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A gloriously funny, nostalgic memoir of a popular ESPN reporter who, in the summer of 1994, was a fresh-out-of-college intern for a minor league baseball team. Madness and charm ensue as Ryan McGee spends the season steeped in sweat, fertilizer, nacho cheese sauce, and pure, unadulterated joy in North Carolina with the Asheville Tourists. "A sweet and funny book that reminds us it’s not just the game itself that draws us. It’s also the people." —Tom Verducci, MLB Network, Fox & Sports Illustrated, and New York Times bestselling author of The Yankee Years In the spring of 1994, Ryan McGee (new college graduate) bombed his coveted interview with ESPN--the only place he ever wanted to work. But he did receive one job offer: to work for $100 a week for the Asheville Tourists, a proud minor league baseball team in the heart of North Carolina’s Blue Ridge Mountains. McCormick Field, home to the Tourists, had once been graced by Ty Cobb, Lou Gehrig, Babe Ruth, and Jackie Robinson. What could go wrong? Welcome to the Circus of Baseball is McGee’s hilarious, charming memoir of his first summer working in the sporting world. He has since risen the ESPN ranks to national TV, radio, and Internet host, but his time in Asheville still looms large. Among the many jewels of his experience. . . McGee recounts one of the most entertaining on-field brawls you’ll ever witness (between the fourteen league mascots who had assembled for the all-star game--an eight-foot-tall foam-costumed crustacean, a pudgy red fox, a giant skunk . . . and they were really fighting), as well as the nervous moment he oversaw the game-day entertainer known as "Captain Dynamite and His Exploding Coffin of Death." Most important, McGee details a magical summer of baseball, of learning the ropes, of the ins-and-outs of running a minor league team, and of coming to understand how the pulse of a community can beat gloriously through a minor league ball club. Welcome to the Circus of Baseball is a baseball classic in the making.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Ralph Brauer defines Liberal America as a place where government exists to keep the playing field level. The success of the American experiment, he argues, depends on how well we maintain this equity and its four cornerstones: economic justice, educational equity, voting rights, and media fairness. His book is both a political and intellectual history examining the various threats to these cornerstones, and a social and cultural chronicle. Touching on music, television, movies, and sports, Brauer's thesis is underscored by a historical discussion that begins with the New Deal and works its way to the present, ending with Global Warming and the Iraq War. Arguing that the patient is in intensive care, Brauer identifies three reasons for the decline of the level playing field: 1) a Republican counterrevolution dedicated to rolling back the values of the New Deal, 2) an inability of both parties to answer questions raised by decades of Civil Rights revolutions, and 3) the transformation of suburban America from a place of opportunity created by government programs to a battleground. These three ideas form the basis for the book's three sections. Part One follows the development of the Counterrevolutionary Coalition, beginning with the Southern Strategy and ending with a chapter on America's politicized media. Part Two focuses on questions that have been raised by people of color and by women, and treats the Democratic Party's failure to answer those questions as illustrated by events like the Nader-LaDuke campaign and the 1964 Atlantic City convention. Part Three details the impact of suburban America on the cornerstones.
The national pastime's rich history and vast cache of statistics have provided fans and researchers a gold mine of narrative and data since the late 19th century. Many books have been written about Major League Baseball's most famous games. This one takes a different approach, focusing on MLB's most historically significant games. Some will be familiar to baseball scholars, such as the October afternoon in 1961 when Roger Maris eclipsed Babe Ruth's single-season home run record, or the compelling sixth game of the 1975 World Series. Other fascinating games are less well known: the day at the Polo Grounds in 1921, when a fan named Reuben Berman filed a lawsuit against the New York Giants, winning fans the right to keep balls hit into the stands; the first televised broadcast of an MLB game in 1939; opening night of the Houston Astrodome in 1965, when spectators no longer had to be taken out to the ballgame; or the spectator-less April 2015 Orioles-White Sox game, played in an empty stadium in the wake of the Baltimore riots. Each game is listed in chronological order, with detailed historical background and a box score.
It is 1971 and seventeen-year-old Sarah Cunningham is consumed by wanderlust. When her passion for capturing interesting subjects through her camera lens leads Sarah to a grassy lot one day, she becomes immediately mesmerized by the fascinating circus life that surrounds her. Eager to fit in and in need of a passport into a world beyond her reach, Sarah escapes her scripted suburban life, makes the circus her family, and loses her virginity to West, a handsome performer with a gift for handling wild animals. While under the spell of circus mystique, Sarah falls in love with West and the nomadic way of life as she mingles with jailbirds and performers alike. As the tour nears its end, the gritty underbelly of the circus is revealed. Just before the show reaches winter quarters in Florida, Sarah makes two unwanted discoveries that place her prematurely into adulthood and lead her to face major life choices. In this coming-of-age story, a restless teenager embarks on a journey of self-discovery during the 1970s after she runs away with the circus and discovers that life under a tent is as unpredictable as she is.
One half-sheet poster used to advertise this 1949 film.