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Wendy the Wish Fairy is a pixie and much more. She grants wishes! She lives in the Fairy Kingdom with all the other fairies--some nice and some not so nice. Come and visit this land on little people with big stories. Go ahead and make a wish.
How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? This volume explores the period when the European fairy tales conquered the world and shaped the global imagination in its own image. Examining how collectors, children's writers, poets, and artists seized the form to challenge convention and normative ideas, this book explores the fantastic imagination that belies the nineteenth century's materialist and pedestrian reputation. Looking at writers including E.T.A Hoffman, the Brothers Grim, S.T. Coleridge, Walter Scott, Oscar Wilde, Christina Rosetti, George MacDonald, and E. Nesbit, the volume shows how fairy tales touched every aspect of nineteenth century life and thought. It provides new insights into themes including: forms of the marvelous, adaptation, gender and sexuality, humans and non-humans, monsters and the monstrous, spaces, socialization, and power. With contributions from international scholars across disciplines, this volume is an essential resource for researchers, scholars and students of literature, history, and cultural studies. A Cultural History of Fairy Tales (6-volume set) A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.
All children, except one, grow up. They soon know that they will grow up, and the way Wendy knew was this. One day when she was two years old she was playing in a garden, and she plucked another flower and ran with it to her mother. I suppose she must have looked rather delightful, for Mrs. Darling put her hand to her heart and cried, 'Oh, why can't you remain like this for ever!' This was all that passed between them on the subject, but henceforth Wendy knew that she must grow up. You always know after you are two. Two is the beginning of the end. Of course they lived at 14, and until Wendy came her mother was the chief one. She was a lovely lady, with a romantic mind and such a sweet mocking mouth. Her romantic mind was like the tiny boxes, one within the other, that come from the puzzling East, however many you discover there is always one more; and her sweet mocking mouth had one kiss on it that Wendy could never get, though there it was, perfectly conspicuous in the right-hand corner.
Peter Pan
Wendy Darling has found herself once again in the arms of charming Peter Pan, the god-child who desires power above all things. This time, though, Wendy burns not with passion but with a secret: with Hook as her ally, she is there to defeat the evil that lies inside of Peter, the evil that holds all Neverland hostage—the Shadow. To do this, Wendy must quietly undo Peter from inside his heart while at the same time convincing Tink to betray the twisted love that binds them together. This is a task made nearly impossible by the arrival of Booth, her sweetheart from London and a new pawn in Peter’s manipulative game—a boy whose heart she must break in order to save his life. As all of Neverland prepares to fight, Wendy races to untangle Peter’s connection to the Shadow, a secret long buried in the Forsaken Garden. When the time comes, pirates, mermaids, Lost Boys, and the Darling family will all rise—but if Wendy can’t call the Shadow, they will all be destroyed by Peter’s dark soul. War has come to paradise, and Neverland will never be the same. Wendy Darling: Shadow is the thrilling final installment in Colleen Oakes’s Wendy Darling Trilogy.
In addition to the ever-popular "Peter Pan", J.M. Barrie also wrote social comedy and political satire. "The Admirable Crichton and "What Every Woman Knows" are shrewd contributions to the politics of class and gender, while "Mary Rose" is one of the best ghost stories written for the stage.
Although readers and filmgoers are strongly familiar with Disney's sanitized child-centric fairy tales, they are quick to catch on to reworkings of classic tales into a contemporary context. The rise is such retellings seems to indicate that readers are hungry for a new narrative, one that hearkens back to the old yet moves the storyline forward to reflect conditions of the modern world. No mere escapist fantasies, the reimagined fairy tales of the late 20th and early 21st centuries reflect social, political and cultural truths. Sixteen essays consider fairy tales recreated through short stories, novels, poetry, and the graphic novel from both best-selling and lesser-known writers, applying a variety of perspectives, including postmodernism, psychoanalysis, Marxism, feminism, queer theory and gender studies. Along with the classic fairy tales, fiction from writers such as Neil Gaiman (Stardust) and Gregory Macquire (Wicked) is covered.
As seen on NBC's Today Show, the child development experts at the Oppenheim Toy Portfolio rate the best toys, books, videos, music and software for kids 0-10. Separate chapter on products for kids with special needs.
