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The aftermath of Hurricane Katrina is one of the darkest chapters in American history. The storm caused unprecedented destruction, and a toxic combination of government neglect and socioeconomic inequality turned a crisis into a tragedy. But among the rubble, there is hope. We're Still Here Ya Bastards presents an extraordinary panoramic look at New Orleans's revival in the years following the hurricane. Award-winning journalist Roberta Brandes Gratz shares the stories of people who returned to their homes and have taken the rebuilding of their city into their own hands. She shows how the city -- from the Lower Ninth Ward to the storied French Quarter to Bayou Bienvenue -- is recovering despite flawed governmental policies that promote disaster capitalism rather than the public good. While tracing positive trends, Gratz also investigates the most fiercely debated issues and challenges facing the city: a violent and corrupt prison system, the tragic closing of Charity Hospital, the future of public education, and the rise of gentrification. By telling stories that are often ignored by the mainstream media, We're Still Here Ya Bastards shows the strength and resilience of a community that continues to work to rebuild New Orleans, and reveals what Katrina couldn't destroy: the vibrant culture, epic history, and unwavering pride of one of the greatest cities in America.
Half orc. All badass. A female chieftain in a brutal wasteland society fights to take what is hers in an action-packed, foul-mouthed fantasy adventure from the author of The Grey Bastards (“Nonstop action, though not for faint hearts.”—The Wall Street Journal). Fetching was once the only female rider in the Lot Lands. Now she is the proud leader of her own hoof, a band of loyal half-orcs sworn to her command. But in the year since she became chief, the Lots have tested her strength to the breaking point. The Bastards are scattered, desperate, their ranks weakened by a mysterious famine, their fortress reduced to smoldering slag. And their troubles are only growing. A pack of ravening beasts circles their camp, while grasping human nobles hatch a plan that will shift the balance of power in the Lots. Fetch and her comrades are still standing defiant—they’re Bastards, after all—but even the toughest half-orc can take only so much; and Fetch knows they’re on the verge of ruin. As she strives to lead her hoof to safety and unravel the plots set against them, Fetching must journey through forbidden elven lands, overcome long-standing hatreds, battle a monstrous wizard of terrifying power—and, worst of all, delve into the dark truths of her own existence. She’s no stranger to fighting the world, but on this journey, sharp steel and a strong hog won’t be enough. To survive these trials, she’ll have to defy not just her foes but the very nature of the Lots. The True Bastards is the sweeping, ambitious second entry in the Lot Lands series, an irresistibly thrilling, gritty, foul-mouthed adventure that deepens, expands—and again upends—the Bastards’ unforgettable world. Advance praise for The True Bastards “[An] action-packed sequel . . . the story is filled with relentless action and powered by a cast of adeptly developed and emotionally appealing characters. . . . Fans will be overjoyed not only with the return of some beloved characters, but also with the novel's conclusion, which sets up the storyline for a much larger adventure to come. Imagine an outlaw biker gang of half-orcs riding giant war pigs and you've captured this saga's gloriously dirty soul.”—Kirkus Reviews (starred review)
Live Like You Give a Damn! declares the very good news that God is raising up a new generation, largely outside the church, to bring impressive change to the lives of our neighbors locally and globally by creating innovative forms of social enterprise and community empowerment. The even better news is that those of us within the church can join this changemaking celebration and discover creative new ways God can use our mustard seeds to make a more remarkable difference than we ever imagined possible. In this book Tom Sine offers practical ways you can join those who are creating their best communities, their best world, and in the process their best lives. Sine shows that in a world changing at warp speed, following Jesus is a "design opportunity." It is not only an opportunity to design innovative ways to make a difference but also an opportunity to create lives with a difference, in the way of Jesus, that are simpler and more sustainable--and to throw better parties along the way. Why would anyone want to settle for less and miss the best? Review on Coffee House Contemplative hReview on Hearts on Minds Review on Book Saint .embed-container { position: relative; padding-bottom: 56.25%; height: 0; overflow: hidden; max-width: 100%; } .embed-container iframe, .embed-container object, .embed-container embed { position: absolute; top: 0; left: 0; width: 100%; height: 100%; }
With his stunning debut novel, She's Come Undone, Wally Lamb won the adulation of critics and readers with his mesmerizing tale of one woman's painful yet triumphant journey of self-discovery. Now, this brilliantly talented writer returns with I Know This Much Is True, a heartbreaking and poignant multigenerational saga of the reproductive bonds of destruction and the powerful force of forgiveness. A masterpiece that breathtakingly tells a story of alienation and connection, power and abuse, devastation and renewal--this novel is a contemporary retelling of an ancient Hindu myth. A proud king must confront his demons to achieve salvation. Change yourself, the myth instructs, and you will inhabit a renovated world. When you're the same brother of a schizophrenic identical twin, the tricky thing about saving yourself is the blood it leaves on your bands--the little inconvenience of the look-alike corpse at your feet. And if you're into both survival of the fittest and being your brother's keeper--if you've promised your dying mother--then say so long to sleep and hello to the middle of the night. Grab a book or a beer. Get used to Letterman's gap-toothed smile of the absurd, or the view of the bedroom ceiling, or the influence of random selection. Take it from a godless insomniac. Take it from