeping her enemy close is growing dangerously appealing… He's the wild West brother, the bad seed of Copper Ridge. That's why Gage needs the absolution Rebecca offers. He just didn't expect to need her. After years of regretting his past, he knows where his future lies—with this strong, irresistible woman who could make a black sheep come home to stay…
On the morning of September 15, 1963, a bomb exploded outside the Sixteenth Street Baptist Church in Birmingham, Alabama, killing four young girls. Thirty-two years later, stymied by a code of silence and an imperfect and often racist legal system, only one person, Robert “Dynamite Bob” Chambliss, had been convicted in the murders, though a wider conspiracy was suspected. With many key witnesses and two suspects already dead, there seemed little hope of bringing anyone else to justice. But in 1995 the FBI and local law enforcement reopened the investigation in secret, led by detective Ben Herren of the Birmingham Police Department and special agent Bill Fleming of the FBI. For over a year, Herren and Fleming analyzed the original FBI files on the bombing and activities of the Ku Klux Klan, then began a search for new evidence. Their first interview—with Klansman Bobby Frank Cherry—broke open the case, but not in the way they expected. Told by a longtime officer of the Birmingham Police Department, Last Chance for Justice is the inside story of one of the most infamous crimes of the civil rights era. T. K. Thorne follows the ups and downs of the investigation, detailing how Herren and Fleming identified new witnesses and unearthed lost evidence. With tenacity, humor, dedication, and some luck, the pair encountered the worst and best in human nature on their journey to find justice, and perhaps closure, for the citizens of Birmingham.
Fasten your seat belt, Gregg Kaplan is back in another action-packed adventure
Blankley paints the picture of a Europe in which radical Islam is triumphant - a threat that becomes more real with every passing day. Blankley also shows what the United States must do to avoid the same fate.
From New York Times bestselling author Mariah Stewart comes the first novel in her all-new series, The Hudson Sisters, following a trio of reluctant sisters as they set out to fulfill their father’s dying wish. In the process, they find not only themselves, but the father they only thought they knew. When celebrated and respected agent Fritz Hudson passes away, he leaves a trail of Hollywood glory in his wake—and two separate families who never knew the other existed. Allie and Des Hudson are products of Fritz’s first marriage to Honora, a beautiful but troubled starlet whose life ended in a tragic overdose. Meanwhile, Fritz was falling in love on the Delaware Bay with New Age hippie Susa Pratt—they had a daughter together, Cara, and while Fritz loved Susa with everything he had, he never quite managed to tell her or Cara about his West Coast family. Now Fritz is gone, and the three sisters are brought together under strange circumstances: there’s a large inheritance to be had that could save Allie from her ever-deepening debt following a disastrous divorce, allow Des to open a rescue shelter for abused and wounded animals, and give Cara a fresh start after her husband left her for her best friend—but only if the sisters upend their lives and work together to restore an old, decrepit theater that was Fritz’s obsession growing up in his small hometown in Pennsylvania’s Pocono Mountains. Guided by Fritz’s closest friend and longtime attorney, Pete Wheeler, the sisters come together—whether they like it or not—to turn their father’s dream into a reality, and might just come away with far more than they bargained for.