Download Free We Shall Remember Book in PDF and EPUB Free Download. You can read online We Shall Remember and write the review.

Set against the Second World War, this is a powerful and well-written wartime drama that asks the question, what would you do under fire? Perfect for fans of Annie Groves and Lily Baxter. 'A touching, thought-provoking saga' Lancashire Guardian 1939. Irena is a young medical student living in Warsaw when the German army invade Poland. Those closest to her are dying and when Irena realises that no one is coming to Poland's aid, it's clear that she is alone. Forced to flee to Britain, Irena meets Richard, a RAF pilot who she's instantly drawn to and there's a glimmer of happiness on the horizon. And then the war becomes more brutal and in order to right a never-forgotten wrong Irena must make an impossible decision. 1989. Decades later, Sarah's mother is left a home in Skye and another in Edinburgh following the death of Lord Glendale, a man she's never met, and only on the condition that Magdalena Drobnik, a woman she's never heard of, is no longer alive. Sarah's only clues to this mystery are two photographs she doesn't understand but she's determined to discover the truth, not knowing that she's about to begin a journey that will change her life. Gripping, poignant and honest, We Shall Remember is an incredibly powerful story about the choices we make under fire. It will stay with you long after you've turned the final page.
"Riveting, smart, and utterly diabolical."—Lisa Unger, New York Times bestselling author of Confessions on the 7:45 An unputdownable amnesia thriller that begs the question: how can you trust anyone when you can't even trust yourself? Forget the truth. Remember the lies. He wakes up on a deserted beach in Maryland with a gash on his head and wearing only swim trunks. He can’t remember who he is. Everything—his identity, his life, his loved ones—has been replaced by a dizzying fog of uncertainty. But returning to his Maine hometown in search of the truth uncovers more questions than answers. Lily Reid thinks she knows her boyfriend, Jack. Until he goes missing one night, and her frantic search reveals that he’s been lying to her since they met, desperate to escape a dark past he’d purposely left behind. Maya Scott has been trying to find her estranged stepbrother, Asher, since he disappeared without a trace. Having him back, missing memory and all, feels like a miracle. But with a mutual history full of devastating secrets, how far will Maya go to ensure she alone takes them to the grave? Shared fates intertwine in a twisty, explosive novel of suspense, where unearthing the past might just mean being buried beneath it. "Skillfully plotted and paced, every twist deepens the story until it explodes with an ending that made me gasp.”—Samantha Downing, USA Today bestselling author of My Lovely Wife and He Started It Don’t miss Hannah Mary Mckinnon’s latest thriller, Never Coming Home, a terrifying tale of duplicity that will have you side-eyeing your spouse as you dash to the breathtaking end!
Memory. A word so often said, often thought of, and continuously studied. Yet, we know relatively so little other than how vast and magnificent it is. In Who Will Remember You? A Philosophical History and Theory of Memory and Will, Israel B. Bitton, offers an interdisciplinary perspective that unifies philosophy of memory with history, neuroscience, culture and ethics, yielding novel insights into the elusive phenomena of memory, namely its universality. Bitton posits that the current and typical “misunderstanding of memory” stems from over-specialization in scientific research, a compartmentalization that does not support reaching holistic conclusions which are necessary for fully appreciating the totality of memory phenomena. No longer should memory be thought of as residing only in the brain, for the body is known to have memory too, but neither should it be thought of as exclusively human since it inheres in all matter as a physical and biological fact. Indeed, Bitton extends the philosophical and practical meanings of memory furthest in great detail, employing the latest research in neuroscience to support his case. In this work, Bitton traces the kernels of these ideas from the ancient Egyptians and Israelites all the way through to the modern period in philosophy, science and popular culture, demonstrating that his philosophical formulation has always been and remains accepted de facto by society as can easily be detected in various social trends. Upon offering his holistic account that considers the magnitude of memory phenomena across several disciplines, Bitton presents a novel theory that postulates the primary human drive as categorized by a will to significance, which, because of the universality of memory becomes a will to memorability. By placing the individual at the center of their own memory-reality, they can be empowered to safeguard, enhance, and extend the universal force of memory within and around them. From that vantage point, this book provides its audience with ideas meant to provoke and incite the readers’ own reflections on memory’s meaning and import as well as what it takes to be an ethical “memory agent” in an era of hyper-fake news.
