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Examines the making of music videos, originally performed by paid professionals, moving through an amateur stage, to a summer camp in 2011, called OMG! Cameras Everywhere.
Like dropping in for coffee with old friends from all social classes, this book gently tells the life stories of more than a dozen residents of Kent from the last century. From changes in farming, medicine and welfare; the trials of war; the eccentricities of wealth; the resourcefulness of poverty to the astonishing survival of spirit at the hands of a cruel grandmother. Put the kettle on and share a cup of coffee with Hoo's Who.
ABOUT THE BOOK Ten years ago, a motley crew of Montreal-based musicians were recording an EP in Maine, playing their songs in art galleries and basement gigs, and discovering new love. In 2011, this same band is accepting the Grammy for Album of the Year and spawning hilarious reactionary internet memes like “Who is Arcade Fire?!” The answer? A group of multi-instrumentalists who achieved fame not through scandal or bribery, but through the purest means possible: making good music. The band is led by married couple Win Butler (vocals) and Régine Chassagne. Other band members include Jeremy Gara (drums), Richard Parry (bass), Sarah Neufeld (violin), William Butler (keyboard), and Tim Kingsbury (guitar). In their live performances, band members often assume other musical roles; collectively, their instrumental repertoire also includes viola, cello, double bass, xylophone, glockenspiel, keyboard, French horn, accordion, harp, mandolin, and hurdy-gurdy. EXCERPT FROM THE BOOK But I just wanted to make something in the world and worry about the rest of it later and not get too caught up in rules,” said Butler. Lyrically, Butler re-inhabits the role of the defiant, idealistic art school kid, tripping over contradictions, fears, boredom, and self-discovery. He is not concerned with capitalist domination or compromising his ambition but rather maintaining his individuality and his willingness to re-imagine himself... Buy the book to continue reading! Follow @hyperink on Twitter! Visit us at www.facebook.com/hyperink! Go to www.hyperink.com to join our newsletter and get awesome freebies! CHAPTER OUTLINE Quicklet on the Best Arcade Fire Songs: Lyrics and Analysis + Introduction to the Artist + Song Lyrics - The Top Ten Songs + Arcade Fire Trivia / Facts + Conclusion + ...and much more
This handbook provides powerful ways to understand changes in the current media landscape. Media forms and genres are proliferating as never before, from movies, computer games and iPods to video games and wireless phones. This essay collection by recognized scholars, practitioners and non-academic writers opens discussion in exciting new directions.
Desert Lake is a book combining artistic, scientific and Indigenous views of a striking region of north-western Australia. Paruku is the place that white people call Lake Gregory. It is Walmajarri land, and its people live on their Country in the communities of Mulan and Billiluna. This is a story of water. When Sturt Creek flows from the north, it creates a massive inland Lake among the sandy deserts. Not only is Paruku of national significance for waterbirds, but it has also helped uncover the past climatic and human history of Australia. Paruku's cultural and environmental values inspire Indigenous and other artists, they define the place as an enduring home, and have led to its declaration as an Indigenous Protected Area. The Walmajarri people of Paruku understand themselves in relation to Country, a coherent whole linking the environment, the people and the Law that governs their lives. These understandings are encompassed by the Waljirri or Dreaming and expressed through the songs, imagery and narratives of enduring traditions. Desert Lake is embedded in this broader vision of Country and provides a rich visual and cross-cultural portrait of an extraordinary part of Australia.
It seems that the only time we're not hurrying is when we're rushing. By the time we heed the calls of smartphones, iPods, iPads, emails, podcasts, downloads, app shopping, YouTubing, web browsing, posting, and responding to posts, we've ridden the amped-up hurry-train so far that we're lost. In fact, the last items in our list ("posting and responding to posts") sound so much like "marrying and giving in marriage" that we might well conclude that we are wedded to whipped-up drivenness. We need a fast from going fast. The gospel of Christ calls us to rest, but learning how takes time. We're invited to ease off the hurry-train and learn the pace of waiting. But waiting for what? To become a bit more like Jesus, who lived at a breathtakingly still point before the one who sent him.
Debbie and Judy are twins—but Judy was born with cerebral palsy, and Debbie was not. Despite the severity of Judy’s brain damage, her parents chose to keep her at home with her three siblings, and ultimately Judy lived at home with them well into adulthood. Even after her father died, she continued to stay with her mother, her care augmented by a succession of home attendants—until, that is, her doctor told Debbie that Judy’s care at home was wanting and she would not survive without nursing home care. In We Used to Dance, Debbie tells of the emotional trauma she experienced when she was forced to place her sister—a sister unable to sit, stand, eat regular food, feed herself, use a bathroom, or make her needs and desires known through speech or other means—in a new and strange environment. Following Judy’s life in her new home as well as her past relationship with Debbie and the rest of their immediate family, this is a raw, personal memoir of love and guilt—and, ultimately, acceptance.
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A volume of Love, for Lovers. In the spirit of Saint Valentine's Day and dedicated to the author's mother and father on the event of their 50th wedding anniversary, ' agάpe [simply love] ' promises to be a unique edition, fully revealing Metzger's profound romantic side woven throughout and extracted from her six books to date. Often transcribed directly from the eyes and experience of who many have called a romantic existentialist, Metzger's contemporary perspective is often infused with the sentiment of the troubadour, reflecting that of Chaucer's 14th-Century shift of the religious holiday to a day for romance and courtly love. Comprised of her more positive, hopeful and courtly poems, ' agάpe [simply love] ' exhibits Metzger's fervent belief in, and infallible hope for, the preservation of romantic love in society, spanning 15 years of traveling, observing, and living among different cultures.