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Featuring the work of one of Mexico's most important and influential of modern poets, this poetry collection is presented in both Spanish and English.
Echos of Frederico García Lorca, Yiannis Ritsons, and Rumi add exoticism to this poet's deceptively simple style. Combining confession with analytical rigor, most of these poems are variations on classic themes, but they are driven by the particulars of politics, love, and family life. As the poems progress, repeated symbols--such as cars, coats, cups, rooms, bees, and roses--begin to hint that the poet has a secret recipe for contentment: home and hearth, travel, warm weather, and a belief in human growth.
Focusing on the universe of beauty and dreams with an intensity that delves into self-recognition, these stories written over the last 15 years engage the reader with questions about our public and private lives. The stories touch on questions of identity and belief, the phantoms of memory, and the oppositions of beauty to experiences. Told in a language of brilliant power, these tales enable the reader with their enigmatic and dreamlike quality.
Celebrating the works of a great Chilean poet, this collection offers a vibrant translation of Neruda’s sensual and erotic poetry. Famous for his politically engaged lyrics, the Nobel Laureate also wrote bold and sexual sonnets, and this compilation captures the spirit and verbal dexterity of the lesser-known genre. These sonnets from one of the most influential and beloved 20th-century poets accompany questions for discussion and lists of recommended readings and related websites.
Using delicate prose and intense imagery, this translation explores the relationship and struggle of the human body and its inner being. Completely paralyzed by Lou Gehrig’s disease, Magali is imprisoned in her own body, able to communicate only by blinking her eyes. Feeling mentally free but physically trapped, she reflects on her past and regards her present physical existence as a prison. A relationship formed between Magali and her doctor gives one of them the hope to live and the other the grace to die.
Written with the verve of the uninhibited artist but with a clarity of thought and expression more akin to the scientist or scholar, these poems investigate the emotional and philosophical struggles of contemporary life. Often sparked by the horrors depicted in today's news, the poems combine surrealist images with spare and lyrical language to grapple with an increasingly absurd world. The most ambitious piece in the collection is a radical, post-9/11 translation of the Anglo-Saxon elegy The Wanderer, and other poems include "Don Quixote, You Sure Can Take One Helluva Beating," "Film Version of My Hatred," "Never Held a Gun," and "The Romantic Impulse Hits the Schoolyard."
Ripe with love, money, and power, the story of 35-year-old Rudolf--set in a fast-paced, urban environment--begs the question Do we only think we exist? Rudolf and his wife work day and night hoping for a better life--he is a philosophy graduate student and the manager of a car dealership. He also keeps up a heart-wrenching relationship with the chic Wanda. Then there is Nina, who studies logic but is secretly a prostitute, and Alfred, owner of a car-leasing company, seemingly upright, but actually an embezzler. Each character conceals something. Be it in Hungary or North America, the craving for existential clarity remains strong.
Ranging widely in subject matter--from a musician's destructive narcissism to the strange effects a persistent Norwegian has on a bachelor's love life--the stories in this collection also vary in style. Both elegantly insightful and highly adventurous, these tales are inventive, deeply comic, sometimes very unsettling, and completely engaging.
A unique collaboration that explores themes of love and family, this collection features poems that are based on works of art placed alongside the very works that inspired them. It includes paintings by Natalka Husar; drawings, monotypes, and lithographs by Claire Weissman Wilks; and photographs by Goran Petkovsky.
It was the fabulous summer of 1929 when the literary capital of North America moved to La Rive Gauche—the Left Bank of the Seine River—in Paris. Ernest Hemingway was reading proofs of A Farewell to Arms, and a few blocks away F. Scott Fitzgerald was struggling with Tender Is the Night. As his first published book rose to fame in New York, Morley Callaghan arrived in Paris to share the felicities of literary life, not just with his two friends, Hemingway and Fitzgerald, but also with fellow writers James Joyce, Ford Madox Ford, and Robert McAlmon. Amidst these tangled relations, some friendships flourished while others failed. This tragic and unforgettable story comes to vivid life in Callaghan's lucid, compassionate prose.