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This vintage book contains a treatise on the subject of werewolves written by Montague Summers, exploring evidence for their existence found in British historical records, literature, and folklore. This fascinating volume is highly recommended for those with an interest in the supernatural and occult, and it is not to be missed by collectors of Summers' famous work. Augustus Montague Summers (1880 – 1948) was an English clergyman and author most famous for his studies on vampires, witches and werewolves—all of which he believed to be very much real. He also wrote the first English translation of the infamous 15th-century witch hunter's manual, the “Malleus Maleficarum”, in 1928. Other notable works by this author include: “A Popular History of Witchcraft” (1937), “Witchcraft and Black Magic” (1946), and “The Physical Phenomena of Mysticism” (1947). Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.
Co-written by Irish filmmaker Neil Jordan and British novelist Angela Carter, and based on several short stories from Carter's collection The Bloody Chamber, The Company of Wolves (1984) is a provocative reinvention of the fairy tale of Little Red Riding Hood. Unraveling a feverish metaphor for the blossoming of a young girl's sexuality and her subsequent loss of innocence, the film entwines symbolism and metaphor with striking visuals and grisly effects. Released in the early 1980s, a time which produced several classic werewolf films (including An American Werewolf in London and The Howling), The Company of Wolves sets itself apart from the pack with its overtly literary roots, feminist stance, and art-house leanings. The film's narrative takes the form of a puzzle box, unfolding as dreams within dreams, and stories within stories, which lead further into the dark woods of the protagonist's psyche, as she finds herself on the cusp of womanhood. This Devil's Advocate explores all these aspects, as well as placing the film in the context of the careers of its creators and its position as an example of the "Female Gothic."
The Werewolf of Priory Grange is the second in the Universal Library series of horror/comedy books inspired by classic films of the 1930s and 40s (and by Universal studios' abortive attempts to re-invent their classics for a modern audience - this is my version). The stories are set in the present day but with a classic feel, tongue in cheek delivery and many references to the original films and other horror movies for film fans to spot. Though it's probably better to read the books in order, this is a stand-alone story and you don't have to have read Book 1 (The Mummy's Quest) to enjoy it. On an isolated moor in the north of England stands the Priory Grange School, perhaps the most remote boarding school in Britain. From her arrival, along with her brother Oliver, Lisa Hobson (an average A-Level student with a love of gothic literature) finds the school a chilling and unfriendly place, made worse by a pack of bullies, led by the odious Larry Glendon. But there's more to this place, and more to the bullies, than meets the eye. When Lisa takes it upon herself to investigate the series of bloody deaths that have been occurring in the area, the truth proves more monstrous than she could have imagined, and more dangerous, as she falls foul of the White Wolf. Lisa is helped by a vengeful gypsy, a rakish member of the local gentry, and by a caretaker named Boris, who turns out to be the agent of the shadowy Universal organisation. Also by a dog called Moose. It turns out that the white wolf is only the tip of the iceberg. Beneath the surface is a plan far more devious than anything any of them could have imagined, one that may yet claim Oliver's life. And Lisa's. And that of anyone else who gets in the way.
There is a world beyond the world It figures. Just when Bradfordian bookshop clerk, Toby Dexter, finally works up the nerve to talk to his secret crush, she darts into an open door. Toby follows, and in that second, everything changes. Though it still looks like Bradford-on-Avon, the town’s suddenly chatty ATM and river mermaids are the first clues that something is quite out of place—namely, Toby. The moment he stepped through that door, Toby entered the magical parallel world of Mysterie. Our ordinary dimension—the one Toby knew as Bradford-on-Avon—is actually Veritie, a mere shadow of its alter ego, Mysterie, where magic and myth, gods and monsters, living legends and walking nightmares reign. And Toby isn’t the only recent arrival. A cunning and vicious demon—The Serpent’s Son—has returned to Mysterie, accompanied by a malevolent new ally, intent on bringing down both dimensions. Toby can remain mortal, return to Veritie, and try to convince himself that he had a bad pint of bitter that night. Or he can stay in Mysterie, join forces with his new friends Leo Morn and his Brother Under The Hill, and try to stop The Serpent’s Son. The choices Toby makes will have dramatic consequences for both worlds. It may not be the first time Mysterie’s wars have spilled over into our reality, but if Toby fails, it could be the last. Simon R. Green, New York Times bestselling author of the Deathstalker series and the Nightside series, brings his trademark wit and inventiveness to his beloved hometown of Bradford-on-Avon, in this charming standalone urban fantasy novel.
