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A massive collection of never-before-collected pre-Comics Code horror comics of the 1950s. Of the myriad genres comic books ventured into during its golden age, none was as controversial as or came at a greater cost than horror; the public outrage it incited almost destroyed the entire industry. Yet before the watchdog groups and Congress could intercede, horror books were flying off the newsstands. During its peak period (1951–54) over fifty titles appeared each month. Apparently there was something perversely irresistible about these graphic excursions into our dark side, and Four Color Fear collects the finest of these into a single robust volume.
scary stories with monsters and sexy women! Thrilling tales of horror, intrigue, adventure and romance! Published by Avon. This was the only Eerie Comic published until 1951 when Avon published another Eerie #1, cover dated May/June 1951. It then continued a run of seventeen issues. This January 1947 issue of Eerie Comics is the first out-and-out horror comic book and is credited with establishing the genre of horror comics. You can enjoy again - or for the first time -Eerie Comics #1complete stories . . . "The Eyes Of The Tiger" "Dead Mans Tale" "The Man-Eating Lizards!" "Goofy Ghost" "Proof! (illustrated Verse)" "Mystery Of Murder Manor" "The Strange Case Of Henpecked Harry" The comic reprints from Escamilla Comics are reproduced from actual classic comics, and sometimes reflect the imperfection of books that are decades old. These books are constantly updated with the best version available.
Censored out of existence by Congress in the 1950s, rare comic book images--many of which have been rarely seen since they were first issued--are now revealed once again in all of their eye-popping inventive outrageousness. Original.
Journey into horror and the macabre with this compilation published by Comic Media. Comic Media was a comic book company owned by Allen Hardy that existed in the 1950s. Its titles were mainly action/adventure, western, and horror. Its most notable character was Johnny Dynamite, created by Pete Morisi. The main artist across it's titles was Don Heck, who in 1955 would be recruited by Stan Lee to Atlas Comics; what would become Marvel Comics. Don went on to be one of the architects of what became known as "The Marvel Age of Comics," along with the legendary Jack Kirby, Steve Ditko, and Dick Ayers. While there Don co-created Iron Man, Hawkeye, and Black Widow. This compilation contains stories from four issues.
Bringing together the finest names in comic book horror, this volume features nearly 50 comics that caused a furor in the US and sparked legislation to crack down on explicit horror—from the 1940s to the 21st century. Includes names like Steve Niles, Pete Von Sholly, Michael Kaluta, Mike Ploog, Rudy Palais, Rand Holmes, Vincent Locke, Frank Brunner, and many more. Reproduced in black and white for this brand-new collection.
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
The Wild West has been romanticized in American culture ever since the dime novels capturing the exploits of Jesse James were produced in the years directly following the Civil War, and the Western genre continues to enthrall audiences to this day. The stories of frontiersmen, outlaws, cowboys, Indians, prospectors, and marksmen surviving the harshest of environments through wit, skill, and determination, or meeting their end by bullet, noose, or exposure speak to what it means to be American and play an essential part in how we define ourselves as a nation. These mythic stories have been captured and created in almost every popular mass medium of the past century and beyond from tabloids to novels, radio plays, television shows, and movies. Now, powerHouse Books is pleased to present a collection of these uniquely American stories as told through a uniquely American medium...the comic book! Golden Age Western Comics lovingly reproduces in full-color, restored, complete scans of 20 of the best Western stories-plus a few pin-ups-created between the years 1948 and 1956. These lavishly illustrated stories of guts and glory, violence and valor, intrigue, romance, and betrayal, on the range and in lawless frontier towns, were created by some of the best artists and writers of the era. The action flies off the page in stories such as "The Tragedy at Massacre Pass," and "Breakout in rondo Prison," from the greatest earliest publishing houses, including: Fawcett, Charlton, Avon, Youthful, and more.Golden Age Western Comics is a collection unlike any other and is sure to delight fans of rootin-tootin, gun-toting, adventure of all ages! Featuring Western Legends of Life, Literature, and Filmdom such as: · Wild Bill Hickok · Jesse James · Annie Oakley · Davy Crockett · Daniel "Dan'l" Boone · Tex Ritter · Lash Larue · Gabby Hayes · Tom Mix And Many More!
Eerie Publications' horror magazines brought blood and bad taste to America's newsstands from 1965 through 1975. Ultra-gory covers and bottom-of-the-barrel production values lent an air of danger to every issue, daring you to look at (and purchase) them. The Weird of World of Eerie Publications introduces the reader to Myron Fass, the gun-toting megalomaniac publisher who, with tyranny and glee, made a career of fishing pocketbook change from young readers with the most insidious sort of exploitation. You'll also meet Carl Burgos, who, as editor of Eerie Publications, ground his axe against the entire comics industry. Slumming comic art greats and unknown hacks were both employed by Eerie to plagiarize the more inspired work of pre-Code comic art of the 1950s. Somehow these lowbrow abominations influenced a generation of artists who proudly blame career choices (and mental problems) on Eerie Publications. One of them, Stephen R. Bissette (Swamp Thing, Taboo, Tyrant), provides the introduction for this volume. Here's the sordid background behind this mysterious comics publisher, featuring astonishingly red reproductions of many covers and the most spectacularly creepy art.
Ghostly Tales of Spine Chilling Horror featuring : 1. Evil Ones 2. Wrath of Satan 3. Fear what is it? 4. Isle of Doom 5. Death SOng 6. Trapped 7. Boxing with Feet 8. Double Trouble
Strange Terrors was a pre-comic code horror comic series. Popular but short lived, this series was published by St. John publications who at one time was a giant of the comic book industry. St. John Publications was an American publisher of magazines and comic books. During its short existence (1947-58), St. John's comic books established several industry firsts. Founded by Archer St. John (1904-55), the firm was located in Manhattan at 545 Fifth Avenue. After the St. John comic books came to an end in 1958, the company continued to publish its magazine line into the next decade. This book has been image enhanced to give the reader a comic as it was, freshly published more then fifty years ago and contains stories from two complete issues.