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Head of the Hyena is the stirring account of a young man’s life-altering experience teaching in the isolated community of Wikondiek. He is joined there by Sabina, a beautiful and strong-willed young woman who is offered a position in the village despite never having applied for it. Their host is Phoebe Asiyo, the sole female elder among the Luo tribe. The daughter of a backcountry preacher, she defied a hostile government to become one of the first female MPs in Kenya, going on to entertain Barack Obama when he visited Luo-Nyanza as a U.S. senator. In Volume 2 of the series, Cameron begins to settle into village life, but every day brings new challenges. Many of his students are malnourished but still manage to run roughshod over him, especially when he is stricken with a mysterious illness. He and Sabina continue to butt heads whenever they leave Wikondiek, braving rattletrap bus and bandit-patrolled roads. In the heart of Africa’s largest urban slum, they meet a young slum-dwelling philosopher who pours out his heart over the purity of ideas. During a soccer match in Nairobi, they are swept up in a clash between hooligans and the army. A solo weekend with a captivating stranger on the edge of Lake Naivasha leaves Cameron utterly bewildered. Filled with unforgettable characters and ambitious in its scope, Head of the Hyena is more than a travel memoir – it is the witty and compelling meditation of a young man of the West grappling with how the past spills into the present to define our identity across generations.
Performing Religion considers issues related to Tanzanian kwayas [KiSwahili, “choirs”], musical communities most often affiliated with Christian churches, and the music they make, known as nyimbo za kwaya [choir songs] or muziki wa kwaya [choir music]. The analytical approach adopted in this text focusing on the communities of kwaya is one frequently used in the fields of ethnomusicology, religious studies, culture studies, and philosophy for understanding diversified social processes-consciousness. By invoking consciousness an attempt is made to represent the ways seemingly disparate traditions coexist, thrive, and continue within contemporary kwaya performance. An East African kwaya is a community that gathers several times each week to define its spirituality musically. Members of kwayas come together to sing, to pray, to support individual members in times of need, and to both learn and pass along new and inherited faith traditions. Kwayas negotiate between multiple musical traditions or just as often they reject an inherited musical system while others may continue to engage musical repertoires from both Europe and Africa. Contemporary kwayas comfortably coexist in the urban musical soundscape of coastal Dar es Salaam along with jazz dance bands, taarab ensembles, ngoma performance groups, Hindi film music, rap, reggae, and the constant influx of recorded American and European popular musics. This ethnography calls into question terms frequently used to draw tight boundaries around the study of the arts in African expressive religious cultures. Such divisions of the arts present well-defended boundaries and borders that are not sufficient for understanding the change, adaptation, preservation, and integration that occur within a Tanzanian kwaya. Boundaries break down within the everyday performance of East African kwayas, such as Kwaya ya Upendo [“The Love Choir”] in Dar es Salaam, as repertoires, traditions, histories, and cultures interact within a performance of social identity.
Christianity and migration have greatly influenced society and culture of sub-Saharan Africa, yet their mutual impact is rarely studied. Through oral history research in north eastern Congo (DRC), this book studies the migration of Anglicans and the subsequent reconfiguring of their Christian identity. It engages with issues of religious contextualisation, revivalism and the rise of Pentecostalism. It examines shifting ethnic, national, gender and generational expressions, the influence of tradition, contemporanity, local needs and international networks to reveal mobile group identities developing through migration. Borrowing the metaphor of 'home' from those interviewed, the book suggests in what ways religious affiliation aids a process of belonging. The result is an original exploration of important themes in an often neglected region of Africa.
The official records of the proceedings of the Legislative Council of the Colony and Protectorate of Kenya, the House of Representatives of the Government of Kenya and the National Assembly of the Republic of Kenya.
The official records of the proceedings of the Legislative Council of the Colony and Protectorate of Kenya, the House of Representatives of the Government of Kenya and the National Assembly of the Republic of Kenya.
Ansha and the Spirits -- Rural and Urban -- Health and Healing -- Wives and Husband -- Demons and Spirits -- Insiders and Outsiders -- Mountains -- Coast -- Rivers and Bridges -- Outside the mosque -- Makhuwa and Maka -- Books and Roots -- Muslims of the Spirits, Muslims of the Mosque -- Healers and the Governo -- Nurses and Healers -- Knowing and Not-Knowing -- Patients -- Good and Evil -- Close and Open -- The Dead and the Living -- Juniors and Seniors -- Tradition and Modernity -- Spirits and Women -- Returns -- Life and Death -- Epilogue.
The Kenya Gazette is an official publication of the government of the Republic of Kenya. It contains notices of new legislation, notices required to be published by law or policy as well as other announcements that are published for general public information. It is published every week, usually on Friday, with occasional releases of special or supplementary editions within the week.
The official records of the proceedings of the Legislative Council of the Colony and Protectorate of Kenya, the House of Representatives of the Government of Kenya and the National Assembly of the Republic of Kenya.
This volume is an interpretive analysis of a collection of 335 song texts treated as primary historical sources. The collection highlights the cultural practices that link music with labor in Sukuma communities in northwestern Tanzania. These linkages are evident in the music of the elephant, snake, and porcupine hunting associations that flourished in the precolonial epoch, in the nineteenth-century regional and long-distance porter associations, and in the farmer associations that have proliferated since the beginning of the twentieth century. Acting primarily as an interpretive editor, the author collaborated with several Tanzanian scholars and translators towards fine-tuning the translation of these texts into English, and gathered testimonies in order to create succinct interpretive statements about the songs.