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By the turn of the 20th century, West Adams had become one of the first bedroom communities in fast-growing Los Angeles. Mansions and bungalows housed bankers and merchants who commuted to their businesses downtown, as well as moviemakers, debutantes, the social elite, and one or two scoundrels. Anchored by Adams Boulevard, this area just west of downtown has been through many changes. Today the neighborhood is one of the most racially and architecturally diverse in the country and contains the highest concentration of historic cultural monuments in Los Angeles. Residents and local archives, including the University of Southern California and the Automobile Club of Southern California, have contributed images to this volume illustrating life and architecture from Victorian times onward.
Originally published in 1974, this book is now regarded as a classic book of photography in the pantheon of landmark projects exploring American culture and society.
"Robert Adamss' sixth book of landscape/topographical photography, exploring the area west of the Missouri River, where his ancestors settled several generations ago. Printed by the Meriden Gravure Company using negatives prepared by Richard Benson."--Amazon.
This book offers a broad collection of striking photographs--some familiar, many rare--by both well-known and unknown photographers. A distinguised historian of photography, the author, Eva Weber, brings a special perspective to this book with her discussions of the subjects and themes that have persisted and pervaded the photographs of the American West.
Urban Wildlife Habitats was first published in 1994. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. In cities, towns, and villages, between buildings and parking lots, streets and sidewalks, and polluted streams and rivers, there is ever less space for the "natural," the plants and animals that once were at home across North America. In this first book-length study of the subject, Lowell W. Adams reviews the impact of urban and suburban growth on natural plant and animal communities and reveals how, with appropriate landscape planning and urban development, cities and towns can be made more accommodating for a wide diversity of species, including our own. Soils and ground surface, air, water, and noise pollution, space and demographics are among the urban characteristics Adams considers in relation to wildlife. He describes changes in the composition and structure of vegetation, as native species are replaced by exotic ones, and shows how, with spreading urbanization of natural habitats, the diversity of species of plants and animals almost always declines, although the density of a few species increases. Adams contends, however, that it is possible for a wide variety of species to coexist in the metropolitan environment, and he cites a growing interest in the practice of "natural landscaping," which emphasizes the use of native species and considers the structure, pattern, and species composition of vegetation as it relates to wildlife needs. Urban habitats vary from small city parks in densely built downtowns to suburbs with large yards and considerable open space. Adams discusses the opportunities these areas--along with school yards, hospital grounds, cemeteries, individual residences, and vacant lots--provide for judicious wildlife management and for the salutary interaction of people with nature. Lowell W. Adams is vice president of the National Institute for Urban Wildlife in Columbia, Maryland.
On the 10th of November, 2007, a patient (and friend) of mine died in the late-postoperative period. A media circus ensued and the importance of that person to me, her family, and friends got lost in the parade of opportunists who crawled from under every conceivable rock to tell their story. The problem is that they were wrong. Even worse was that the press, in an effort to get the story first and get it exclusively, also got it wrong. The time has come to simply tell the truthnot my truth, but the factsso that you can arrive at your own truth.
Western Words has 5,000 words of cowboy language as vibrant now as it was in the old American frontier. "Within the cowman's figures of speech lie the rich field of his subtle humor and strength-unique, original, full-flavored. With his usually limited education he squeezes the juice from language, molds it to suit his needs, and is a genius at making a verb out of anything. He 'don't have to fish 'round for no decorated language to make his meanin' clear, ' and has little patience with the man who 'spouts words that run eight to the pound.' Perhaps the strength and originality in his speech are due to the solitude, the nearness of the stars, the bigness of the country, and the far horizons-all of which give him a chance to think clearly and go into the depths of his own mind. Wide spaces 'don't breed chatterboxes.' On his long and lonely rides, he is not forced to listen to the scandal and idle gossip that dwarf a man's mind. Quite frequently he has no one to talk to but a horse..." -from the author's Introduction
Table of contents
Presents folklore and legends, heroes and villains, wars and important events in the history of the Old West. Includes also examples of Western art and music.