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A deep look at the work of one of the most insightful and incisive critics of late 20th-century American culture.
Nelson Algren was a renowned Chicago writer known for his social commentary and his novels like The Man with the Golden Arm and A Walk on the Wild Side. Although he continues to be remembered almost exclusively for his novels, this book aims to highlight the value and influence of his short form works. Before he died in 1981, Algren had amassed a genre-defying body of work, including short stories, articles, poems and book reviews. The present book features a comprehensive analysis and discussion of Algren's lost literature, including everything but his novels. One of the pieces covered is a masterpiece of race relations written in 1950, more than 60 years before the galvanization of the Black Lives Matter movement. Another is a scathing poem about Algren's transatlantic love affair with Simone de Beauvoir. Both items are reprinted in the book courtesy of the Algren estate. This book also includes references to Algren's works that have yet to be studied by Algren scholars.
The Third Tower Up from the Road is a humorous and entertaining collection of travel essays made up of old favorites as well as new commentaries from Kevin Dolgin’s popular McSweeney’s Internet Tendency column, Kevin Dolgin Tells You About Places You Should Go. The work celebrates the distinctive qualities of locales the world over, and each globetrotting essay focuses on a specific place, capturing the flavors and cultures through individual observations and exceptional experiences. Funny, irreverent, and insightful, these writings eschew the bland, touristy veneer experienced by most travelers as they seek to discover what is special and unique about each destination. Covering a wide range of places and interests, from unusual experiences and humorous traveler’s foibles to voyages that are intensely personal and moving, the selected columns include "The Best Falafel in the World: Beirut, Lebanon," "The Door to Hell: Paris, France," "Kafka’s Erotic Dream: Prague, Czech Republic," "The Nesting Habits of Roman Cars: Rome, Italy," "Of Romans and Pussycats: Provence, France," and "The Third Tower Up from the Road: Huanghuacheng, China." Also featured is "The Corsican Swallowtail: Corsica, France," which was nominated for a Pushcart Prize.
Arranged in sixteen musical categories, provides entries for twenty thousand releases from four thousand artists, and includes a history of each musical genre.
This collection of essays, documented by an international and interdisciplinary array of scholars, represents the first academically focused volume exploring the creative idiolect of Frank Zappa. Several of the authors are known for contributing significantly to areas such as popular music, cultural, and translation studies, with expertise and interests ranging from musicology to poetics. The publication presents the reader with an understanding of the ontological depth of Zappa's legacy by relating the artist and his texts to a range of cultural, social, technological and musicological factors, as encapsulated in the book's title - Frank Zappa and the And. Zappa's interface with religion, horror, death, movies, modernism, satire, freaks, technology, resistance, censorship and the avant-garde are brought together analytically for the first time, and approached non chronologically, something that strongly complies with the non linear perspective of time Zappa highlights in both his autobiography and recordings. The book employs a variety of analytical approaches, ranging from literary and performance theory, 'horrality' and musicology, to post modern and textually determined readings, and serves as a unique and invaluable guide to Zappa's legacy and creative force.
This one-of-a-kind reference investigates the music and the musicians that set the popular trends of the last half century in America. Many rock fans have, at one time or another, ranked their favorite artists in order of talent, charisma, and musical influence on the world as they see it. In this same spirit, author and music historian David V. Moskowitz expands on the concept of "top ten" lists to provide a lineup of the best 100 musical groups from the past 60 years. Since the chosen bands are based on the author's personal taste, this two-volume set provokes discussion of which performers are included and why, offering insights into the surprising influences behind them. From the Everly Brothers, to the Ramones, to Public Enemy, the work covers a wide variety of styles and genres, clearly illustrating the connections between them. Entries focus on the group's history, touring, membership, major releases, selected discography, bibliography, and influence. Contributions from leading scholars in popular music shed light on derivative artists and underscore the overall impact of the performers on the music industry.
Pitched somewhere between Almost Famous and Withnail & I, Apathy for the Devil is a unique document of this most fascinating and troubling of decades - a story of inspiration, success and serious burn out. As a 20-something college dropout Nick Kent's first five interviews as a young writer were with the MC5, Captain Beefheart, The Grateful Dead, Iggy Pop and Lou Reed. Along with Charles Shaar Murray and Ian MacDonald he would go on to define and establish the NME as the home of serious music writing. And as apprentice to Lester Bangs, boyfriend of Chrissie Hynde, confidant of Iggy Pop, trusted scribe for Led Zeppelin and the Rolling Stones, and early member of the Sex Pistols, he was witness to both the beautiful and the damned of this turbulent decade.
The saga of the legendary Los Angeles band Little Feat is one of rock 'n' roll's great stories. Formed in 1969 by ex-members of Frank Zappa's Mothers of Invention, Little Feat created groove-heavy music that was an irresistible mix of rock, blues, R&B, country, jazz, soul, and funk. Fronted by the charismatic but doomed vocalist and brilliant slide guitarist Lowell George, the band recorded such classic studio albums as Sailin' Shoes and Dixie Chicken, as well as Waiting for Columbus, which many consider to be one of the best live albums of all time. Acclaimed journalist Ben Fong-Torres -- working with Little Feat's surviving members, their friends, and associates -- wrote Willin' based on hours of brand new interviews with the key players. The result? The first definitive biography of this beloved rock 'n' roll institution.
1976. On return from the EEC, Nick Storey is working on excise duties. He comes across an export warehouse in Woolwich, which seems a little too perfect. Finding a suitable reason to check them out, he uncovers a large fraud, involving the diversion of duty-free exports to the home market. However, his investigation causes threats to himself, Rosemary and his family. But when the main suspect and his family are brutally murdered, Nick begins to suspect that something more important is going on. Following that trail leads to Rosemary and her daughters being menaced at gunpoint, the seizure of a dangerous package at Gatwick and a risky game of bluffing with the highly-placed criminals. OOur friends in the southO is the tenth book published in a series of detective stories mostly set in Customs & Excise by Richard Hernaman Allen, a former Commissioner."
Exploring the boundaries of one of the most contested fields of literary study—a field that in fact shares territory with philology, aesthetics, cultural theory, philosophy, and even cybernetics—this volume gathers a body of critical writings that, taken together, broadly delineate a possible poetics of the contemporary. In these essays, the most interesting and distinguished theorists in the field renegotiate the contours of what might constitute "contemporary poetics," ranging from the historical advent of concrete poetry to the current technopoetics of cyberspace. Concerned with a poetics that extends beyond our own time, as a mere marker of present-day literary activity, their work addresses the limits of a writing "practice"—beginning with Stéphane Mallarmé in the late nineteenth century—that engages concretely with what it means to be contemporary. Charles Bernstein's Swiftian satire of generative poetics and the textual apparatus, together with Marjorie Perloff's critical-historical treatment of "writing after" Bernstein and other proponents of language poetry, provides an itinerary of contemporary poetics in terms of both theory and practice. The other essays consider "precursors," recognizable figures within the histories or prehistories of contemporary poetics, from Kafka and Joyce to Wallace Stevens and Kathy Acker; "conjunctions," in which more strictly theoretical and poetical texts enact a concerted engagement with rhetoric, prosody, and the vicissitudes of "intelligibility"; "cursors," which points to the open possibilities of invention, from Augusto de Campos's "concrete poetics" to the "codework" of Alan Sondheim; and "transpositions," defining the limits of poetic invention by way of technology.