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Winner of the 2012 Zia Award from New Mexico Press Women In 1973 Georgia O'Keeffe employed C. S. Merrill to catalog her library for her estate. Merrill, a poet who was a graduate student at the University of New Mexico, was twenty-six years old and O'Keeffe was eighty-five, almost blind, but still painting. Over seven years, Merrill was called upon for secretarial assistance, cooking, and personal care for the artist. Merrill's journals reveal details of the daily life of a genius. The author describes how O'Keeffe stretched the canvas for her twenty-six-foot cloud painting and reports on O'Keeffe's favorite classical music and preferred performers. Merrill provided descriptions of nature when she and the artist went for walks; she read to O'Keeffe from her favorite books and helped keep her space in meticulous order. Throughout the book there are sketches of O'Keeffe's studio and an account of once assisting O'Keeffe at the easel. Jockeying for position among the helpers O'Keeffe relied upon was part of daily life at Abiquiu, where territorial chows guarded the property. Visitors came from far and wide, among them Eliot Porter and even Allen Ginsberg accompanied by Peter Orlovsky. All this is revealed in Merrill's straightforward and deeply respectful notes. Reading her book is like spending a weekend with O'Keeffe in the incomparable light and clear air of Northern New Mexico mountains and desert.
Winner of the 2012 Zia Award from New Mexico Press Women In 1973 Georgia O'Keeffe employed C. S. Merrill to catalog her library for her estate. Merrill, a poet who was a graduate student at the University of New Mexico, was twenty-six years old and O'Keeffe was eighty-five, almost blind, but still painting. Over seven years, Merrill was called upon for secretarial assistance, cooking, and personal care for the artist. Merrill's journals reveal details of the daily life of a genius. The author describes how O'Keeffe stretched the canvas for her twenty-six-foot cloud painting and reports on O'Keeffe's favorite classical music and preferred performers. Merrill provided descriptions of nature when she and the artist went for walks; she read to O'Keeffe from her favorite books and helped keep her space in meticulous order. Throughout the book there are sketches of O'Keeffe's studio and an account of once assisting O'Keeffe at the easel. Jockeying for position among the helpers O'Keeffe relied upon was part of daily life at Abiquiu, where territorial chows guarded the property. Visitors came from far and wide, among them Eliot Porter and even Allen Ginsberg accompanied by Peter Orlovsky. All this is revealed in Merrill's straightforward and deeply respectful notes. Reading her book is like spending a weekend with O'Keeffe in the incomparable light and clear air of Northern New Mexico mountains and desert.
“Carol Merrill’s tribute to Georgia O’Keeffe is poems in the shape of finely rendered sketches, some of them even paintings. These intimate images convey the delicate and tough shape of O’Keeffe’s final years in New Mexico.”—Joy Harjo, author of She Had Some Horses “When I got O’Keeffe mss I sat down after midnite at kitchen table when I should’ve been in bed & read it thru in an hour because it was interesting, curious, distinctive, focused, condensed, epiphanous, ordinary & understandable. The details are all, sacramentalizing everyday life in a world of genius—a woman, vast space, chewy intelligence, almost selfless observation.”—Allen Ginsberg, author of Howl
Georgia O’Keeffe, the most famous woman artist of American modernism and a pioneer in abstract art, created a vision without precedent. She expressed the grandeur of her world in the Southwest, from the high desert mesas to the smallest flower, with fierce independence. And a separate world has risen up around her fame: from the photographic nudes of her by Alfred Stieglitz to the iconic images of her, years later, set in the stunning landscapes of New Mexico. In this book, Nancy J. Scott draws on extensive sources—including many of O’Keeffe’s letters—to offer a sensitive and incisive examination of her groundbreaking works, their evolution, and how their reception has been caught in conflicts between O’Keeffe’s inner self and public persona. Following the young artist as her path-breaking, abstract charcoal landscapes caught the attention of gallery impresario Stieglitz, Scott tells the story of their partnership, of Stieglitz’s nudes, and the development of O’Keeffe’s early reputation as a sexually inspired, Freudian-minded artist. Scott explores the independent expression that O’Keeffe forged in opposition to the interpretations of her abstract work and the hybrid space that O’Keeffe’s works came to inhabit. Ultimately, she blended the abstract with the real in interpretations of flowers, bones, shells, rocks, and landscapes, which would become her hallmark subjects. Unique to this biography is the inclusion of her letters—which have only recently been made available. They show that her words can be just as revelatory as her paintings, and they offer the intimate voice of an artist alive in an era of great artistic development. The result is a succinct yet comprehensive account of one of the most prolific and important artists of the twentieth century.