'A book with special and dangerous properties' Hilary Mantel, bestselling author of Wolf Hall 'Enthralling' M.R. Carey, bestselling author of The Girl With All the Gifts 'An imaginative tour de force' The Times 1558: Twelve children, gifted far beyond their years, are banished by their Tudor queen to the town of Rotherweird. Some say they are the golden generation; some say the devil's spawn. But everyone knows they are something to be revered - and feared. Four and a half centuries on, cast adrift from the rest of England by Elizabeth I and still bound by its ancient laws, Rotherweird's independence is subject to one disturbing condition: nobody, but nobody, studies the town or its history. Then an Outsider arrives, a man of unparallelled wealth and power, enough to buy the whole of Rotherweird - deeply buried secrets and all . . . Welcome to Rotherweird. 'A remarkable achievement' Sunday Independent 'Compelling' Guardian
An International Bestseller! Winner of the 2022 Romantic Novel Award in Fantasy! Locus Award Finalist! An Indie Next pick and LibraryReads pick—with four starred reviews! A Best of 2021 Pick for NPR | Amazon | Kobo | Barnes & Noble | Book Riot Red, White & Royal Blue meets Jonathan Strange & Mr Norrell in debut author Freya Marske’s A Marvellous Light, featuring an Edwardian England full of magic, contracts, and conspiracies. Robin Blyth has more than enough bother in his life. He’s struggling to be a good older brother, a responsible employer, and the harried baronet of a seat gutted by his late parents’ excesses. When an administrative mistake sees him named the civil service liaison to a hidden magical society, he discovers what’s been operating beneath the unextraordinary reality he’s always known. Now Robin must contend with the beauty and danger of magic, an excruciating deadly curse, and the alarming visions of the future that come with it—not to mention Edwin Courcey, his cold and prickly counterpart in the magical bureaucracy, who clearly wishes Robin were anyone and anywhere else. Robin’s predecessor has disappeared, and the mystery of what happened to him reveals unsettling truths about the very oldest stories they’ve been told about the land they live on and what binds it. Thrown together and facing unexpected dangers, Robin and Edwin discover a plot that threatens every magician in the British Isles—and a secret that more than one person has already died to keep. The Last Binding Trilogy: A Marvellous Light A Restless Truth A Power Unbound At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
"The first time I was declared dead, I lost my past. The second time, I lost my humanity. Now I'm being hunted, and if I die again, my soul is up for forfeit." After enrolling in Peel Academy, an elite supernatural boarding school on the British Isles, the last of the sirens, Gabrielle Fiori, only wants to fit in. Instead, the elixir meant to awaken her supernatural abilities kills her. When Gabrielle wakes up in the morgue twelve hours later, something wicked is awakened in her, something even the supernatural community has never seen before. Now the only person who can help her is Andre de Leon, the community's infamous bad boy and the king of vampires. Yet even his help can't prevent the repeated attempts on Gabrielle's life. Someone is after her, and they will stop at nothing to end her short existence. Only Gabrielle cannot let that happen now that her soul hangs in the balance, because she may have met the devil. And he wants her. Bad.
WITH AN INTRODUCTION BY HELEN SIMPSON From familiar fairy tales and legends âe" Red Riding Hood, Bluebeard, Puss in Boots, Beauty and the Beast, vampires and werewolves âe" Angela Carter has created an absorbing collection of dark, sensual, fantastic stories.
The Birds and the Bees series was designed for Vintage Classics by Timorous Beasties, the Scottish studio famous for their designs inspired by the natural world One night Mark Cocker followed the roiling, deafening flock of rooks and jackdaws which regularly passed over his Norfolk home on their way to roost in the Yare valley. From the moment he watched the multitudes blossom as a mysterious dark flower above the woods, these gloriously commonplace birds became for Cocker a fixation and a way of life. Journeying across Britain, through spectacular failures, magical successes and epiphanies, Cocker uncovers the mysteries of these birds' inner lives. SHORTLISTED FOR THE 2008 SAMUEL JOHNSON PRIZE