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A delightful period piece of Paris in the late 1880's, We'll to the Woods No More (Les lauriers sont coupés) retains its importance as the first use of the monologue intérieur and the inspiration for the stream-of-consciousness technique perfected by James Joyce. Dujardin's charming tale, told with insight and irony, recounts what goes on in the mind of a young man-about-town in love with a Parisian actress. Mallarmé described the poetry of the telling as "the instant seized by the throat." Originally published in France in 1887, the first English translation (by Joyce scholar Stuart Gilbert) was published by New Directions in 1938. In 1957 Leon Edel's perceptive historical essay reintroduced the book as "the rare and beautiful case of a minor work which launched a major movement."
Edouard Dujardin's The Bays are Sere, first published in 1887, was the first novel written entirely in interior monologue or stream of consciousness. For a long time its impact was dormant, until James Joyce read it in 1903 and subsequently revealed its influence upon him. As a result it was republished to great acclaim in 1924, after which Dujardin wrote Interior Monologue, an essay on the origin of this style and how he came to adopt it.
Journey through a magical woodland, with poems to read and things to find My woodland’s full of animals, of every different kind. So shall we stay here for a while and see what we can find? Experience the everyday wonder of nature in this first book of poetry, exploring a magical woodland year. With poems by acclaimed writer Rachel Piercey, join Bear on his journey from spring to winter with lots of friends to meet, places to explore, and things to spot along the way.
"A supernatural wonder of a book. This Grimm-like fantasy is vividly detailed and will appeal to young and old readers alike." --School Library Journal (STARRED REVIEW) "Toalson intersperses Lenora's story with Richard's journal excerpts and an enigmatic, menacing character's first-person narrative, all of which lends context and dimension. The seamless blend of fantastical and realistic elements is particularly effective at exploring the multifaceted impact of tragedy and loss." --Booklist "Mysterious and beautifully rendered, R.L Toalson's THE WOODS is a heartbreaking story of family, magic and grief that will touch readers' hearts." --Samantha M Clark, author of THE BOY, THE BOAT, AND THE BEAST After a tragic explosion causes Lenora to lose her family, she goes to live with her estranged uncle at his estate. There, Lenora is drawn to the nearby woods and the magic she discovers within them. Can this magic reunite her with her family, or is it more sinister than she realizes? Twelve-year-old Lenora's world is turned upside down after an explosion makes her the lone surviving member of her immediate family. She has nowhere to go, until her estranged Uncle Richard shows up and takes her away to live with him in his lonely mansion. Quiet and stern, he spends most of his time in his study conducting research and experimenting. Lenora is able to explore parts of the mansion and its lovely gardens, but Uncle Richard has one rule for her: Stay out of the woods. Years ago, Lenora's cousin, Bobby went into Gilgevnah Woods and never came out. Now, Uncle Richard will do anything he can to destroy them. Lenora knows she is meant to stay away, but her grief and loneliness draw her in. Upon entering the woods, she finds a world full of enchantment and beauty. Lenora befriends Bela the Scorlaman, keeper of Gilgevnah Woods, who shows her the wonder and the mystery of the place, but also promises to reunite her with her family. Is it too good to be true? Will Lenora find peace in the magic of Gilgevnah Woods, or will she find something darker? The Woods is an entrancing magical realism novel from author R.L. Toalson that tackles profound loss, grief, and finally, acceptance.
Twenty years after witnessing the violent disappearances of two companions from their small Dublin suburb, detective Rob Ryan investigates a chillingly similar murder that takes place in the same wooded area, a case that forces him to piece together his traumatic memories.
In this new series told from multiple perspectives, teen members of a search and rescue team discover a dead body in the woods.
NEW YORK TIMES BESTSELLER • The remarkable true story of a man who lived alone in the woods of Maine for 27 years, making this dream a reality—not out of anger at the world, but simply because he preferred to live on his own. “A meditation on solitude, wildness and survival.” —The Wall Street Journal In 1986, a shy and intelligent twenty-year-old named Christopher Knight left his home in Massachusetts, drove to Maine, and disappeared into the forest. He would not have a conversation with another human being until nearly three decades later, when he was arrested for stealing food. Living in a tent even through brutal winters, he had survived by his wits and courage, developing ingenious ways to store edibles and water, and to avoid freezing to death. He broke into nearby cottages for food, clothing, reading material, and other provisions, taking only what he needed but terrifying a community never able to solve the mysterious burglaries. Based on extensive interviews with Knight himself, this is a vividly detailed account of his secluded life—why did he leave? what did he learn?—as well as the challenges he has faced since returning to the world. It is a gripping story of survival that asks fundamental questions about solitude, community, and what makes a good life, and a deeply moving portrait of a man who was determined to live his own way, and succeeded.
Ranging from the humble and poignant to the humorous, Sylvia Woods' poems explore her personal experience as an educator, as well as her own transition from daughter to mother and eventually to grandmother. Throughout Woods' work, the landscape and culture of Appalachia is a driving force. So too is the memory of family and the myth of family history. The poems in What We Take With Us are, as acclaimed poet Maurice Manning says, "as true as a river fork and as durable as the hills above." He continues, "They are also, like the many people and voices here recalled, humble and hard-won. The grit and humor walk side by side with grief and spunk, but isn't that what we ask of poetry, this lofty air?" Kentucky Poet Laureate George Ella Lyon praises Sylvia Woods' work with these words: "Like switchback roads in the mountains she hails from ... Woods' poems are going to take you places, and you don't want to miss the ride!" Author Darnell Arnoult describes What We Take With Us in this way: "Sylvia Woods 'captures' the reader in a vault of rich images, layers and layers of ideas to mine and gorgeously crafted moments of recognition for the poet and for us her readers. This may be a debut collection, but Woods is no novice to poetry. Each poem is a gem crafted by an experienced hand, strung together jewel after jewel." What We Take With Us is published by EastOver Press. (www.EastOverPress.com)