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"We have traded tales, my buddies and I; of affairs, encounters, secrets, fears, self-promotion-of fantasies that we make real in the telling." In this, the first volume in Ethan Mordden's acclaimed trilogy on Manhattan gay life, he introduces a small group of friends-Dennis Savage, Little Kiwi, Carlos, and the narrator, Bud-and chronicles their exploration of the new world of gay life and the new people they are in the process of becoming. In a voice at once ironic, wistful, witty, and profound, Mordden investigates his suspicion that all of gay life is stories and that, somehow or other, all these stories are about love.
Magic has stepped out of the movies, morphed from the pages of fairy tales, and is more present in America today than you might expect. Soccer moms get voodoo head washings in their backyards, young American soldiers send chants toward pagan gods of war, and a seemingly normal family determines that they are in fact elves. National bestselling author and award-winning religion reporter Christine Wicker leaves no talisman unturned in her hunt to find what's authentic and what's not in America's burgeoning magical reality. From the voodoo temples of New Orleans to the witches' covens of Salem to a graveyard in north Florida, Wicker probes the secrets of an underground society and teaches lessons she never dreamed could be taught. What she learns repels her, challenges her, and changes her in ways she never could have imagined. And if you let it, it might change you, too.
From 6 to 89, she is better than ever, and still going strong! With legs like Betty Grable, the will of Joan of Arc, the spirit of a dozen younger performers many years her junior, and tapping feet like Eleanor Powell, Dorothy Dale Kloss is truly an inspiration to young and old. From her early childhood days in Depression-era Chicago and the strict ballet tutelage of Madame Ludwig, to The Cummerford School of Dance and teaching Bob Fosse to tap dance, her career, journey, and survival as a multitalented show business performer and a survivor of cancer, Dorothy Dale Kloss has displayed a life that is spirited, inspirational, uplifting and just plain amazing. From her early days as a headliner at 15 in the famed Empire Room of Chicago's Palmer House, touring throughout the U.S. and South America, appearing at The Strand Theatre in New York, with "Ol' Blue Eyes" watching her from The Paramount across the street, to her accolades on TV, in newspapers and magazines, and in a show where she appeared twice daily, she can tap out rhythms that would mystify dancers 60 years her junior. Oh, and as for Fosse? (Bob that is!) Many have claimed intimate and first-hand knowledge of his early years, but none more accurate and real that Dorothy Hunn (her family name). She grew up on Ashland Avenue; he on Palina just two blocks away. They both were eager and willing dance students at The Cummerford School of Dance where Dorothy, being three years older and a dynamic tap dancer even then, was thrust into the position of "teacher" to the insatiable Fosse. They both shared their considerable talents in local theatricals for such outlets as The Knights of Columbus, and The Elks Club appearing as Dorothy Hunn and The Riff Brothers (a double act with Bob Fosse and Charles Grass). Many years later, as Fosse introduced Dorothy to a touring cast about to open a show at the Shubert Theatre in Chicago, he simply said, "Gang, this is Dorothy Dale, one of the greatest tap dancers you'll ever see"! From being a star performer in THE PALM SPRINGS FOLLIES for 15 years to receiving her very own star on THE PALM SPRINGS WALK OF STARS and starring at THE MAGIC CASTLE in Hollywood, Dorothy continues to inspire, entertain, and encourage everyone she touches to be the best and enjoy every moment of every day.
The “Ghetto Sketches” was written in 1962, published in 1972. The ghettos in Chicago (North, South, Westside) provided the foundation for the novel. It is an impressionistic study of Washburne Avenue, a street on the Westside/ghetto in Chicago, filled with authentic people. As you read these pages, keep in mind, The “Sketches” happened in a time frame when there were few community programs to help people with drug issues, alcohol addiction, racism. We’ve come a long way, but we still have a long way to go, as indicated in this “Ghetto Sketches, 2021”.
One of "our most insightful social observers"* cracks the great political mystery of our time: how conservatism, once a marker of class privilege, became the creed of millions of ordinary Americans With his acclaimed wit and acuity, Thomas Frank turns his eye on what he calls the "thirty-year backlash"—the populist revolt against a supposedly liberal establishment. The high point of that backlash is the Republican Party's success in building the most unnatural of alliances: between blue-collar Midwesterners and Wall Street business interests, workers and bosses, populists and right-wingers. In asking "what 's the matter with Kansas?"—how a place famous for its radicalism became one of the most conservative states in the union—Frank, a native Kansan and onetime Republican, seeks to answer some broader American riddles: Why do so many of us vote against our economic interests? Where's the outrage at corporate manipulators? And whatever happened to middle-American progressivism? The questions are urgent as well as provocative. Frank answers them by examining pop conservatism—the bestsellers, the radio talk shows, the vicious political combat—and showing how our long culture wars have left us with an electorate far more concerned with their leaders' "values" and down-home qualities than with their stands on hard questions of policy. A brilliant analysis—and funny to boot—What's the Matter with Kansas? presents a critical assessment of who we are, while telling a remarkable story of how a group of frat boys, lawyers, and CEOs came to convince a nation that they spoke on behalf of the People. *Los Angeles Times
Play From Your Fucking Heart offers absolutely no new wisdom whatsoever. In fact, it could be called an eco book, as its entire contents are recycled. Indeed, it is written with the stated belief that there is no new wisdom, that in fact the experience a reader has whenever they read something and go "Oh wow, that’s really deep," is one of already knowing, of a part of themselves that was already there waking up to an eternal collective truth.
In celebration of the 45th anniversary of The Dark Side of the Moon, Bill Kopp explores the ingenuity with which Pink Floyd rebranded itself following the 1968 departure of Syd Barrett. Not only did the band survive Barrett’s departure, but it went on to release landmark albums that continue to influence generations of musicians and fans. Reinventing Pink Floyd follows the path taken by the remaining band members to establish a musical identity, develop a songwriting style, and create a new template for the manner in which albums are made and even enjoyed by listeners. As veteran music journalist Bill Kopp illustrates, that path was filled with failed experiments, creative blind alleys, one-off musical excursions, abortive collaborations, general restlessness, and—most importantly—a dedicated search for a distinctive musical personality. This exciting guide to the works of 1968 through 1973 highlights key innovations and musical breakthroughs of lasting influence. Kopp places Pink Floyd in its historical, cultural, and musical contexts while celebrating the test of fire that took the band from the brink of demise to enduring superstardom.
Studing by the light of a kerosene lamp, miling the cows and feeding the pigs before heading off to his one-room school house, Bob Paulson had a youth straight out ot the history books. Then he become one of Kansas State's first nuclear engineering students, earned a law degree at Georgetown, and moved to New York and success as a patent lawyer and family man. His life took another unlikely turn when he was diagnosed in the mid-1990s with ALS. He was already confined to a wheelchair and unable to move any limb when he woke up in an ICU in December, 2003 to find that henceforth, he would be dependent on a trach, a ventilator, and feeding tube, and round-the-clock care. Today he can only nod slightly and blink. Unable to speak, he writes and communicates with the aid of a computer. Still, he insists, "I am a lucky man," and he shows us why in this charming, detail-filled reminiscence. But what makes Not in Kansas Anymore truly compelling is the resounding "Yes!" it answers to the question of whether it is possible to adapt to change, stay upbeat and reamin productive despite a devastating illness. Bob's story will engange and inspire every reader.