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Armorial porcelains comprised the output of most European ceramics factories in the 18th and 19th Centuries in response to the large quantity of armorial porcelain services that were being imported from China bearing the coats of arms and crests of aristocratic families. Whereas these armorial services have been identified and covered for most porcelain manufactories the information relevant to their production by the two relatively short-lived Nantgarw and Swansea China Works has not been addressed as a theme until now. As an integral component of the holistic forensic appraisal of porcelain, a functional and decorative artwork manifestly part of our cultural heritage and its ongoing preservation , the recording and identification of such artefacts is material for the future establishment of a database of factory production . The Nantgarw and Swansea factories only operated for a limited period in the second decade of the 19th Century and their porcelains were much appreciated for their high quality and desirability by Georgian households. Today, examples are to be found in many museums and ceramics collections and continue to excite the interest of specialists and the general public . This text provides the first comprehensive assessment of armorial porcelains from these two factories and the methodology and procedure for the identification of unknown armorial bearings and crests is illustrated; individual bearings are discussed in detail and existing incorrect assignments in the literature are re-appraised. The difficulties in attribution of armorial heraldic achievements that are only minimally depicted are considered and directions for further studies using historical documentation are invoked. This book therefore fills a currently existing gap in the ceramics literature of the 19th Century.
Chinese armorial porcelain for Spain is the first book published on the subject of armorial porcelain made in China specifically for the Spanish market. It includes important new documentation and information unearthed after years of methodical research by the author. This publication examines and discusses seventy-three different Chinese export porcelain pieces or dinner services made for the Spanish market as well as provides interesting information on the historical, political and sociological world at the time including insights into the individuals that ordered these objects from China.
The material for this book arose from the author’s research into porcelains over many years, as a collector in appreciation of their artistic beauty , as an analytical chemist in the scientific interrogation of their body paste, enamel pigments and glaze compositions, and as a ceramic historian in the assessment of their manufactory foundations and their correlation with available documentation relating to their recipes and formulations. A discussion of the role of analysis in the framework of a holistic assessment of artworks and specifically the composition of porcelain, namely hard paste, soft paste, phosphatic, bone china and magnesian, is followed by its growth from its beginnings in China to its importation into Europe in the 16th Century. A survey of European porcelain manufactories in the 17th and 18th Centuries is followed by a description of the raw materials, minerals and recipes for porcelain manufacture and details of the chemistry of the high temperature firing processes involved therein. The historical backgrounds to several important European factories are considered, highlighting the imperfections in the written record that have been perpetuated through the ages. The analytical chemical information derived from the interrogation of specimens, from fragments, shards or perfect finished items, is reviewed and operational protocols established for the identification of a factory output from the data presented. Several case studies are examined in detail across several porcelain manufactories to indicate the role adopted by modern analytical science, with information provided at the quantitative elemental oxide and qualitative molecular spectroscopic levels, where applicable. The attribution of a specimen to a particular factory is either supported thereby or in some cases a potential reassessment of an earlier attribution is indicated. Overall, the information provided by analytical chemical data is seen to be extremely useful for porcelain identification and for its potential attribution in the context of a holistic forensic evaluation of hitherto unknown porcelain exemplars of questionable factory origins.
Heraldic devices first appeared on ceramics in Western Europe from the sixteenth century onwards; however, it was not until the 1760s that British ceramic manufactories began executing commissions for services displaying heraldic devices for the gentry. This book explores the rise of the new gentry class and the market for armorial services through the case study of the Pendock Barry service. The case study is presented from three angles. It looks at Pendock Neale Barry (1757–1833) who commissioned the service, then considers the evidence for attributing the service to the Derby factory during the period 1805–1810, and finally looks at the evidence supporting an attribution of the decoration to Billingsley. The case study sets out a novel approach to understanding heraldic devices on ceramics by bringing together the disciplines of detailed genealogical research, cultural knowledge, and chemical analytical compositional data. This multidisciplinary approach enables the armorial services to be considered and understood through the lens of heritage, culture, and science.
This book covers the discovery and the results of the analytical study of the composition of the Farnley Hall service, involving both the embossed moulding and the decorative compositions. The discovery of this missing porcelain service, which was manufactured 200 years ago, is a modern detective story in the preservation of cultural heritage, whilst its physical analysis has identified some new data that need to be incorporated into correcting and expanding the literature that is used for the differentiation of porcelains by ceramic historians and museum conservators. The importance of the Farnley Hall service discovery is that it provides the only example of such a Nantgarw Porcelain service that still resides in its original place of usage from 200 years ago: it is therefore a unique example and is a very important part of our national cultural heritage. It provides an illustration of the data that can be accessed from the application of inductive reasoning to elicit novel information about a manufactory whose work books no longer exist and its comparison with contemporary manufactories in the late eighteenth and early nineteenth centuries. The concepts can be appreciated by experts and also by non-technical readers. This is the first time that such a detailed research approach has been adopted for any comparative ceramic project. The book is therefore relevant for a specialist and non-specialist readership, including museum ceramics curators and collectors of the genre.
This book describes a holistic study of the porcelain manufactured at Nantgarw and Swansea in the first quarter of the 19th Century, using both scientific analytical data and historical provenancing. This porcelain is acclaimed as some of the finest and most translucent porcelain ever produced. These two porcelain factories are linked through the artistic and creative activities of the enigmatic William Billingsley and had a strictly limited production over only three or four years during the period 1812-1820. The earliest chemical analysis of these porcelains were undertaken almost 100 years ago and are compared with the results of more recent analyses The chemical composition of these porcelains, their artistic decoration and the struggle to maintain quality production is reviewed. Scientific explanations are proposed for the characteristic Swansea duck-egg porcelain translucency and for the Nantgarw iridescence. The book is well illustrated throughout and affords a good basis for the further in-depth study of Swansea and Nantgarw porcelains.
This book explores the relationship between collecting Chinese ceramics, interior design and display in Britain through the eyes of collectors, designers and tastemakers during the years leading to, during and following the Second World War. The Ionides Collection of European style Chinese export porcelain forms the nucleus of this study – defined by its design hybridity – offering insights into the agency of Chinese porcelain in diverse contexts, from seventeenth-century Batavia to twentieth-century Britain, raising questions about notions of Chineseness, Britishness, and identity politics across time and space. Through the biographies of the collectors, this book highlights the role of collecting Chinese art objects, particularly porcelain, in the construction of individual and group identities. Social networks linking the Ionides to agents and dealers, auctioneers, and museum specialists bring into focus the dynamics of collecting during this period, the taste of the Ionides and their self-fashioning as collectors. The book will be of interest to scholars working in the fields of art history, history of collections, interior design, Chinese studies, and material culture studies.
The Chinese porcelain objects collected by Alvaro Conde constitute one of the finest private collections worldwide. This publication includes texts by leading experts in this area: an introduction by Christie's Becky Mcquarie, a main essay by porcelain specialist William Sargent and an essay about the business relationship between China and New Spain by Maria Bonta de La Pezuela.