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Hosea Ballou Morse (1855-1934) sailed to China in 1874, and for the next thirty-five years he labored loyally in the Imperial Chinese Maritime Customs Service, becoming one of its most able commissioners and acquiring a deep knowledge of China's economy and foreign relations. After his retirement in 1909, Morse devoted himself to scholarship. He pioneered in the Western study of China's foreign relations, weaving from the tangled threads of the Ch'ing dynasty's foreign affairs several seminal interpretive histories, most notably his three-volume magnum opus, The International Relations of the Chinese Empire (1910-18). At the time of his death, Morse was considered the major historian of modern China in the English-speaking world, and his works played a profound role in shaping the contours of Western scholarship on China. Begun as a labor of love by his protégé, John King Fairbank, this lively biography based primarily on Morse's vast collection of personal papers sheds light on many crucial events in modern Chinese history, as well as on the multifaceted Western role in late imperial China, and provides new insights into the beginnings of modern China studies in this country. Half-finished when Fairbank died, the project was completed by his colleagues, Martha Henderson Coolidge and Richard J. Smith.
Volume 1 of a syllabus and reference work for understanding Ch'ing documents, written by John K. Fairbank and used for one of his history courses at Harvard University. Also includes an introduction, notes, and an appendix.
A monthly register of the most important works published in North and South America, in India, China, and the British colonies: with occasional notes on German, Dutch, Danish, French, Italian, Spanish, Portuguese, and Russian books.
The compilation of the Complete Library of the Four Treasuries (Ssu-k'u ch' an-shu) was one of the most ambitious intellectual projects of the Ch'ing dynasty. Initiated by imperial command in 1772, the project sought to evaluate, edit, and reproduce the finest Chinese writings in the four traditional categories: Confucian classics, histories, philosophy, and belles lettres. The final products, created over a twenty-two year period, were an annotated catalog of some ten thousand titles and seven new manuscript libraries of nearly thirty-six hundred titles. The project had its darker side as well, for together with the evaluation of books there developed a campaign of censorship and proscription. Guy's study gives a balanced account of the project and its significance. Dozens of celebrated Chinese scholars willingly participated in the project, though it was sponsored by the Manchu emperor, and Guy explains their reasons for doing so. He also reconsiders the issue of censorship, arguing that it grew as much from tensions and jealousies within the intellectual elite as from imperial command. Guy's work will be useful to all those interested in the relationship between intellectuals and the state in late imperial China.
""A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published."" --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.