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Introduces and explains church music and congregational singing for beginners. Music is an essential element in Anglican worship; in fact, The Hymnal 1982 is used in virtually every Episcopal service of worship that involves singing. While most parishioners participate in music making at some level (such as singing hymns or common responses), fewer people might understand the specific genres that comprise the music of an Episcopal worship service or the liturgical meaning behind each selection. This book provides a more in-depth understanding of this rich and complex tradition, discussing the history and evolution of music within the Episcopal Church, including its Anglican roots. This book is designed to help clarify—and simplify—the importance of hymn singing and service music in Episcopal worship, as well as explain the history, structure, and content of The Hymnal 1982.making at some level (such as singing hymns or common responses), fewer people might understand the specific genres that comprise the music of an Episcopal worship service or the liturgical meaning behind each selection. This book provides a more in-depth understanding of this rich and complex tradition, discussing the history and evolution of music within the Episcopal Church, including its Anglican roots.
Introduces and explains church music and congregational singing for beginners. Music is an essential element in Anglican worship; in fact, The Hymnal 1982 is used in virtually every Episcopal service of worship that involves singing. While most parishioners participate in music making at some level (such as singing hymns or common responses), fewer people might understand the specific genres that comprise the music of an Episcopal worship service or the liturgical meaning behind each selection. This book provides a more in-depth understanding of this rich and complex tradition, discussing the history and evolution of music within the Episcopal Church, including its Anglican roots. This book is designed to help clarify—and simplify—the importance of hymn singing and service music in Episcopal worship, as well as explain the history, structure, and content of The Hymnal 1982.making at some level (such as singing hymns or common responses), fewer people might understand the specific genres that comprise the music of an Episcopal worship service or the liturgical meaning behind each selection. This book provides a more in-depth understanding of this rich and complex tradition, discussing the history and evolution of music within the Episcopal Church, including its Anglican roots.
This popular collection of 280 musical pieces from both the African American and Gospel traditions has been compiled under the supervision of the Office of Black Ministries of the Episcopal Church. It includes service music and several psalm settings in addition to the Negro spirituals, Gospel songs, and hymns.
This is a complete revision of a detailed resource which has been the essential guide for church musicians working in the Episcopal church for over 20 years. A Guide to the Practice of Church Music (1989) was originally written by Marion J. Hatchett, who taught for many years at the Episcopal seminary at Sewanee, was key in developing materials for The Hymnal 1982. This updated revision contains brief, but articulate discussions of the role of music in the church, the variety and nature of music ministries (people, cantor, choirs, organists, directors, instrumentalists, clergy, and music committees); principles for the selection of hymns, psalms, canticles, and other service music and their sources in materials from CPI and beyond; guidance for planning services for all rites of the church in the BCP and the Book of Occasional Services. Updated revision includes hymnals, electronic resources, and materials published since The Hymnal 1982.
This is the first of two collections from the Standing Commission on Liturgy and Music of additional service music for the church with eleven settings for the eucharist and two settings each of Canticles A-K from Enriching Our Worship 1.
In the time-honored tradition of church musicians who compose music for local use, Robert A. Hawthorne created these beautiful new settings of the psalms for his congregation in Oregon. They proved so singable, so sensitively rendered, and so liturgically appropriate that many who heard them felt this music should be more widely available. The Portland Psalter: Book One, brings the first part of Hawthorne's psalter to the larger church. It contains settings for all psalms appointed for the Sunday Eucharist according to the Book of Common Prayer lectionary and the Revised Common Lectionary. Book Two contains the balance of psalm settings for the church year together with pastoral offices and ordination rites and the Easter Vigil.
Perfect for newcomers and confirmation classes The Episcopal Church has a language and a practice all its own. For a newcomer, these can seem intimidating at first glance. This book takes readers through a Sunday worship experience, and explains the what, the why, and the how of what they might encounter. Worship is explained, with a quick survey of the Book of Common Prayer, along with frequently encountered vocabulary. How we read the Bible and what we believe about core points of theology are also discussed, especially as these points may differ from what many people assume to be Christian norms. How faith is practiced and its connection to our social and moral lives is discussed. What is the Jesus Movement and how can the Way of Love be lived every day? Finally, a short overview of Episcopal history is included, for the visitor who wonders how we came to be here. The book concludes with a few of the most frequently asked questions by adults who join the Episcopal Church.
A definitive look at how church music is changing in the 21st century. There is no lack of resources for the church musician focusing on particular skills or repertoire. But this is the first collection of essays created specifically for musicians working in parish ministry that imagines how those vocations will change along with the evolving church. Ponder Anew chronicles the rapid changes in the church music landscape in the last 20 years including the role of technology, education, relationships with clergy and choristers, and cultural presumptions. Contributors are parish musicians, professors, clergy, and bishops.
This is the companion volume to My Heart Sings Out, a collection of hymns, songs, and service music chosen for their particular usefulness in liturgy that is designed intentionally to include children. Intergenerational participation in the liturgy is essential for growing churches. In addition to all of the music from the singer's edition, the Teacher's Guide includes: Brief essays on choosing music and texts appropriate for children; teaching music to children; the importance of a cantor as music leader; and planning worship using the "multiple intelligences" theory to better engage both children and adults. Suggestions for performance, including additional rhythmic and instrumental parts, ideas for use of multiple voice parts, and ways to make performance simpler or more complex depending on resources. Scriptural and lectionary material, including teaching ideas about understanding the story or theme of the day. Guidelines for planning children's chapel services, and for organizing musical content in church school classes and other special learning events. Musical concerns when teaching, including a breakdown of teaching methods for each piece: points of difficulty, patterns of rhythm or melody, etc. to make the music readily accessible to children and adults. Extensive indexes that list the types of accompanying instrumentation, that categorize selections by age level, that list which selections have harmony parts, that match scripture to texts, plus a liturgical index and a topical index.