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“If there are 10,000 creators in the world, there are 10,000 webtoons.” Hong Nan Ji Are you an aspiring webtoon artist? Have you ever wondered if you have what it takes to make it in one of today’s most exciting fields of popular culture? Find out in Webtoon School. Available in English for the first time. With Korean culture capturing imaginations around the world, more people than ever are discovering webtoons, the groundbreaking fusion of manhwa with online platforms. Until now, there has been no ‘how-to’ book dedicated to webtoons, and aspiring creators have had to make do with accessing material from other industries, like comic books and movie-making. Webtoon School is changing all that. Discover the secrets of creating Korean-style webtoon content from two of the industry’s leading experts. Lee Jong Beom, creator of the hit webtoon Doctor Frost, and Hong Nan Ji, author of Webtoon Performance and Reader’s Pleasure, guide the readers of Webtoon School through the entire process of becoming a successful webtoon artist. Webtoon School is a complete guide to webtoon creation that not only helps readers devise storylines and hone their art, but even walks them through the process of getting paid to publish their work. There can be no more useful book for anyone hoping to become a professional webtoon artist, whether they are just starting out, or perhaps looking to make the move into webtoons from traditional comics, Japanese manga, or Korean manhwa. This comprehensive guide includes practical advice on all aspects of webtoon creation, including: • What is a webtoon? The essential basics • What makes an interesting story? • How to carry out effective research • Writing engaging plots • Creating characters that the readers will love—or love to hate! • How a successful story is constructed • What does it mean to ‘direct’ a webtoon? • Making a story into a serial • How to get published—where to take your work, how to submit it, and how to speak to the decision-makers • And last but not least: how to make money out of webtoon creation Intended to be a book that creators return to time and time again over the course of their careers for inspiration and motivation, Webtoon School has something to offer the webtoon artist no matter what stage of their journey they are on. It is the authors’ intention and great hope that the ‘graduates’ of Webtoon School will go on to be the greatest webtoon storytellers of the future. Take the first step on the path to professional webtoon success with Webtoon School!
This book presents the scientific outcome of the 4th ACIS International Conference on Computational Science/Intelligence & Applied Informatics (CSII 2017), which was held on July 9–13, 2017 in Hamamatsu, Japan. The aim of this conference was to bring together researchers and scientists, businessmen and entrepreneurs, teachers, engineers, computer users, and students to discuss the numerous fields of computer science, to share their experiences and to exchange new ideas and information in a meaningful way. The book includes research findings concerning all aspects (theory, applications and tools) of computer and information science, and discusses the practical challenges encountered and the solutions adopted to address them. The book features 16 of the conference’s most promising papers, written by researchers who are expected to make significant contributions in the field of computer and information science.
"Twisty, grisly, genre-bending and immersive, Not Even Bones will grab you by the throat and drag you along as it gleefully tramples all of your expectations." —Sara Holland, New York Times best-selling author of Everless Dexter meets This Savage Song in this dark fantasy about a girl who sells magical body parts on the black market—until she’s betrayed. Nita doesn’t murder supernatural beings and sell their body parts on the internet—her mother does that. Nita just dissects the bodies after they’ve been “acquired.” Until her mom brings home a live specimen and Nita decides she wants out; dissecting a scared teenage boy is a step too far. But when she decides to save her mother’s victim, she ends up sold in his place—because Nita herself isn’t exactly “human.” She has the ability to alter her biology, a talent that is priceless on the black market. Now on the other side of the bars, if she wants to escape, Nita must ask herself if she’s willing to become the worst kind of monster. Now available as a Webtoon!
Oriana and Jae-hwa act as a fake married couple for a new online video series.The one rule is that actual "close relationships" aren't allowed to develop and everything is to stay strictly professional.This of course isn't a problem for Oriana because she isn't interested in that and Jae-hwa flat out doesn't care.But maybe their constant interaction with each other might change things around....or make things worse....you never know in the game of love and fakeness~ Follow along if you want to read this ambw inspiring but petty fake married life~
When Dani and Dorian missed the bus to magic school, they never thought they'd wind up declared traitors to their own kind! Now, thanks to a series of mishaps, they are being chased by powerful magic families seeking the prophesied King of Witches and royals searching for missing princes. But they aren't alone. With a local troublemaker, a princess, and a teacher who can see the future on their side, they might just be able to clear their names...but can they heal their torn kingdom?
