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Weekly Shonen Jump 11/26/2018

Kazue Kato, Yuki Tabata, Kohei Horikoshi, Tadatoshi Fujimaki, Eiichiro Oda, ONE, Yusuke Murata, Takaya Kagami, Yamato Yamamoto, Daisuke Furuya, Yuto Tsukuda, Shun Saeki, Koji Oishi, Kaiu Shirai, Kenta Shinohara, Posuka Demizu, Taishi Tsutsui, Hideyuki Furuhashi, Kazuki Takahashi, Naohito Miyoshi, Masahiro Hirokubo, Gen Osuga, Ryoji Hirano, Gege Akutami, Rokurou Sano, Kentarou Hidano, Haruto Ikezawa, Hiroshi Shiibashi, Masayoshi Satosho, Yoshihiro Togashi, Bunta Kinami

Published: 2018-11-26

Total Pages: 294


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In The Promised Neverland, we get a look at a surprise character! One that has the power to change everything! And in Boruto, Naruto challenges his son to a fight. Has Boruto gotten stronger? Plus, more cosmic duels in Yu-Gi-Oh! ARC-V!
Killer mermaids, gender swapping, and a devilish little sister with the power to end the world—four more unforgettable short stories that reveal the starting point of Tatsuki Fujimoto, the twisted mastermind behind Chainsaw Man. -- VIZ Media
Focusing on the art and literary form of manga, this volume examines the intercultural exchanges that have shaped manga during the twentieth century and how manga’s culturalization is related to its globalization. Through contributions from leading scholars in the fields of comics and Japanese culture, it describes "manga culture" in two ways: as a fundamentally hybrid culture comprised of both subcultures and transcultures, and as an aesthetic culture which has eluded modernist notions of art, originality, and authorship. The latter is demonstrated in a special focus on the best-selling manga franchise, NARUTO.
Ryota Sakamaki is a struggling artist who finally gets his big break when his manga series is serialized. Sakamaki’s life is thrown into turmoil, however, when he learns that his backgrounds are drawn by an inmate charged with the infamous Halloween Murder. But is his assistant truly guilty of that heinous crime?! -- VIZ Media
Moritaka is hesitant to seriously consider Akito's proposal because he knows how difficult reaching the professional level can be. Still, encouragement from persistent Akito and motivation from his crush push Moritaka to test his limits! -- VIZ Media
Bakugo’s abduction by the League of Villains was a carefully calculated move designed to draw out the heroes—All Might in particular—and destroy them. Midoriya and his friends set out on a rescue mission that eventually pulls in not only All Might but also several other heroes! The casualties mount, until at last the mastermind of the plot appears—All for One, the only villain powerful enough to take on All Might head-to-head and possibly win! -- VIZ Media
“This wonderful book asks us to consider the mermaid . . . across regions, nations, diasporas, and contemporary socio-cultural configurations.” —Paige West, Claire Tow Professor of Anthropology, Barnard College, Columbia University Emerging from the confluence of Greco-Roman mythology and regional folklore, the mermaid has been an enduring motif in Western culture since the medieval period. It has also been disseminated more widely, initially through Western trade and colonization and, more recently, through the increasing globalization of media products and outlets. Scaled for Success offers the first detailed overview of the mermaid’s dispersal outside Europe. Complementing previous studies of the interrelationship between the mermaid and Mami Wata spirit in West Africa, this volume addresses the mermaid’s presence in a range of Middle Eastern, Asian, Australian, Latin American and North American contexts. Individual chapters identify the manner in which the mermaid has been variously syncretized and/or resignified in contexts as diverse as Indian public statuary, Thai cinema and Coney Islands annual Mermaid Parade. Rather than lingering as a relic of a bygone age, the mermaid emerges as a versatile, dynamic and, above all, polyvalent figure. Her prominence exemplifies the manner in which contemporary media-lore has extended the currency of established folkloric figures in new and often surprising ways. Analyzing aspects of religious symbolism, visual art, literature and contemporary popular culture, this copiously illustrated volume profiles an intriguing and highly diverse phenomenon. “No matter the reader’s background (literature, folklore, media or cultural studies, and beyond), there is no denying that this work will be a valuable addition to the library of anyone fascinated with mermaids.” —Western Folklore
In the aftermath of the sports festival, the Class 1-A students begin their internships. Midoriya goes to study under Gran Torino, who was once All Might’s mentor. Gran Torino appears to be a washed-up nutjob, but the old hero still has more moves than a football team, and Midoriya has a lot to learn! Elsewhere, the League of Villains enacts another sinister plot and unleashes a terrifying new enemy! -- VIZ Media
Grand in its scope, Asian Comics dispels the myth that, outside of Japan, the continent is nearly devoid of comic strips and comic books. Relying on his fifty years of Asian mass communication and comic art research, during which he traveled to Asia at least seventy-eight times and visited many studios and workplaces, John A. Lent shows that nearly every country had a golden age of cartooning and has experienced a recent rejuvenation of the art form. As only Japanese comics output has received close and by now voluminous scrutiny, Asian Comics tells the story of the major comics creators outside of Japan. Lent covers the nations and regions of Bangladesh, Cambodia, China, Hong Kong, India, Indonesia, Korea, Malaysia, Myanmar, Nepal, the Philippines, Singapore, Sri Lanka, Taiwan, Thailand, and Vietnam. Organized by regions of East, Southeast, and South Asia, Asian Comics provides 178 black-and-white illustrations and detailed information on comics of sixteen countries and regions—their histories, key creators, characters, contemporary status, problems, trends, and issues. One chapter harkens back to predecessors of comics in Asia, describing scrolls, paintings, books, and puppetry with humorous tinges, primarily in China, India, Indonesia, and Japan. The first overview of Asian comic books and magazines (both mainstream and alternative), graphic novels, newspaper comic strips and gag panels, plus cartoon/humor magazines, Asian Comics brims with facts, fascinating anecdotes, and interview quotes from many pioneering masters, as well as younger artists.