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What really goes on in a massage parlor? Who does what, with what and to whom? Here are the inside stories of the massage parlor girls - their lives, their loves, their customers, their sexual hang-ups and all their parlor tricks."
Shelby Munro wants out of the online adult industry. She turns off the webcams in her apartment and breaks the news to her manic online manager Craig Deacon, who goes ballistic. Brandon Chase, a privileged 30-something playboy, is infatuated with the citys hottest webcam girl. When out on a blind date with a stuck-up socialite in a trendy bar, he recognizes her sitting alone. Brandon slips away from his silicon-injected guest and introduces himself to Shelby, and hints that she might get work at his company. When Craig discovers that Shelby has not only left him for a job at Brandons security software company, but is also having an affair with her boss, he descends deeper into a world of drugs and extortion, plotting to humiliate and ruin the woman hes obsessed with. Set in Vancouver, webc@m girl is a fast paced, groundbreaking story of a new culture hooked on instant gratification. Visit the authors blog at www.shelbymunro.com.
The first of its kind in English, this collection explores twenty one well established and lesser known female filmmakers from mainland China, Hong Kong, Taiwan, and the Chinese diaspora. Sixteen scholars illuminate these filmmakers' negotiations of local and global politics, cinematic representation, and issues of gender and sexuality, covering works from the 1920s to the present. Writing from the disciplines of Asian, women's, film, and auteur studies, contributors reclaim the work of Esther Eng, Tang Shu Shuen, Dong Kena, and Sylvia Chang, among others, who have transformed Chinese cinematic modernity. Chinese Women's Cinema is a unique, transcultural, interdisciplinary conversation on authorship, feminist cinema, transnational gender, and cinematic agency and representation. Lingzhen Wang's comprehensive introduction recounts the history and limitations of established feminist film theory, particularly its relationship with female cinematic authorship and agency. She also reviews critiques of classical feminist film theory, along with recent developments in feminist practice, altogether remapping feminist film discourse within transnational and interdisciplinary contexts. Wang's subsequent redefinition of women's cinema, and brief history of women's cinematic practices in modern China, encourage the reader to reposition gender and cinema within a transnational feminist configuration, such that power and knowledge are reexamined among and across cultures and nation-states.
Enter a world equal parts Dexter and 50 Shades in this first, award winning erotic thriller from A.R. Torre! My life is simple, as long as I follow the rules. 1. Don't leave the apartment. 2. Never let anyone in. 3. Don't kill anyone. I've obeyed these rules for three years. But rules were made to be broken.
FINALIST FOR THE LOS ANGELES TIMES BOOK PRIZE FOR POETRY A brilliant second collection by Sally Wen Mao on the violence of the spectacle—starring the film legend Anna May Wong In Oculus, Sally Wen Mao explores exile not just as a matter of distance and displacement but as a migration through time and a reckoning with technology. The title poem follows a nineteen-year-old girl in Shanghai who uploaded her suicide onto Instagram. Other poems cross into animated worlds, examine robot culture, and haunt a necropolis for electronic waste. A fascinating sequence spanning the collection speaks in the voice of the international icon and first Chinese American movie star Anna May Wong, who travels through the history of cinema with a time machine, even past her death and into the future of film, where she finds she has no progeny. With a speculative imagination and a sharpened wit, Mao powerfully confronts the paradoxes of seeing and being seen, the intimacies made possible and ruined by the screen, and the many roles and representations that women of color are made to endure in order to survive a culture that seeks to consume them.