This book investigates the meteoric rise of mobile webtoons – also known as webcomics – and the dynamic relationships between serialised content, artists, agencies, platforms and applications, as well as the global readership associated with them. It offers an engaging discussion of webtoons themselves, and what makes this new media form so compelling and attractive to millions upon millions of readers. Why have webtoons taken off, and how do users interact with them? Each of the case studies we explore raises interesting questions for both general readers and scholars of new media about how webtoons have become a modern form of popular culture. The book also addresses larger questions about East Asia’s contributions to global popular culture and Asian society in general, as well as South Korea’s rapid social and cultural transformation since the 1990s. This is a significant – and understudied – aspect of the new screen ecologies and their role in a new wave of media globalisation as we approach the end of the second decade of the 21st century.
Whilst learning is central to most understandings of what it is to be human, we now live in a knowledge society where being educated defines life chances more than ever before. Learning Beyond the School brings together accounts of learning from around the world in organisations, spaces and places that are schooled, but not school. Exploring examples of learning organisation, pedagogisation, informal learning and social education, the book shows not only how understandings of education are framed in terms of local versions of schooling, but what being educated could and should mean in very different social and political contexts. With contributions from scholars based in Australia, Europe, the USA, Latin America and Asia, the book brings together accounts of learning outside of school. Chapters contain rich and detailed case studies of innovative projects, new kinds of learning institutions, youth, peer-driven and community-based activities and public pedagogies, as well as engaging with the dimensions of an argument about the place and nature of learning outside of the school. It challenges dominant versions of school around the world, whilst also critically discussing the value and place of non-institutionalised learning. Learning Beyond the School should be of interest to academics, researchers, postgraduate scholars engaged in the study of comparative education, youth work, education systems, digital culture, sociology of education and youth development. It should also be essential reading for practitioners and policymakers who are interested in youth and education system reform.
Webtoons—a form of comic that are typically published digitally in chapter form—are the latest manifestation of the Korean Wave of popular culture that has increasingly caught on across the globe, especially among youth. Originally distributed via the Internet, they are now increasingly distributed through smartphones to ravenous readers in Korea and around the world. The rise of webtoons has fundamentally altered the Korean cultural market due to the growth of transmedia storytelling—the flow of a story from the original text to various other media platforms, such as films, television, and digital games—and the convergence of cultural content and digital technologies. Fans can enjoy this content anytime and anywhere, either purely as webtoons or as webtoon-based big-screen culture. Understanding Korean Webtoon Culture analyzes webtoons through the lens of emerging digital cultures and discusses relevant cultural perspectives by combining two different, yet connected approaches, political economy and cultural studies. The book demonstrates the dynamics between structural forces and textual engagement in global media flows, and it illuminates snack-culture and binge-reading as two new forms of digital culture that webtoon platforms capitalize on to capture people’s shifting media consumption.
This book is an interdisciplinary collection exploring the impact of emergent technologies on the production, distribution and reception of media content in the Asia-Pacific region. Exploring case studies from China, Japan, South Korea, India, Thailand and Australia, as well as American co-productions, this collection takes a Cultural Studies approach to the constantly evolving ways of accessing and interacting with visual content. The study of the social and technological impact of online on-demand services is a burgeoning field of investigation, dating back to the early-2010s. This project will be a valuable update to existing conversations, and a cornerstone for future discussions about topics such as online technologies, popular culture, soft power, and social media.
Created by UK-based artist Chris McCoy, Safely Endangered's brilliantly hilarious comics have an unexpected, twisted punch line with an adorable illustration. From relying far too heavily on Facebook to the struggles of sibling rivalry, Safely Endangered covers a vast range of ridiculously funny situations with humans, animals and even video game characters.