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Post-burn scar contractures are a commonly encountered problem in the field of plastic and reconstructive surgery. Nevertheless, many physicians still lack adequate knowledge on beneficial treatments. In this up-to-date atlas, leading specialists in post-burn treatment and the reconstruction of post-burn scar contractures depict in detail not only surgical techniques but also a variety of advantageous wound treatments. Many new methods invented by the authors are presented. Operative techniques are depicted in detail, and clear guidance is provided on selection of the most appropriate flap surgery. Advice is also given on how to prevent permanently disabling restriction of joint movement as a result of contractures and how to achieve good aesthetic reconstruction. This atlas is designed to appeal to a wide audience, from beginners to specialists. It will prove invaluable for doctors of every kind who deal with wound management.
'She was . . . marvellous' GUARDIAN 'I admired many authors. But Molly, I loved' DIANA ATHILL 'Keane's distinctive blend of elegant savagery and deep affection' EVENING STANDARD To Ballinrath House, where purple bog gives way to slate-coloured mountains, comes Allan to visit his Irish cousins. No sooner has he arrived than he falls in love with Cousin Ann, though it seems that she only has eyes for Captain Dennys St Lawrence.
A young farmer and his wife who have migrated to Tanzania from Kenya become embroiled in issues of personal jealousy and materialism, and a melodramatic tale of tribal hatreds ensues. The novel explores Ogot's concept of the ideal African wife: obedient and submissive to her husband; family and community orientated; and committed to non-materialist goals. The style is distinctively ironic giving the story power and relevance. Grace Ogot has been employed in diverse occupations as a novelist, short story writer, scriptwriter, politician, and representative to the UN. Some of her other works include The Island of Tears (1980), the short story collection Land Without Thunder (1988), The Strange Bride (1989) and The Other Woman (1992). The Promised Land was originally published in 1966, and has since been reprinted five times.
BY THE AUTHOR SHORTLISTED FOR THE MAN BOOKER PRIZE INTRODUCED BY POLLY DEVLIN 'Psychologically sharp, socially knowing and closely knit' IRISH TIMES 'She was . . . marvellous' GUARDIAN 'A writer of genius' WALL STREET JOURNAL One glorious gothic mansion - Garonlea - and two rather different ladies who would be Queen . . . Lady Charlotte French-McGrath has successfully ruled over her family with a rod of iron until the arrival of Cynthia: beautiful, young, talented, selfish - and engaged to her son Desmond. When Cynthia enters the Jazz Age, on the surface her life passes in a whirl of hunting, drinking and romance. But the ghosts of Garonlea are only biding their time: they know the source of their power, a secret handed on from one generation to the next.
First published in 1933 when the author was still writing under the name of M.J. Farrell it is a celebration of the joys of hunting, point-to-point, fishing and shooting in Ireland. To those who take part it is a way of life, indeed a religion in itself and born and bred to the life, the author captures its unique character.
America's Siberian Adventure 1918-1920 recounts the covert campaign by the US to stabilize a region plagued by an uprising of multiple conflicts following the end of World War 1. General William Graves was the man sent to Siberia to lead an expeditionary force deep into the frozen interior, where Graves and his hardy men had to contend with Russian warlords, the Red Army, a roving brigade of Czechoslovakian troops, the need to protect the Trans-Siberian Railway, extreme weather conditions, and the regular armies of the Japanese and British. The results of the expedition were mixed, but historians agree that the operation materially contributed to bringing peace to the region, the ultimate goal of this unusual mission.
The extraordinary fecundity of the photographic medium between the first and second world wars can be persuasively attributed to the dynamic circulation of people, of ideas, of images, and of objects that was a hallmark of that era in Europe and the United States. Voluntary and involuntary migration, a profusion of publications distributed and read on both sides of the Atlantic, and landmark exhibitions that brought artistic achievements into dialogue with one another all contributed to a period of innovation that was a creative peak both in the history of photography and in the field of arts and letters. Few, if any, collections of photography capture the imaginative spirit of this moment as convincingly as the Thomas Walther Collection at The Museum of Modern Art.0This volume represents an important chapter in the rich and complex lives of these works, providing ample evidence of the brilliance of the photographers practicing on both sides of the Atlantic in the interwar period.00Exhibition: Museo d'arte della Svizzera italiana, Lugano, Switzerland (25.04-01.08.2021) / Jeu de Paume, Paris, France (14.09.2021-30.01.2022) / CAMERA, Turin, Italy (03-06.2022).