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A powerful argument for separating immigration enforcement from the criminal legal system, by one of the nation’s foremost “crimmigration” experts In the fevered battles over immigration, Democrats and Republicans alike agree on this: that migrants who have committed a crime have no place in this country. But targeting migrants because they have committed a crime is a short-sighted appeal to nativist fear. To predicate a migrant’s right to stay in the country on whether they are law-abiding and therefore deserving or “criminal” and undeserving does little to improve public safety and has an especially devastating impact on low-income migrants of color. While César Cuauhtémoc García Hernández’s first book, Migrating to Prison, focuses on the explosion of migrant detention centers over the past decades, Welcome the Wretched tackles head-on what happens when a deeply flawed and racist criminal legal system and immigration system converge to senselessly cruel effect. Drawing on everything from history to legal analyses and philosophy, García Hernández counters the fundamental assumption that criminal activity has a rightful place in immigration matters, arguing that instead of using the criminal legal system to identify people to deport, the United States should place a reimagined sense of citizenship and solidarity at the center of immigration policy.
Hebrews is a sermon, and a providentially sermon for our age. This ancient text speaks to a Christ-community descending into an abyss of ennui, losing coordinates of faith and sliding through a back door or nonchalance. With glimpses across the globe and though history, this book attempts to extrapolate meaning for today from a sometimes difficult first century text.
Explores the author's invitation to be "crazy enough to love like Jesus, to give like Jesus, to forgive like Jesus, to do justice, love mercy, walk humbly with God like Jesus. Crazy enough to dare to change the world from the nightmare it often is into something close to the dream that God dreams for it"--Amazon.com.
From Birth to Resurrection in the Gospel of Luke Jesus came to lift up the lowly. Throughout his ministry to his final days on the road to the cross, we find stories of his relationships with ordinary, flawed, and unexpected people. He met, dined, and traveled with people who were not perfect. Many of them were struggling, some were outsiders or even outlaws. Whoever they were, from those he healed to the outlaws with him at his crucifixion, Jesus brought the good news of God’s kingdom to those who most needed to hear it. In Luke: Jesus and the Outsiders, Outcasts, and Outlaws, pastor and bestselling author Adam Hamilton explores the life, teachings, death, and resurrection of Jesus as told in the Gospel of Luke. Through Luke’s stories we find Jesus’ care and compassion for all as he welcomes sinners and outcasts. As we study Luke and see Jesus’ concern for those who were considered unimportant, we hear a hopeful and inspiring word for our lives today. The book can be read alone or used for a group study and church-wide Lenten program. Additional components include video teaching sessions featuring Adam Hamilton, a comprehensive leader guide, free downloadable resources for children and youth, and a digital worship and sermon helps. The book includes a link to download the free teaching resources for children and youth.
A new survey of twentieth-century U.S. poetry that places a special emphasis on poets who have put lyric poetry in dialogue with other forms of creative expression, including modern art, the novel, jazz, memoir, and letters. Contesting readings of twentieth-century American poetry as hermetic and narcissistic, Morris interprets the lyric as a scene of instruction and thus as a public-oriented genre. American poets from Robert Frost to Sherman Alexie bring aesthetics to bear on an exchange that asks readers to think carefully about the ethical demands of reading texts as a reflection of how we metaphorically "read" the world around us and the persons, places, and things in it. His survey focuses on poems that foreground scenes of conversation, teaching, and debate involving a strong-willed lyric speaker and another self, bent on resisting how the speaker imagines the world.
In this original and compelling exploration of the meaning of the term 'fine' and the phenomenon of refinement, noted scholar Michael Gelven reflects on the relationship between refinement and existence. Beginning with a study of perceptual refinement, Gelven shows how in some cases this refinement discloses an existential essence--as an architect shows us what it means to dwell. Gelven then moves to a refinement of self, not equating it with virtue but showing how refinement illuminates our understanding of our ethical and aesthetic judgments, and of what it means to be.
As Nathan Huggins once stated, altering American history to account fully for the nation's black voices would change the tone and meaning--the frame and the substance--of the entire story. Rather than a sort of Pilgrim's Progress tale of bold ascent and triumph, American history with the black parts told in full would be transmuted into an existential tragedy, closer, Huggins said, to Sartre's No Exit than to the vision of life in Bunyan. The relation between memory and history has received increasing attention both from historians and from literary critics. In this volume, a group of leading scholars has come together to examine the role of historical consciousness and imagination in African-American culture. The result is a complex picture of the dynamic ways in which African-American historical identity constantly invents and transmits itself in literature, art, oral documents, and performances. Each of the scholars represented has chosen a different "site of memory"--from a variety of historical and geographical points, and from different ideological, theoretical, and artistic perspectives. Yet the book is unified by a common concern with the construction of an emerging African-American cultural memory. The renowned group of contributors, including Hazel Carby, Werner Sollors, Vèvè Clark, Catherine Clinton, and Nellie McKay, among others, consists of participants of the five-year series of conferences at the DuBois Institute at Harvard University, from which this collection originated. Conducted under the leadership of Geneviève Fabre, Melvin Dixon, and the late Nathan Huggins, the conferences--and as a result, this book--represent something of a cultural moment themselves, and scholars and students of American and African-American literature and history will be richer as a result.