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Heralding the beginning of the philosophical dialogue on the concept for which Gianni Vattimo would become best known (and coining its name), this groundbreaking 1983 collection includes foundational essays by Vattimo and Pier Aldo Rovatti, along with original contributions by nine other Italian philosophers influenced by and working within the authors’ framework. Dissatisfied with the responses to nineteenth- and twentieth-century European philosophy offered by Marxism, deconstruction, and poststructuralism, Vattimo found in the nihilism of Friedrich Nietzsche an important context within which to take up the hermeneutics of Martin Heidegger and Hans-Georg Gadamer. The idea of weak thought sketched by Vattimo and Rovatti emphasizes a way of understanding the role of philosophy based on language, interpretation, and limits rather than on metaphysical and epistemological certainties—without falling into relativism. To the first English-language edition of this volume, translator Peter Carravetta adds an extensive critical introduction, providing an overview of weak thought and taking stock of its philosophical trajectory over more than a quarter century.
This book examines the terms upon which painting in the United States sought to negotiate with the legacy of American formalist aesthetics and by extension, the understanding of modernist painting it had become most readily associated with. In so doing, a separate set of possibilities for painting gradually began to emerge. The salient debates and practices that collectively worked to establish such a response are approached through the philosopher Gianni Vattimo’s idea of pensiero debole or so-called weak thought. To this end, the proposed study both identifies and seeks to examine a type of "weak" painting which, like Vattimo’s idea, took as its critical point of departure “the exhaustion – but not the vanishing – of the project of modernism (the belief in reason, progress, history, the nation-state, etc.).” Craig Staff explores particular instances wherein artists sought to extend the parameters of the object beyond what had been called into question, namely the proclivity for modernist painting’s "strength" to be understood as denoting, amongst other things, a perceived set of universal essences. This book will be of interest to scholars working in art history, fine art, cultural studies, critical theory, curatorial studies and philosophy.
Peter Eisenman is one of the most controversial protagonists of the architectural scene, who is known as much for his theoretical essays as he is for his architecture. While much has been written about his built works and his philosophies, most books focus on one or the other aspect. By structuring this volume around the concept of form, Stefano Corbo links together Eisenman’s architecture with his theory. From Formalism to Weak Form: The Architecture and Philosophy of Peter Eisenman argues that form is the sphere of mediation between our body, our inner world and the exterior world and, as such, it enables connections to be made between philosophy and architecture. From the start of his career on, Eisenman has been deeply interested in the problem of form in architecture and has constantly challenged the classical concept of it. For him, form is not simply a cognitive tool that determines a physical structure, which discriminates all that is active from what is passive, what is inside from what is outside. He has always tried to connect his own work with the cultural manifestations of the time: firstly under the influence of Colin Rowe and his formalist studies; secondly, by re-interpreting Chomsky’s linguistic theories; in the 80’s, by collaborating with Derrida and his de-constructivist approach; more recently,by discovering Henri Bergson's idea of Time. These different moments underline different phases, different projects, different programmatic manifestos; and above all, an evolving notion of form. Taking a multi-disciplinary approach based on the intersections between architecture and philosophy, this book investigates all these definitions and, in doing so, provides new insights into and a deeper understanding of the complexity of Eisenman’s work.
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Barbarism: Contemporaneous Axiological Mutations is not meant as a thesis that provides a holistic approach on the concept of barbarism, a concept whose area of investigation may be deemed as vast as that of the concept of culture. By taking advantage of a hindsight outlook as to what concerns this topic, one could learn a great deal of details about the radical alteration of the current depiction of the notion of barbarism. Therefore, as an incipient undertaking into the overall argumentative process, which defines the character of the thesis, I shall try to illustrate the idea of an induced misunderstanding, at a global level, on the concept of barbarism, which has led to significant and acute hermeneutical malformations concerning its various aspects of manifestation, both socially and culturally and, consequently, in terms of barbarisms own axiological structure in the range of human behavior.
"Media and public discussion tends to understand Russian politics as a direct reflection of Vladimir Putin's seeming omnipotence or Russia's unique history and culture. Yet Russia is remarkably similar to other autocracies -- and recognizing this illuminates the inherent limits to Putin's power. Weak Strongman challenges the conventional wisdom about Putin's Russia, highlighting the difficult trade-offs that confront the Kremlin on issues ranging from election fraud and repression to propaganda and foreign policy. Drawing on three decades of his own on-the-ground experience and research as well as insights from a new generation of social scientists that have received little attention outside academia, Timothy Frye reveals how much we overlook about today's Russia when we focus solely on Putin or Russian exceptionalism. Frye brings a new understanding to a host of crucial questions: How popular is Putin? Is Russian propaganda effective? Why are relations with the West so fraught? Can Russian cyber warriors really swing foreign elections? In answering these and other questions, Frye offers a highly accessible reassessment of Russian politics that highlights the challenges of governing Russia and the nature of modern autocracy. Rich in personal anecdotes and cutting-edge social science, Weak Strongman offers the best evidence available about how Russia actually works"--
This book examines how contemporary philosophical thought (Friedrich A. von Hayek, Karl R. Popper, Hans Georg Gadamer, and Gadamer's Italian follower, Gianni Vattimo) has analysed and described the limitations of human reason.
In this distinctive exploration of John D. Caputo's work, Štefan Štofaník traces Caputo's journey of philosophical discovery from his earlier, more conventional academic writings to his later, almost confessional works of weak theology and his deep engagement with Derrida. Štofaník draws upon Caputo's life story to help explain sudden shifts in Caputo's thinking, offers intricate readings of philosophical passages that have all too often been taken for granted, and joins in Caputo's effort to find a theology that can be trusted and that does not rely upon dogmatic and hierarchical authority. At the same time, Štofaník subtly disagrees with aspects of Caputo's view and turns to the work of Antoine de Saint-Exupéry as a way to suggest that one cannot take leave of the tradition of theology as easily as Caputo thinks. At times, The Adventure of Weak Theology reads like a letter to Caputo, and Štofaník's own passion for theology, his deep understanding of Caputo's work, and his gift for writing makes this an immensely appealing book for both admirers and critics of Caputo.
Focusing on the work of twentieth-century women playwrights, this book recuperates for feminism the notions of realism and mimesis, and proposes new readings of modern women's plays. It claims that modern women playwrights establish a new form of mimesis. Drawing on theories of French feminist Luce Irigaray, the author calls this dramatic structure "labial mimesis," marks its difference from the traditional structure based on a male hero, and emphasizes its hospitality to the representation of trust, love, friendship, and erotic intimacy among women. She offers a fresh perspective in the lively debate about the viability of realism for feminist writing.
In the light of the structural dangers of revolutionary change highlighted in the political theory of Giorgio Agamben, this book joins a lively debate in philosophy of education on weak utopianism as an approach that foregrounds and respects the educational potentiality of teachers and students. Utopian moves in education call for revolutionary changes in pedagogical practice in pursuit of a particular vision of the good. Whether grounded in emancipatory politics, technological enthusiasm, or another social movement, utopian moves are seductive in their promise of a better alternative. Weak Utopianism in Education draws together philosophy of education, political theory, scholarship of teaching and learning research, and utopian thought to advocate for a modest and humble approach to change. The theoretical foundation of weak utopianism opens space for educator’s personal convictions and teaching philosophies to tinker with their own pedagogical practices. The book creates a common conceptual meeting ground for philosophers and practitioners in education.