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Library of America continues its definitive edition of Wendell Berry's complete fiction, including the novels The Memory of Old Jack and Remembering and 23 brilliant and beautiful stories In this second volume, Port William faces the disappearance of farms and farmers in the decades after World War II, while Andy Catlett resolves to remain in the Membership Set along the banks of the Kentucky River in America’s heartland, fictional Port William, Kentucky, is an agrarian world is peopled with memorable and beloved characters collectively known as the Port William Membership. For more than 50 years, Wendell Berry has told Port William’s history from the Civil War to the present day, recapturing a time when farming, faith, and family were the anchors of community and the ligaments that bound one generation to the next. Now Library of America continues its definitive edition, prepared in close consultation with the author and published for his 90th birthday, presenting the complete story of Port William for the first time in the order of narrative chronology. This second volume contains 23 stories and 2 novels that span the years 1945 to 1978, as the town faces the forces of mechanization and the looming possibility of its own disappearance. As the generation that came of age after the Civil War disappears, the younger generation increasingly chooses to leave and not return; one of the only exceptions is Andy Catlett, who resolves to remain in and to maintain the Membership. This definitive edition of Wendell Berry's complete fiction includes detailed notes, endpapers featuring a map of Port William and a Membership family tree, and a chronology of Berry's remarkable life and career.
Reissued as part of Counterpoint's celebration of beloved American author Wendell Berry, the five stories in Fidelity return readers to Berry's fictional town of Port William, Kentucky, and the familiar characters who form a tight–knit community within. "Berry richly evokes Port William's farmlands and hamlets, and his characters are fiercely individual, yet mutually protective in everything they do. . . . His sentences are exquisitely constructed, suggesting the cyclic rhythms of his agrarian world." —The New York Times Book Review "Each of these elegant stories spans the twentieth century and reveals the profound interconnectedness of the farmers and their families to one another, to their past and to the landscape they inhabit." —The San Francisco Chronicle "Visionary . . . rooted in a deep concern for nature and the land, . . . [these stories are] tough, relentless and clear. In a roundabout way they are confrontational because they ask basic questions about men and women, violence, work and loyalty." —Hans Ostrom, The Morning News Tribune
Library of America continues its definitive edition of Wendell Berry's complete fiction, including the novels The Memory of Old Jack and Remembering and 23 brilliant and beautiful stories In this second volume, Port William faces the disappearance of farms and farmers in the decades after World War II, while Andy Catlett resolves to remain in the Membership Set along the banks of the Kentucky River in America’s heartland, fictional Port William, Kentucky, is an agrarian world is peopled with memorable and beloved characters collectively known as the Port William Membership. For more than 50 years, Wendell Berry has told Port William’s history from the Civil War to the present day, recapturing a time when farming, faith, and family were the anchors of community and the ligaments that bound one generation to the next. Now Library of America continues its definitive edition, prepared in close consultation with the author and published for his 90th birthday, presenting the complete story of Port William for the first time in the order of narrative chronology. This second volume contains 23 stories and 2 novels that span the years 1945 to 1978, as the town faces the forces of mechanization and the looming possibility of its own disappearance. As the generation that came of age after the Civil War disappears, the younger generation increasingly chooses to leave and not return; one of the only exceptions is Andy Catlett, who resolves to remain in and to maintain the Membership. This definitive edition of Wendell Berry's complete fiction includes detailed notes, endpapers featuring a map of Port William and a Membership family tree, and a chronology of Berry's remarkable life and career.
Nineteenth-century adventure fiction relating to the British empire usually served to promote, celebrate and justify the imperial project, asserting the essential and privileging difference between 'us' and 'them', colonizing and colonized. Andrea White's study opens with an examination of popular exploration literature in relation to later adventure stories, showing how a shared view of the white man in the tropics authorized the European intrusion into other lands. She then sets the fiction of Joseph Conrad in this context, showing how Conrad in fact demythologized and disrupted the imperial subject constructed in earlier writing, by simultaneously - with the modernist's double vision - admiring man's capacity to dream but applauding the desire to condemn many of its consequences. She argues that the very complexity of Conrad's work provided an alternative, and more critical, means of evaluating the experience of empire.