the uncrazy twin--the guy who beat the biochemical rap. Dominick Birdsey's entire life has been compromised and constricted by anger and fear, by the paranoid schizophrenic twin brother he both deeply loves and resents, and by the past they shared with their adoptive father, Ray, a spit-and-polish ex-Navy man (the five-foot-six-inch sleeping giant who snoozed upstairs weekdays in the spare room and built submarines at night), and their long-suffering mother, Concettina, a timid woman with a harelip that made her shy and self-conscious: She holds a loose fist to her face to cover her defective mouth--her perpetual apology to the world for a birth defect over which she'd had no control. Born in the waning moments of 1949 and the opening minutes of 1950, the twins are physical mirror images who grow into separate yet connected entities: the seemingly strong and protective yet fearful Dominick, his mother's watchful "monkey"; and the seemingly weak and sweet yet noble Thomas, his mother's gentle "bunny." From childhood, Dominick fights for both separation and wholeness--and ultimately self-protection--in a house of fear dominated by Ray, a bully who abuses his power over these stepsons whose biological father is a mystery. I was still afraid of his anger but saw how he punished weakness--pounced on it. Out of self-preservation I hid my fear, Dominick confesses. As for Thomas, he just never knew how to play defense. He just didn't get it. But Dominick's talent for survival comes at an enormous cost, including the breakup of his marriage to the warm, beautiful Dessa, whom he still loves. And it will be put to the ultimate test when Thomas, a Bible-spouting zealot, commits an unthinkable act that threatens the tenuous balance of both his and Dominick's lives. To save himself, Dominick must confront not only the pain of his past but the dark secrets he has locked deep within himself, and the sins of his ancestors--a quest that will lead him beyond the confines of his blue-collar New England town to the volcanic foothills of Sicily 's Mount Etna, where his ambitious and vengefully proud grandfather and a namesake Domenico Tempesta, the sostegno del famiglia, was born. Each of the stories Ma told us about Papa reinforced the message that he was the boss, that he ruled the roost, that what he said went. Searching for answers, Dominick turns to the whispers of the dead, to the pages of his grandfather's handwritten memoir, The History of Domenico Onofrio Tempesta, a Great Man from Humble Beginnings. Rendered with touches of magic realism, Domenico's fablelike tale--in which monkeys enchant and religious statues weep--becomes the old man's confession--an unwitting legacy of contrition that reveals the truth's of Domenico's life, Dominick learns that power, wrongly used, defeats the oppressor as well as the oppressed, and now, picking through the humble shards of his deconstructed life, he will search for the courage and love to forgive, to expiate his and his ancestors' transgressions, and finally to rebuild himself beyond the haunted shadow of his twin. Set against the vivid panoply of twentieth-century America and filled with richly drawn, memorable characters, this deeply moving and thoroughly satisfying novel brings to light humanity's deepest needs and fears, our aloneness, our desire for love and acceptance, our struggle to survive at all costs. Joyous, mystical, and exquisitely written, I Know This Much Is True is an extraordinary reading experience that will leave no reader untouched.
“[A] fantasy masterwork . . . a dirty, blood-soaked gem of a novel [that reads] like Mad Max set in Tolkien’s Middle-earth.”—Kirkus Reviews (starred review) Jackal and his fellow half-orcs patrol the barren wastes of the Lot Lands, spilling their own damned blood to keep civilized folk safe. A rabble of hard-talking, hog-riding, whore-mongering brawlers they may be, but the Grey Bastards are Jackal’s sworn brothers, fighting at his side in a land where there’s no room for softness. And once Jackal’s in charge—as soon as he can unseat the Bastards’ tyrannical, seemingly unkillable founder—there’s a few things they’ll do different. Better. Or at least, that’s the plan. Until the fallout from a deadly showdown makes Jackal start investigating the Lot Lands for himself. Soon, he’s wondering if his feelings have blinded him to ugly truths about this world, and the Bastards’ place in it. In a quest for answers that takes him from decaying dungeons to the frontlines of an ancient feud, Jackal finds himself battling invading orcs, rampaging centaurs, and grubby human conspiracies alike—along with a host of dark magics so terrifying they’d give even the heartiest Bastard pause. Finally, Jackal must ride to confront a threat that’s lain in wait for generations, even as he wonders whether the Bastards can—or should--survive. Delivered with a generous wink to Sons of Anarchy, featuring sneaky-smart worldbuilding and gobs of fearsomely foul-mouthed charm, The Grey Bastards is a grimy, pulpy, masterpiece—and a raunchy, swaggering, cunningly clever adventure that’s like nothing you’ve read before. Praise for The Grey Bastards “Saddle up the war boar and set off on a wild, gory thrill-ride that ends in an awesome climax and begs for a sequel.”—Daily Mail (UK) “Non-stop action, though not for faint hearts . . . the Grey Bastards live up to their name in all respects.”—The Wall Street Journal
This new handbook builds on The Handbook of Community Movements and Local Organizations published in 2007, and is the only resource defining the field of study related to small nonprofit organizations and to studying communities from the standpoint of associations that make up communities. It explores the history and conceptualizations of community, theoretical concepts in community organizations, social movements ranging from health to crime, and community practice methods. Further it provides authoritative statements of major theory areas, gives examples of different sub areas of the field, provides guidance to people working as practitioners in the field, and nicely coincides with the increasing interest in clinical sociology. This handbook is of great interest to academics, students and practitioners with an interdisciplinary resource to understand and collaborate in work with contemporary communities.
