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This early work by Stephen Vincent Benét was originally published in 1942 and we are now republishing it with a brand new introductory biography. 'We Stand United and other Radio Scripts' is a collection of radio scripts, including 'Your Army', 'A Child is Born', 'The Undefended Border', and many more. Stephen Vincent Benét was born on 22nd July 1898 in Bethlehem, Pennsylvania, United States. Benét was an accomplished writer at an early age, having had his first book published at 17 and submitting his third volume of poetry in lieu of a thesis for his degree. During his time at Yale, he was an influential figure at the 'Yale Lit' literary magazine, and a fellow member of the Elizabethan Club. Benét was also a part-time contributor for the early Time Magazine. Benét's best known works are the book-length narrative poem American Civil War, John Brown's Body (1928), for which he won a Pulitzer Prize in 1929, and two short stories, The Devil and Daniel Webster (1936) and By the Waters of Babylon (1937). Benét won a second Pulitzer Prize posthumously for his unfinished poem Western Star in 1944.
From the French and Indian War in 1754, with Benjamin Franklin's Join or Die cartoon, to the present war in Iraq, propaganda has played a significant role in American history. The Historical Dictionary of American Propaganda provides more than 350 entries, focusing primarily on propaganda created by the U.S. government throughout its existence. Two specialists, one a long-time research librarian at the U.S. Information Agency (the USIA) and the State Department's Bureau of Diplomacy, and the other a former USIA Soviet Disinformation Officer, Martin J. Manning and Herbert Romerstein bring a profound knowledge of official U.S. propaganda to this reference work. The dictionary is further enriched by a substantial bibliography, including films and videos, and an outstanding annotated list of more than 105 special collections worldwide that contain material important to the study of U.S. propaganda. Students, researchers, librarians, faculty, and interested general readers will find the Historical Dictionary of American Propaganda an authoritative ready-reference work for quick information on a wide range of events, publications, media, people, government agencies, government plans, organizations, and symbols that provided mechanisms to promote America's interests, both abroad and domestically, in peace and in war. Almost all entries conclude with suggestions for further research, and the topically arranged bibliography provides a further comprehensive listing of important resources, including films and videos.
When Stephen Vincent Benet died in 1943 at the age of 44, all of America mourned the loss. Benet was one of the country's most well known poets of the first half of the twentieth century and as a fiction writer, he had an even larger audience. This book is a collection of essays celebrating Benet and his writing. The first group of essays addresses Benet's life, times, and personal relationships. Thomas Carr Benet reminisces about his father in the first essay, and others consider Benet's marriage to his wife Rosemary; Archibald MacLeish, Thornton Wilder and Benet as friends, liberal humanists and public activists; and his friendships with Philip Barry, Jed Harris, and Thornton Wilder. The second group contains essays about Benet's poetry, fiction, and drama. They discuss Benet's role in the development of historical poetry in America, John Brown's Body and the Civil War, Hawthorne, Benet and historical fiction, Benet's Faustian America, the adaptation of "The Devil and Daniel Webster" to drama and then to film, Benet's use of fantasy and science fiction, and Benet as a dramatist for stage, screen and radio.
This comprehensive reader provides an overview of research in the study of the Second World War and includes chapters by some of the best known and most innovative scholars working today. It gives attention to the fighting of the war throughout the world.
As a companion volume to St. James Guide to Fantasy Writers, this volume concentrates "on those types of fiction which may be labelled as horror novels, dark fantasies, ghost stories, gothic novels, tales of terror, supernatural fictions, occult fantasies, black-magic stories, psychological thrillers, tales of unease, "grand-guignol" shockers, creepy stories, shudder-pulp fictions, "contes cruels," uncanny stories, macabre fictions and weird tales."--Editor's note, p. ix.