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In this new collection of sixty-two poems Charles Simic paints exquisite and shattering word pictures that lend meaning to a chaotic world populated by insects, bridal veils, pallbearers, TV sets, parrots, and a finely detailed dragonfly. Suffused with hope yet unafraid to mock his own credulity, Simic's searing metaphors unite the solemn with the absurd. His raindrops listen to each other fall and collect memories; his wildflowers are drunk with kissing the red-hot breezes; and his God is a Mr. Know-it-all, a wheeler-dealer, a wire-puller. In this latest lyrical gathering, Simic continues to startle his fans with the powerful and surprising images that are his trademark-slangy images of the ethereal, fantastic visions of the everyday, foreign scenes of the all-American-and moments full of humor and full of heartache. Copyright © Libri GmbH. All rights reserved.
A collection of over fifty poems by Serbian American, Pulitzer Prize-winning poet Charles Simic.
From the extraordinary diversity of contemporary poetry, Peter Stitt, the distinguished critic and editor of the Gettysburg Review, has chosen in this book to write about five poets only, all premier practitioners—John Ashbery, Stephen Dobyns, Charles Simic, Gerald Stern, and Charles Wright, with a special look at Stanley Kunitz in relation to Wright. Stitt's confident and inventive assessments of these fine poets' work help us gain some focus on the “uncertainty and plenitude” of the current poetry scene, demonstrating that concentrated and knowledgeable criticism can show us ways to begin measuring the accomplishments of our poetic age. Stitt's interest in these five poets is intellectual and aesthetic. As he states, “I chose these particular writers because their work continues to interest me deeply, both intellectually and formally, even after years of familiarity.” He uses his understanding of the philosophical implications inherent in modern physics, as they apply to both content and form, as the basis for his close analysis. Stitt attends to the poets' writerly strategies so that we may discover in their poetry where “surface form” intersects and complements meaning and thus becomes, in John Berryman's terms, “deep form.” He explains what these poets say and how they say it and what relationships lie between. He also shows how humor plays a part in some of their work.
The Balkans have been so troubled by violence and misunderstanding that we have the verb “balkanize,” meaning to break up into smaller, warring components. While some of the region’s artists and thinkers have invariably fallen into nationalistic tendencies, the twenty-two prominent authors represented here, from the erstwhile Yugoslavia and its neighbors Albania and Bulgaria, have chosen to attempt to bridge these divides. The essays, biographical sketches, and stories in The Stranger Next Door form a project of understanding that picks up where politics fail. The English-language translation joins editions of the book that appeared concurrently in all of the participating countries.
Charles Simic has been widely celebrated for his brilliant poetic imagery; his social, political, and moral alertness; his uncanny ability to make the ordinary extraordinary; and not least, the sardonic humor all his own. Gathering much of his material from the seemingly mundane minutiae of contemporary American culture, Simic matches meditations on spiritual concerns and the weight of history with a nimble wit, shifting effortlessly to moments of clear vision and intense poetic revelation. Chosen as one of the New York Library's 25 Books to Remember for 2003, The Voice at 3:00 A. M. was also nominated for a National Book Award. The recipient of many prizes, Simic most recently received Canada's Griffin Prize. The poems in this collection--spanning two decades of his work--present a rich and varied survey of a remarkable lyrical journey. In the Street Beauty, dark goddess, We met and parted As though we parted not. Like two stopped watches In a dusty store window, One golden morning of time.
Winner of the Pulitzer Prize in Poetry “One of the truly imaginative writers of our time.” —Los Angles Times Book Review You never know what Charles Simic is up to until you reach the end of the line or the bottom of the paragraph. Waiting for you might be a kiss. Or a bludgeon. A smile at the absurdities of society, or a wistful, grim memory of World War II. He puns, pulls pranks. He can be jazzy and streetwise. Or cloak himself in antiquity. Charles Simic has new eyes, and in these wonderful poems and poems-in-prose he lets us see through them.
Poems by the Pulitzer prize winner.
The Pulitzer Prize–winning poet “illuminates the shadow side of life in poems as perfectly formed and directed as the beam of a flashlight” (Booklist). The poems in Charles Simic’s new collection evoke a variety of settings and images, from New York City to small New England towns; from crowds spilling onto the sidewalk on a hot summer night to an abandoned wooden church and a car graveyard overgrown with weeds. His subjects range from a bakery early in the morning to the fingerprints on a stranger’s front door; from waiters in an empty restaurant to the decorations in a window of a funeral home; from a dog tied to a chain to a homeless man sleeping at the foot of a skyscraper; and other moments of solitude and clear vision. “What is beautiful,’ he writes in one poem, “is found accidentally and not sought after. What is beautiful is easily lost.” Simic is the metaphysician of the ordinary, a poet who reminds us of the mysteries of our daily lives. “This first book of poems since 1999’s Jackstraws continues Simic’s familiar, unsettling methods and extends them into the terrain of older age . . . Simic remains a powerful, and funny, chronicler of an individual world one where pastry, omelets and queen-size beds offer their ambiguous pleasures, and where, inseparably, ‘the butchery of the innocent/ Never stops.’ It is a world that should be familiar.” —Publishers Weekly “Nabokovian in his caustic charm and sexy intelligence, Simic perceives the mythic in the mundane and pinpoints the perpetual suffering that infuses human life with both agony and bliss.” —Booklist
"Literature and Weather. Shakespeare – Goethe – Zola" is dedicated to the relation between literature and weather, i.e. a cultural practice and an everyday phenomenon that has played very different epistemic roles in the history of the world. The study undertakes an archaeology of literature’s affinity to the weather which tells the story of literature’s weathery self-reflection and its creative reinventions as a medium in different epistemic and social circumstances. The book undertakes extensive close readings of three exemplary literary texts: Shakespeare’s The Tempest, Goethe’s The Sufferings of Young Werther and Zola’s The Rougon-Macquarts. These readings provide the basis for reconstructing three distinct formations, negotiating the relationship between literature and weather in the 17th, the 18th and the 19th centuries. The study is a pioneering contribution to the recent debates of literature’s indebtedness to the environment. It initiates a rewriting of literary history that is weather-sensitive; the question of literature’s agency, its power to affect, cannot be raised without understanding the way the weather works in a certain cultural formation.