TO HELP KEEP YOUR EREADER TOPPED UP, ALL OSCAR SPARROW TITLES ARE ON LOCKDOWN DURING CORONAVIRUS What could link a webcam girl, a cross-dressing police chief and an escaped ferret? A British nation torn by Brexit staggers on. Frankie Ferret, a pre-school children’s TV celebrity escapes into sewers of London and surely is dead. The people unite in grief. Police Chiefs, counselors and politicos stand in tear-stained sincerity with the common people. Viktor Pinupskin of Russia offers a genetically modified bear cub with his own face as a substitute. Internet bots urge a vote and attempt to sway the masses. Chaos and panic threaten to destroy the economy. Into the mix steps young police inspector, Crispin Bissel. His mission is to lead the search and target PR for the cops. His ex-girlfriend, Selena Fontesse, is a mature ex-webcam girl specializing in veggie porn. She has the looks and the bosom to comfort a people broken by sorrow. Could love be re-kindled over an open drain? Could Frankie be alive? Could a billionaire, a hot air balloon, a pop star, and a staring messianic child bring happiness back to a population in despair? And what if the big plans were to fail? What if there were a cover up? A deplorable basket case of a book. All right-thinking people should be offended. Cross-dressing vegan cannibals will love this story. There’s no safe space on campus when a ferret like Frankie gets into the pipes. A tender love story, an outrageous unfair satire, an exposé of the media-cult whirl in which we live, where news, fake news, and spin are the currencies of coercion. Buy this book and forgive yourself for laughing. It’s not incorrect if you didn’t mean to.
From the USA TODAY bestselling author of Unteachable and Black Iris comes a sexy, romantic suspense novel about two best friends who are torn apart by a life-shattering accident, and the secrets it left behind. Vada and Ellis's friendship is so intense and consuming, it's hard to tell where one girl ends and the other begins. Yet they couldn't be more different: Ellis is nerdy, shy, and rich; Vada is an ambitious artist struggling to make ends meet. When Vada gets into an elite New England art college, Ellis comes along for the ride. Like always. They can face anything in the world as long as they're together ... Until a horrifying accident tears them apart. Life goes on, and Ellis handles it just fine on her own, but Vada is deeply scarred--emotionally and physically. Her once-promising career as an artist is cut short by her injuries. Broke and severed from doing what she loves, she meets the wrong guy at the right time: Dane, a smooth-talking lothario, who offers her a new career as a cam girl. All Vada has to do is spend a couple hours each night taking off her clothes in front of a webcam, and the tips come pouring in. Things get complicated when a client who calls himself Blue gets possessive. Through the safety of the cam, they open up to each other intimately. Vada finally talks about the accident. Blue helps her heal. And he pays well, but he wants her all to himself. No more cam shows. He's a mystery, and she might be falling for him, so Vada demands something in return: to meet in real life. Blue agrees, on one condition: she has to bring Ellis. The girl who wants nothing to do with her anymore. Now Vada is forced to confront the past she's been running from. A past full of devastating secrets--those of others, and those she's been keeping from herself ...
"Vlog star Renard Grant has nothing to prove: he's got a pretty face, chiseled body, and two million adoring video subscribers. Plus the scars on his chest and a prescription for testosterone. Because Ren is transgender: assigned female at birth, living now as male. He films his transition and shares it bravely with the world; his fans love his honesty and positivity. But Ren has been living a double life. Off-camera, he's Cane, the muscle-bound enforcer for social justice vigilante group Black Iris. As Cane, he lets his dark side loose. Hurts those who prey on the disempowered. Indulges in the ugly side of masculinity. And his new partner, Tamsin Baylor, is a girl as rough and relentless as him. Together, they terrorize the trolls into silence. But when a routine Black Iris job goes south, Ren is put in the crosshairs. Someone is out to ruin his life. He's a bad boy, they say, guilty of what he punishes others for. Just like every other guy: at heart, he's a monster, too. Now Ren's got everything to prove. He has to clear his name, and show the world he's a good man. But that requires facing demons he's locked away for years. And it might mean discovering he's not such a good guy after all."--Dust jacket flap.
With mounting debt, and her career not going in the direction she'd hoped for, Jessica Ann took a modelling job at the Larsen's lavish party. What should have been an easy evening soon takes a nightmarish turn when she finds herself embroiled in an insane plot to awaken The Old Great One... There are scenes of a sexual nature, and violence within this book.
David Giles examines digital culture’s impact on established celebrities from traditional media while charting the rise of new forms of celebrity such as vloggers and influencers, offering novel insights on topics such as parasocial relationships, micro-celebrity, memes and celetoids.