The Greatest Fairytales of All Time' presents an unparalleled collection that weaves through the rich tapestry of fairy tale tradition, encompassing a wide array of literary styles from the whimsical to the profound. This anthology captures the essence of cultural storytelling, showcasing the diversity and significance of its contents by bringing together iconic tales that have stood the test of time. The works within this compilation vary from the fantastical wonderlands of Lewis Carroll to the poignant social critiques of Oscar Wilde, illustrating the broad spectrum of human experience and imagination encapsulated in the fairy tale genre. The inclusion of lesser-known gems alongside universally celebrated stories offers readers a comprehensive insight into the genre's developmental narrative and its ability to convey complex truths through simple tales. The contributing authors and editors, spanning across the 19th and early 20th centuries, are luminaries in their own rights, with each bringing a unique cultural and literary perspective to the anthology. This collection is situated at the confluence of numerous literary movements—from Romanticism to Symbolism— and reflects the societal transition from oral folk traditions to printed literary works. The diversity of backgrounds, from the Brothers Grimm's Germanic folklore to Hans Christian Andersen's Danish tales, underlines the universal appeal and adaptability of fairy tales across different cultures and epochs. Their collective contributions embody the evolution of the fairy tale, enriching the reader's understanding of its enduring legacy and relevance. 'The Greatest Fairytales of All Time' is an indispensable resource for anyone keen on exploring the depths of human imagination and the variety of ways it has been manifested in literature. It serves as a valuable educational tool, offering insights into the historical and cultural contexts of these timeless stories. Moreover, this anthology invites readers into a dialogue spanning centuries, encouraging a deeper appreciation of how these divergent narratives mirror the complexities of human nature and society. This collection promises not just entertainment, but a profound engagement with the world's shared heritage of storytelling.
e-artnow presents to you this meticulously edited collection of the most-celebrated and best-loved fairy tales of all time:_x000D_ Complete Fairy Tales of Hans Christian Andersen_x000D_ Complete Fairy Tales of Brothers Grimm_x000D_ Complete Fairy Books of Andrew Lang_x000D_ Peter Pan in Kensington Gardens (J. M. Barrie)_x000D_ Peter and Wendy (J. M. Barrie)_x000D_ Five Children and It (E. Nesbit)_x000D_ The Phoenix and the Carpet (E. Nesbit)_x000D_ The Story of the Amulet (E. Nesbit)_x000D_ The Enchanted Castle (E. Nesbit)_x000D_ Alice in Wonderland (Lewis Carroll)_x000D_ Through the Looking Glass (Lewis Carroll)_x000D_ The Wonderful Wizard of Oz Collection (L. Frank Baum):_x000D_ The Wonderful Wizard of Oz_x000D_ The Marvelous Land of Oz_x000D_ The Woggle-Bug Book_x000D_ Ozma of Oz_x000D_ Dorothy and the Wizard in Oz_x000D_ The Road to Oz_x000D_ The Emerald City of Oz_x000D_ The Patchwork Girl of Oz_x000D_ Little Wizard Stories of Oz_x000D_ Tik-Tok of Oz_x000D_ The Scarecrow of Oz_x000D_ Rinkitink in Oz_x000D_ The Lost Princess of Oz_x000D_ The Tin Woodman of Oz_x000D_ The Magic of Oz_x000D_ Glinda of Oz_x000D_ At the Back of the North Wind (George MacDonald)_x000D_ The Princess and the Goblin (George MacDonald)_x000D_ The Princess and Curdie (George MacDonald)_x000D_ Wonder Book (Nathaniel Hawthorne)_x000D_ Tanglewood Tales (Nathaniel Hawthorne)_x000D_ The Happy Prince and Other Tales (Oscar Wilde)_x000D_ A House of Pomegranates (Oscar Wilde)_x000D_ All the Way to Fairyland (Evelyn Sharp)_x000D_ The Blue Bird for Children (Maurice Maeterlinck and Georgette Leblanc)_x000D_ The King of the Golden River (John Ruskin)_x000D_ Rootabaga Stories (Carl Sandburg)_x000D_ Knock Three Times! (Marion St. John Webb)_x000D_ The Cuckoo Clock (Mary Louisa Molesworth)_x000D_ Friendly Fairies (Johnny Gruelle)_x000D_ Raggedy Ann Stories (Johnny Gruelle)_x000D_ Raggedy Andy Stories (Johnny Gruelle)_x000D_ Russian Fairy Tales From the Skazki of Polevoi_x000D_ Old Peter's Russian Tales