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Originally published in 1989, Death, Ritual and Bereavement examines the social history of death and dying from 1500 to the 1930s. This edited collection focuses on the death-bed, funerals, burials, mourning customs, and the expression of grief. The essays throw fresh light on developments which lie at the roots of present-day tendencies to minimize or conceal the most unpleasant aspects of death, among them the growing participation of doctors in the management of death-beds in the eighteenth century and the creation of extra-mural cemeteries, followed by the introduction of cremation in the nineteenth century. The volume also underlines the importance of religious belief, in helping the bereaved in past times. The book will appeal to students and academics of family and social history as well as history of medicine, religion and anthropology.
During the 19th century, death shadowed daily life. A high infant mortality rate, poor sanitation, risk during childbirth, poisons, ignorance, and war kept 19th-century Americans busy practicing the ritual of mourning. The Victorian era in both Europe and America saw these rituals elevated to an art form expressing not only grief, but also religious feeling, social obligation, and even mourning fashion. Complete with period illustrations, Widow's Weeds and Weeping Veils explores how Victorians viewed death and dying as a result of the profound historical events of their time. This concise, informative work is ideal for students of Victorian-era culture and Civil War enthusiasts.
Macabre tales of death and mourning in Victorian America.
This Broadway success by the author of Sleuth takes audiences to Agatha Christie's England. Six strangers and a butler have gathered for a black tie dinner in a wealthy lawyer's mansion during a thunderstorm. The guests include an aged rear admiral, a bitchy aristocrat, a doddering old archeologist, a dashing young cad and other Christie types. One of the guests is an oily Levantine who tells the others (each in private) that he has the goods to blackmail them. He is ripe for murder and so it happens. Whodunnit? -- Publisher's description.
Inspired by the website that the New York Times hailed as "redefining mourning," this book is a fresh and irreverent examination into navigating grief and resilience in the age of social media, offering comfort and community for coping with the mess of loss through candid original essays from a variety of voices, accompanied by gorgeous two-color illustrations and wry infographics. At a time when we mourn public figures and national tragedies with hashtags, where intimate posts about loss go viral and we receive automated birthday reminders for dead friends, it’s clear we are navigating new terrain without a road map. Let’s face it: most of us have always had a difficult time talking about death and sharing our grief. We’re awkward and uncertain; we avoid, ignore, or even deny feelings of sadness; we offer platitudes; we send sympathy bouquets whittled out of fruit. Enter Rebecca Soffer and Gabrielle Birkner, who can help us do better. Each having lost parents as young adults, they co-founded Modern Loss, responding to a need to change the dialogue around the messy experience of grief. Now, in this wise and often funny book, they offer the insights of the Modern Loss community to help us cry, laugh, grieve, identify, and—above all—empathize. Soffer and Birkner, along with forty guest contributors including Lucy Kalanithi, singer Amanda Palmer, and CNN’s Brian Stelter, reveal their own stories on a wide range of topics including triggers, sex, secrets, and inheritance. Accompanied by beautiful hand-drawn illustrations and witty "how to" cartoons, each contribution provides a unique perspective on loss as well as a remarkable life-affirming message. Brutally honest and inspiring, Modern Loss invites us to talk intimately and humorously about grief, helping us confront the humanity (and mortality) we all share. Beginners welcome.
Erika Kuhlamn focusses on the war and postwar experiences of people, based on letters, diaries, magazine articles, and correspondences between widows and their governments. The author offers a comparison between a victorious and a defeated nation: the United States and Germany.
From Roman burial rites to the horrors of the plague, from the founding of the great Victorian cemeteries to the development of cremation and the current approach of metropolitan society towards death and bereavement -- including more recent trends to displays of collective grief and the cult of mourning, such as that surrounding the death of Diana, Princess of Wales -- NECROPOLIS: LONDON AND ITS DEAD offers a vivid historical narrative of this great city's attitude to going the way of all flesh. As layer upon layer of London soil reveals burials from pre-historic and medieval times, the city is revealed as one giant grave, filled with the remains of previous eras -- pagan, Roman, medieval, Victorian. This fascinating blend of archaeology, architecture and anecdote includes such phenomena as the rise of the undertaking trade and the pageantry of state funerals; public executions and bodysnatching. Ghoulishly entertaining and full of fascinating nuggets of information, Necropolis leaves no headstone unturned in its exploration of our changing attitudes to the deceased among us. Both anecdotal history and cultural commentary, Necropolis will take its place alongside classics of the city such as Peter Ackroyd's LONDON.
Becoming a widow is one of the most traumatic life events that a woman can experience. Yet, as this remarkable new collection reveals, each woman responds to that trauma differently. Here, forty-three widows tell their stories, in their own words. Some were widowed young, while others were married for decades. Some cared for their late partners through long terminal illnesses, while others lost their partners suddenly. Some had male partners, while others had female partners. Yet each of these women faced the same basic dilemma: how to go on living when a part of you is gone. Widows’ Words is arranged chronologically, starting with stories of women preparing for their partners’ deaths, followed by the experiences of recent widows still reeling from their fresh loss, and culminating in the accounts of women who lost their partners many years ago but still experience waves of grief. Their accounts deal honestly with feelings of pain, sorrow, and despair, and yet there are also powerful expressions of strength, hope, and even joy. Whether you are a widow yourself or have simply experienced loss, you will be sure to find something moving and profound in these diverse tales of mourning, remembrance, and resilience.
A fascinating text explains the many popular nineteenth century traditions associated with death and mourning. Over 300 color photographs display jewelry, photography, clothing, customs, and symbolism. Over 70 pages of a Victorian hair jewelry catalog are included.