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In the 1960s, Welsh-language popular music emerged as a vehicle for mobilizing a geographically dispersed community into political action. As the decades progressed, Welsh popular music developed beyond its acoustic folk roots, adopting the various styles of contemporary popular music, and ultimately gaining the cultural self-confidence to compete in the Anglo-American mainstream market. The resulting tensions, between Welsh and English, amateur and professional, rural and urban, the local and the international, necessitate the understanding of Welsh pop as part of a much larger cultural process. Not merely a 'Celtic' issue, the cultural struggles faced by Welsh speakers in a predominantly Anglophone environment are similar to those faced by innumerable other minority communities enduring political, social or linguistic domination. The aim of 'Blerwytirhwng?' The Place of Welsh Pop Music is to explore the popular music which accompanied those struggles, to connect Wales to the larger Anglo-American popular culture, and to consider the shift in power from the dominant to the minority, the centre to the periphery. By surveying the development of Welsh-language popular music from 1945-2000, 'Blerwytirhwng?' The Place of Welsh Pop examines those moments of crisis in Welsh cultural life which signalled a burgeoning sense of national identity, which challenged paradigms of linguistic belonging, and out of which emerged new expressions of Welshness.
Slates from quarries in Wales once went to roof the world. By the late nineteenth century as many as a third of all the roofing slates produced worldwide came from Wales, competing with quarries in France and the United States. This book traces the industry from its origins in the Roman period, its slow medieval development and then its massive expansion in the nineteenth century – as well as through its long drawn-out decline in the twentieth.
History of and gazetteer to all surviving Welsh castles - the majority 13c - arranged by county, with full OS details.
In the late nineties, Wales (is) the centre for guitar bands in the UK so says John Robb in THE NINETIES and with bands as strikingly fresh and individual as Catatonia Welsh denomination looks assured. It has taken Catatonia eight years of hard work and persistance to gain the recognition and adulation that they so richly deserve, but finally Cerys' searing vocals and lilting guitar pop have made the breakthrough. Hardly surprisingly really, considering the wealth of talent that is Catatonia and the crest of the Welsh wave they are so assuredly riding. But as anyone will tell you, what makes Catatonia different from the rest, the Manic Street Preachers, Stereophonics and others, is Cerys. Cerys Matthews is fast becoming an icon in herself - a combination of sweetness and South Walesian toughness that is proving to be so endearing to her legion of fans. Often likened to Blondie, Cerys has graced more magazine covers than you care to mention, yet she is the sort of pop star who still sends away for free tights. This book will be the first to chart the rise and yet further rise of Catatonia, from Cerys busking outside Debenhams in Cardiff to their new found fame.
all you need to know about the people and places of wales is contained in this indispensible book.