“Anyone who is interested in Hurricane Katrina, and in America’s failing infrastructure, will want to read this book . . . a fast-paced narrative.” —Scott G. Knowles, Drexel University 2020 Nautilus Silver Winner In the aftermath of one of the worst disasters in US history, Words Whispered in Water tells the story of one woman’s fight, against all odds, to expose a mammoth federal agency—and win. In 2005, the entire world watched as a major US city was nearly wiped off the map. The levees ruptured and New Orleans drowned. But while newscasters attributed the New Orleans flood to “natural catastrophes” and other types of disasters, citizen investigator Sandy Rosenthal set out to expose the true culprit and compel the media and government to tell the truth. This is her story. When the protective steel flood-walls broke, the Army Corps of Engineers—with cooperation from big media—turned the blame elsewhere. In the chaotic aftermath, Rosenthal heroically exposes the federal agency’s egregious design errors and changes the narrative surrounding the New Orleans flood. This engaging and revealing tale of man versus nature and man versus man is a horror story, a mystery, and David and Goliath story all in one. “Reveals what it takes to hold the powerful to account.” —Publishers Weekly “There are only a few civilians that fight like real warriors. Sandy Rosenthal is one of them.” —Russel L. Honoré, Lieutenant General, United States Army (Ret.)
Learn about key moments in New York City's development, starting with the history of the J.M. Kaplan Fund and its role in shaping the city from World War II to the present. The J.M. Kaplan Fund was established in 1945 by Jacob M. Kaplan, and would go on to play a critical role in New York City's cultural and urban life. Kaplan's long leadership of the Fund (1945-1977) was marked by determined advocacy, including the effort to save Carnegie Hall from destruction, support for institutions like The New School for Social Research and the South Street Seaport Museum, as well as to bolster the cause of union democracy, the arts, and the co-operative movement. Since the 1970s, the Fund has been led by Kaplan's daughter, Joan K. Davidson, who has led the Fund to its current place as a forceful presence in New York City's civic life, supporting the Westbeth Artists Housing, Greenmarkets, and more.
The steep rise in neighborhood associations in post-Katrina New Orleans is commonly presented in starkly positive or negative terms – either romanticized narratives of community influence or dismissals of false consciousness and powerlessness to elite interests. In A Neighborhood Politics of Last Resort Stephen Danley offers a messier and ultimately more complete picture of these groups as simultaneously crucial but tenuous social actors. Through a comparative case study based on extensive fieldwork in post-Katrina New Orleans, Danley follows activists in their efforts to rebuild their communities, while also examining the dark underbelly of NIMBYism ("not in my backyard"), characterized by racism and classism. He elucidates how neighborhood activists were tremendously inspired in their defense of their communities, at times outwitting developers or other perceived threats to neighborhood life, but they could be equally creative in discriminating against potential neighbors and fighting to keep others out of their communities. Considering the plight of grassroots activism in the context of national and global urban challenges, A Neighborhood Politics of Last Resort immerses the reader in the daily minutiae of post-Katrina life to reveal how multiple groups responded to the same crisis with inconsistent and often ad-hoc approaches, visions, and results.
This book analyses the HBO program Treme from multiple perspectives and argues that the series’ depictions of music, culture, cuisine, and identity are innovative and represent unique televisual storytelling strategies. The location, themes, and characters create a compelling story arc, and highlight the city's culture and cuisine, jazz musicians and musical performances, and Mardi Gras Indians. The program challenges initial reporting of Hurricane Katrina and in doing so rewrites the disaster myth coverage through which the city has been framed. Recommended for scholars of communication, media studies, music studies, and cultural studies.