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A journal for the history of Lutheranism in America.
After emigrating from Germany to Michigan at age seven, Johannes Strieter (1829-1920) served as a confessional Lutheran pastor in Ohio, Wisconsin, Illinois, and Indiana amid almost unbelievable hardships. Though not a well-known person himself, his life's path intersected with that of numerous distinguished persons--August Cramer, Friedrich Wyneken, J. C. W. Lindemann, C. F. W. Walther, and John C. Pritzlaff, just to name a handful. Through his recollections, we also encounter firsthand the Ojibwa; the Civil War; the establishment and founding of roads, cities, churches, and schools; and we travel by sea, lake, river, canal, railroad, horseback, buggy, stagecoach, and on foot. We accompany him as he nearly kills his sister; is spared in a terrible accident; falls in love; navigates difficult pastoral situations and decisions; gets drafted into the Union Army; buries some of his children; ministers to the troubled, misguided, sick, and dying; and finally retires to Michigan on account of deafness. Translated afresh from Strieter's original manuscript and presented with twelve appendices to supplement his autobiography, Sacred Storytelling is a treasure trove of adventure, perspective, entertainment, courage, and conviction.
The accomplishments and enduring influence of renowned anthropologist Dell Hymes are showcased in these essays by leading practitioners in the field. Hymes (1927–2009) is arguably best known for his pioneering work in ethnopoetics, a studied approach to Native verbal art that elucidates cultural significance and aesthetic form. As these essays amply demonstrate, nearly six decades later ethnopoetics and Hymes's focus on narrative inequality and voice provide a still valuable critical lens for current research in anthropology and folklore. Through ethnopoetics, so much can be understood in diverse cultural settings and situations: gleaning the voices of individual Koryak storytellers and aesthetic sensibilities from century-old wax cylinder recordings; understanding the similarities and differences between Apache life stories told 58 years apart; how Navajo punning and an expressive device illuminate the work of a Navajo poet; decolonizing Western Mono and Yokuts stories by bringing to the surface the performances behind the texts written down by scholars long ago; and keenly appreciating the potency of language revitalization projects among First Nations communities in the Yukon and northwestern California. Fascinating and topical, these essays not only honor a legacy but also point the way forward.
Michael Praetorius (1571–1621) was “one of the most versatile, wide-ranging, and prolific German composers of the seventeenth century,” “also important as a theorist,” and “the most often quoted and excerpted writer on performance practice.” 2021 marks the four hundredth anniversary of this Lutheran musician’s death and the four hundred and fiftieth anniversary of his birth. Yet until now, no biography of this multitalented and fascinating man has been made available in English. This translation of Siegfried Vogelsänger’s 2008 German biography of Praetorius will introduce you to Praetorius’s family and employers, his work as organist and court music director, his sacred and secular musical compositions, his historical and theoretical musical work, his grandiose goals and plans, and—most importantly—the man himself. Appendices provide new insights into Praetorius’s ancestry and life, as well as new translations of primary sources written by Praetorius and others. Richly furnished with pictures and illustrations and supplemented with a glossary, Heaven Is My Fatherland will transport you into Praetorius’s world and open up for you the convictions of his heart.
This collection of essays examines important twentieth-century Lutheran theologians, including European and North American voices. Each essay provides an overview of the life and thought of important confessional Lutherans who shaped theology with an ecumenical, world-wide impact. The focus here is not on later twentieth-century figures but earlier ones, selected similar to the spirit manifest in Karl Barth's contention »lest we forget where contemporary theology came from« (Protestant Theology From Rousseau to Ritschl). The essays composed over the last five years were initiated by Lutheran Quarterly in order to assess our recent past as we move into a new millennium. The goal of each author, each a leading theologian, has been to describe each thinker's life and vocation and how each thinker's work continues to impact theology today.