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The Indonesian talent for harmoniously blending indigenous styles with the arts of the Asian mainland has given rise to fighting arts that are among the most fascinating in the world. Preserved in music, dance, and art as—well as in ritual, tribal law, and mythology—the fighting arts of Indonesian archipelago play a central role in Indonesian culture. Weapons and Fighting Arts of Indonesia — a profusely illustrated and well researched work from renowned scholar and martial arts teacher Donn F. Draeger — provides a comprehensive introduction to the sophisticated forms of empty-hand combat and myriad unique weapons that characterize Indonesian fighting styles like Pentjak-silat and Kuntao. Draeger shows how the forms are related to their mainland cousins, provides a historical context for their development, and describes the combat methods of Menangkabau warriors, Alefuru headhunters and the Celates pirates. With over 400 illustrations, Weapons and Fighting Arts of Indonesia is an indispensable addition to any martial artist's library.
Preserved in music, dance, and art--as well as in ritual, tribal law, and mythology--the fighting arts of the Indonesian archipelago play a central role in Indonesian culture. The Martial Arts of Indonesia is a heavily illustrated and well-researched work from revered martial arts scholar and teacher Donn F. Draeger. Draeger offers an expert's perspective on the story of Indonesia's martial culture, providing a comprehensive introduction to the sophisticated forms of empty-hand combat. These acrobatic fighting styles like Pencak Silat--which was granted World Cultural Heritage status by UNESCO in 2019--and Kuntao are growing in popularity around the world. This book also has extensive information on traditional Indonesian weapons including: Keris: A dagger with a waved blade and pistol-grip handle Kujang: A sickle-shaped dagger with a distinctive curve Rencong: An L-shaped knife with a slightly curved blade Draeger shows how these unique Indonesian forms are related to their mainland cousins, provides a historical context for their development, and describes the various combat methods employed throughout Indonesia. This edition includes a new foreword by Gary Nathan Gartenberg, the world's leading expert on Indonesian martial arts, which explains the lasting importance of this classic study of an ancient martial tradition. With over 400 photos and illustrations of moves and weapons that showcase the intricacies of the Indonesian fighting forms, The Martial Arts of Indonesia is an indispensable addition to any martial artist's library.
The fighting arts of Indonesia, a mix of pentjak silat and Chinese kuntao, were never meant for sport: they are brutal, unrelenting and designed to take the enemy out and punish him every step of the way. This unprecedented book by a long-time student of Dutch-Indonesian Master Willem de Thouars shows you why.
Complete Sinawali is the definitive guide to the intricate and highly-refined Filipino martial art of double-weapon fighting. The warriors of the Philippines have long been respected as fierce, courageous, and effective fighters, and the martial art of Sinawali has developed multiple-weapon fighting to an exceptionally high degree of sophistication. Preserved in Filipino dance as well as martial form, Sinawali employs sinuous, polyrhythmic movements, creating an almost impenetrable shield against attack. In Complete Sinawali, Filipino martial artist Reynaldo Galang details the theory behind the forms and presents an orderly progression of drills designed to teach ambidexterity, quick and exact footwork, and special hand techniques that are the foundation of this exceedingly powerful martial art. Chapters include: The Origin of Sinawali The Fighting Arts of Bakbakan International Bakbakan Training Structure Stances and Footwork Warm-up Exercises Lakbay Sinawali: The Central Form of Sinawali Dakip-Diwa Laban-Sanay (Free-Style Sparring) Whether readers are interested in Sinawali for exercise, hobby, or as a means of self-defense, Complete Sinawali is their definitive guide.
Fighting arts are as old as man himself and as varied as his languages. In Asia they developed to a degree of effectiveness probably unsurpassed elsewhere in the world. This book explains the relationships between fighting arts, assesses their strengths and weaknesses, and presents new material about hitherto unknown fighting methods. Written by two of the best-known and most widely published authorities in the field, it covers fighting methods and techniques found in eleven Asian countries-fighting techniques that range from the artful Chinese tai-chi and Burmese bando to Japanese jujutsu and the lethal pentjak-silat of Indonesia. Documentation of these has been supplemented with a wealth of fascinating anecdotes. The reader learns of the daring exploits of the Japanese ninja, of Gama, perhaps the greatest of the great Indian wrestlers, of the Indonesian "trance" fighters-and hundreds of other tales that serve to illustrate some of the most deadly fighting systems that the world has known. The volume is illustrated with over two hundred photographs and drawings, many of them depicting combat styles and techniques that have never been seen in the West.
What is a Karambit? Why is the Karambit one of the most awesome personal defense weapons of the Indonesian Archipelago? Extracted from the jungles of West Java, deep in the heart of Indonesia, the ancient technologies of the Karambit masters are revealed for the first time in this unique contribution to the world of martial arts edged weapons training. In this "how to" training reference, delve into the rich history and practical operation of this incredible artifact. Uncover the secrets of the Indonesian training method, combative strategies, and the way of the ancient masters in edged weapon defensive tactics such as disarms, takedowns, throws, immobilizations, escapes, locks and other self-defense skills in operating the Karambit. The history of this ancient and mysterious weapon is steeped in legend and its operation until now has been kept secret for centuries. Join Jagabaya Steve Tarani as he takes you step by step through the mystical history and training drills of this highly guarded close quarters personal defense system. This outstanding volume is a must for the serious student of edged weapons, martial arts training and self-defense application.
This is a complete presentation of the principles and applications of one of the most effective martial arts styles, written by one of the most sought-after Silat masters of all time, the late Herman Suwanda. The book explores the art and science of this Indonesian combat method. There is a detailed breakdown of the offensive and defensive skills used in Pentjak Silat, and the tactical elements of timing, distance, rhythm, cadence, and tempo. The unique principles and techniques of Silat as taught by the late Herman Suwanda are fully described in this authoritative book. It is a true gem by one of the legendaries masters of Pentjak Silat.
The effort O'ong Maryono has made to compile a book on the development of pencak silat, is, in itself, commendable. This integrated presentation provides for a better and more comprehensive understanding of the various aspects of pencak silat. As well as discussing the historical aspects of pencak silat, O'ong Maryono also examines current issues in pencak silat. In other words, a retrospective and prospective view of pencak silat. I hope that this book will be widely read, and provide a 'lively' and substantial critical analysis that will improve the quality of discourse on pencak silat as a whole. Edy Sedyawati Director General of Culture Department of Education and Culture This book is quite unique. Unique in the literal sense: there is no other like it. It is quite a remarkable fact that although frequent reference is made to pencak silat in various contexts, and it even constitutes a specific type of literature and category of film that relate the heroic stories of its masters, never before has a writer attempted to gather comprehensive information about this 'art of self defence'. Therefore, this book by O'ong Maryono could be said to be uncontested. And herein lies its second uniqueness: this encyclopedic book was written not by a graduate in the peace and quiet of his study, but by an expert in silat in the frenzy of the contest arena. Henri Chambert-Loir Director Ecole Fran9ais D'Extreme-Orient
This guide to all of the main fighting arts of Asia introduces and comparesighting methods and techniques, ranging from the artful Chinese "t'ai chi"nd Japanese "jujutsu", to the lethal "pentjak-silat" of Indonesia.