Pregnant Harper sees danger everywhere in the chilling third Harper Jennings mystery, but can she keep herself and her baby safe when no one believes her? Surely Harper Jennings can survive a visit from her mother and her new boyfriend while Hank’s on his first business trip since his accident? But she has more on her mind when she glimpses a nude young man being dragged into the woods near her house. Everyone – police included – concludes it was either kids playing around . . . or Harper’s hormones talking. But Harper can’t let it go; suspecting that her mother’s boyfriend might be hiding something, soon even her own home no longer seems a place of safety . . .
Discusses the most recent advances in the Beckett field and the new methods used to approach it.
Colin Ruthven grew up in Vancouver’s lively West End in the years during and following World War II. He shares stories that are humorously light and others that are stirringly dark, including what it was like growing up with a father who spent the war battling his own demons. His Aunt Helen, who served as a dietician in the Royal Canadian Army, would tell him how she nursed concentration camp survivors back to health after liberation. The author deftly ties in stories highlighting his boyhood comradery with fellow “enders” with more serious moments from adolescence, leading up to his dramatic departure from Canada at age nineteen. Ruthven, a dual citizen of Canada and the United States of America, would go on to spend several decades in America, serving as a Marine fighter pilot in the Vietnam War and retiring as a lieutenant colonel before enjoying a second career as an award-winning illustrator.
Glamorous heiress Elsie Mackay could have lived her life in the social whirl of high society, partying with princes and dancing with dukes. Instead this wilful young woman was determined to pursue her dreams - eloping with a dashing soldier, starring on the silver screen, and designing the luxurious interiors of ocean liners. But her greatest passion was for aviation, still in its infancy in the 1920s, and her burning ambition was to become the first woman to not only fly the Atlantic but to cross those unforgiving waves by the most challenging route - east to west - against the prevailing winds. Not only were the odds stacked against her but she knew her father, the shipping tycoon Lord Inchcape, would do everything in his considerable power to stop her.Journalist Jayne Baldwin uncovers the forgotten story of the bold and beautiful woman who blazed a trail across newspaper headlines, high society and who loved the heady mix of speed and danger that marked the early days of aviation.
This collection is titled "Come See About Me," which has nothing to do with the Holland-Dozier-Holland hit made indelible by the Supremes and everything to do with a line from "I Ate Up the Apple Tree," the title song of a 1975 album by Dave "Fat Man" Williams, who was once the Preservation Hall Jazz Band's pianist. You can hear that song at many parades, as Elmore did. But she first learned it from trumpeter James Andrews, who has been called the Satchmo of the Ghetto, in reference to the Tremé neighborhood that Elmore called home for two years.
“Puts a new twist on the Kennedy assassination . . . [a] remarkable first novel . . . delights in sex, hypocrisy and political conspiracy” (The Washington Post). If you took James Ellroy at his most imaginative and Oliver Stone at his most conspiratorial, and mixed them up in a supersized martini shaker, you would produce the vivid writing, explosive events, and irresistible entertainment of Fever City, a Shamus Award finalist. The story kicks off in 1960 Los Angeles, with the daring kidnapping of the child of one of America’s richest men. It then darts back and forth between a private detective’s urgent search for the child, the saga of a notorious hit man in the days leading to JFK’s assassination, and the modern-day story of a skeptical journalist researching the still-active conspiracy theories of the 1950s and ’60s, with the aim of debunking them. Just as the detective discovers that the kidnapping is a crime much larger than he imagined, and the hit man finds himself caught in a web that is astonishingly complex, the journalist discovers—to his horror, dismay, and even his jeopardy—that the conspiracy theories might well be true. “In this ambitious debut Baker gives us a bare-knuckle take on the president’s murder and adds two other plotlines, connecting them solidly with the equivalent of a jab-jab-cross combination.” —The New York Times Book Review “Hits you like a cannonball . . . A turbo-charged, beautifully written noir, Fever City is one of those mind-blowingly ambitious debuts that only comes along once in a great while.” —Stav Sherez, author of Eleven Days