Georgia O'Keeffe in Texas: A Guide is different from previous O'Keeffe studies, as it provides a short biography of O'Keeffe on the people and events that influenced her Texas years. The artists are neither artists nor professional art critics, but are historians of the American West who have an interest in Georgia O'Keeffe. They believe her years in Texas, especially the Texas Panhandle, were significant for her subsequent development as a thoroughly modern American artist. Front Cover Art Credit: Panhandle-Plains Historical Museum, Canyon, Texas
This collection reveals the complexities, sadness, and creative spirit of the Mexican painter. Kahlo's frank discussions with Tibol about the psychosexual symbolism in her paintings makes this a valuable source for those who want to understand her art.
NATIONAL BESTSELLER • In a dazzling work of historical fiction in the vein of Nancy Horan’s Loving Frank, Dawn Tripp brings to life Georgia O’Keeffe, her love affair with photographer Alfred Stieglitz, and her quest to become an independent artist. This is not a love story. If it were, we would have the same story. But he has his, and I have mine. In 1916, Georgia O’Keeffe is a young, unknown art teacher when she travels to New York to meet Stieglitz, the famed photographer and art dealer, who has discovered O’Keeffe’s work and exhibits it in his gallery. Their connection is instantaneous. O’Keeffe is quickly drawn into Stieglitz’s sophisticated world, becoming his mistress, protégé, and muse, as their attraction deepens into an intense and tempestuous relationship and his photographs of her, both clothed and nude, create a sensation. Yet as her own creative force develops, Georgia begins to push back against what critics and others are saying about her and her art. And soon she must make difficult choices to live a life she believes in. A breathtaking work of the imagination, Georgia is the story of a passionate young woman, her search for love and artistic freedom, the sacrifices she will face, and the bold vision that will make her a legend. Praise for Georgia “Complex and original . . . Georgia conveys O’Keeffe’s joys and disappointments, rendering both the woman and the artist with keenness and consideration.”—The New York Times Book Review “As magical and provocative as O’Keeffe’s lush paintings of flowers that upended the art world in the 1920s . . . Tripp inhabits Georgia’s psyche so deeply that the reader can practically feel the paintbrush in hand as she creates her abstract paintings and New Mexico landscapes. . . . Evocative from the first page to the last, Tripp’s Georgia is a romantic yet realistic exploration of the sacrifices one of the foremost artists of the twentieth century made for love.”—USA Today “Sexually charged . . . insightful . . . Dawn Tripp humanizes an artist who is seen in biographies as more icon than woman. Her sensuous novel is as finely rendered as an O’Keeffe painting.”—The Denver Post “A vivid work forged from the actual events of O’Keeffe’s life . . . [Tripp] imbues the novel with a protagonist who forces the reader to consider the breadth of O’Keeffe’s talent, business savvy, courage and wanderlust. . . . [She] is vividly alive as she grapples with success, fame, integrity, love and family.”—Salon
A memoir details the haunting and redemptive events of the author's life, covering such topics as his con-man father's betrayal, the murder-suicide of a houseguest, and his decade spent in the Arctic as a translator of Inuit tales.
Georgia OKeeffe (18871986) was a major figure in American art for seven decades. Throughout that long and prolific career she remained true to her unique artistic vision, creating a highly individual style that synthesized the formal language of modern European abstraction and the themes of traditional American pictorialism. The main subjects to which she returned again and again were the flowers, animal bones and the landscapes around her studios in Lake George, New York, and finally New Mexico, with which she has been ultimately identified. This comprehensive and illuminating book by a noted scholar on OKeeffe and her work, surveys the complete oeuvre drawings, watercolours and paintings from all periods and explains her life in the context of her artistic output. Now revised with updated bibliography, this edition features colour reproductions of artworks throughout.
Most people associate Georgia O’Keeffe with New Mexico, painted cow skulls, and her flower paintings. She was revered for so long—born in 1887, died at age ninety-eight in 1986—that we forget how young, restless, passionate, searching, striking, even fearful she once was—a dazzling, mysterious female force in bohemian New York City during its heyday. In this distinctive book, Karen Karbo cracks open the O’Keeffe icon in her characteristic style, making one of the greatest women painters in American history vital and relevant for yet another generation. She chronicles O’Keeffe’s early life, her desire to be an artist, and the key moment when art became her form of self-expression. She also explores O’Keeffe’s passionate love affair with master photographer Alfred Stieglitz, who took a series of 500 black-and-white photographs of O’Keeffe during the early years of their marriage. This is not a traditional biography, but rather a compelling, contemporary reassessment of the life of O’Keeffe with an eye toward understanding what we can learn from her way of being in the world.