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A survivor's firsthand account of attempted murder in St. Francisville, Louisiana. A former warden of Angola Prison shoots his wife five times with a pistol, then sits down to watch her die on her plantation home porch. The victim, author Anne Butler, survives to tell this true crime story, detailing the unraveling of her seven-year marriage and how it led to her near-murder. Interspersed with simple black and white snapshots, this stranger-than-fiction story of murder, survival, and forgiveness offers keen insights into the mind of both victim and criminal.
A survivor's firsthand account of attempted murder in St. Francisville, Louisiana. A former warden of Angola Prison shoots his wife five times with a pistol, then sits down to watch her die on her plantation home porch. The victim, author Anne Butler, survives to tell this true crime story, detailing the unraveling of her seven-year marriage and how it led to her near-murder. Interspersed with simple black and white snapshots, this stranger-than-fiction story of murder, survival, and forgiveness offers keen insights into the mind of both victim and criminal.
Birddog Harlin is a willful and bitter woman whose husband leaves suddenly one morning. She is left with her sad and angry daughter. Birddog, feeling the detachment from her only child, recalls her own difficult past filled with the hurt of death, abandonment and loneliness. Painful memories flood her mind, forcing Birddog, who is teetering between self-destruction and redemption, to choose whether she will rise above her pain or whether she will fall.
When lives are dominated by hunger, what becomes of love? When assaulted by daily acts of violence and untimely death, what happens to trust? Set in the lands of Northeast Brazil, this is an account of the everyday experience of scarcity, sickness and death that centres on the lives of the women and children of a hillside "favela". Bringing her readers to the impoverished slopes above the modern plantation town of Bom Jesus de Mata, where she has worked on and off for 25 years, Nancy Scheper-Hughes follows three generations of shantytown women as they struggle to survive through hard work, cunning and triage. It is a story of class relations told at the most basic level of bodies, emotions, desires and needs. Most disturbing - and controversial - is her finding that mother love, as conventionally understood, is something of a bourgeois myth, a luxury for those who can reasonably expect, as these women cannot, that their infants will live.
Art Young was one of the most renowned and incendiary political cartoonists in the first half of the 20th century. And far more ― an illustrator for magazines such as The Saturday Evening Post and Colliers, a magazine publisher, a New York State Senatorial candidate on the Socialist ticket, and perhaps the only cartoonist to be tried under the Espionage Act for sedition. He made his reputation appearing in The Masses on a regular basis using lyrical, vibrant graphics and a deep appreciation of mankind’s inherent folly to create powerful political cartoons. To Laugh That We May Not Weep is a sweeping career retrospective, reprinting ―often for the first time in 60 or 70 years― over 800 of Young’s timeless, charming, and devastating cartoons and illustrations, many reproduced from original artwork, to create a fresh new portrait of this towering figure in the worlds of cartooning and politics. With essays by Art Spiegelman, Justin Green, Art Young biographer Marc Moorash, Anthony Mourek, and Glenn Bray, with a biographical overview of Young’s life and work by Frank M. Young, To Laugh That We May Weep is a long-awaited tribute to one of the great lost cartoonists whose work is as relevant in the 21st century as it was in its own time.