Produced in partnership with the Royal British Legion, this beautifully illustrated non-fiction book explains to children why it's so important to remember those we have lost in wars. The sensitively written text tells of the world wars as well as other wars that are remembered at this time. It explains the history behind poppies, why we hold 1- or 2-minute silences and what happens in commemorative parades around the world. The book includes poems and quotes from veterans who bravely fought in these wars.
A book of poetic essays written in English, Kahlil Gibran's The Prophet is full of religious inspirations. With the twelve illustrations drawn by the author himself, the book took more than eleven years to be formulated and perfected and is Gibran's best-known work. It represents the height of his literary career as he came to be noted as ‘the Bard of Washington Street.’ Captivating and vivified with feeling, The Prophet has been translated into forty languages throughout the world, and is considered the most widely read book of the twentieth century. Its first edition of 1300 copies sold out within a month.
Scripture reveals a God who meets us where we are, not where we pretend to be. No More Faking Fine is your invitation to get honest with God through the life-giving language of lament. If you've ever been given empty clichés during challenging times, you know how painful it is to be misunderstood by well-meaning people. When life hurts, we often feel pressure--from others and ourselves--to keep it together, suck it up, or pray it away. But Scripture reveals a God who lovingly invites us to give honest voice to our emotions when life hits hard. For most of her life, Esther Fleece Allen believed she could bypass the painful emotions of her broken past by shutting them down altogether. She was known as an achiever and an overcomer on the fast track to success. But in silencing her pain, she robbed herself of the opportunity to be healed. Maybe you've done the same. Esther's journey into healing began when she discovered that God has given us a real-world way to deal with raw emotions and an alternative to the coping mechanisms that end up causing more pain. It's called lament--the gut-level, honest prayer that God never ignores, never silences, and never wastes. No More Faking Fine is your permission to lament, taking you on a journey down the unexpected pathway to true intimacy with God. Drawing from careful biblical study and hard-won insight, Esther reveals how to use God's own language to come closer to him as he leads us through our pain to the light on the other side, teaching you that: We are robbing ourselves of a divine mystery and a divine intimacy when we pretend to have it all together God does not expect us to be perfect; instead, he meets us where we are There is hope beyond your heartache, disappointment, and grief Like Esther, you'll soon find that when one person stops faking fine, it gives everyone else permission to do the same.
A deeply personal and moving new play about family and memory from Francois Archambault, one of Quebec's most compelling writers.
Many people in Great Britain and the United States can recall elderly relatives who remembered long stretches of verse learned at school decades earlier, yet most of us were never required to recite in class. Heart Beats is the first book to examine how poetry recitation came to assume a central place in past curricular programs, and to investigate when and why the once-mandatory exercise declined. Telling the story of a lost pedagogical practice and its wide-ranging effects on two sides of the Atlantic, Catherine Robson explores how recitation altered the ordinary people who committed poems to heart, and changed the worlds in which they lived. Heart Beats begins by investigating recitation's progress within British and American public educational systems over the course of the nineteenth and twentieth centuries, and weighs the factors that influenced which poems were most frequently assigned. Robson then scrutinizes the recitational fortunes of three short works that were once classroom classics: Felicia Hemans's "Casabianca," Thomas Gray's "Elegy Written in a Country Churchyard," and Charles Wolfe's "Burial of Sir John Moore after Corunna." To conclude, the book considers W. E. Henley's "Invictus" and Rudyard Kipling's "If--," asking why the idea of the memorized poem arouses such different responses in the United States and Great Britain today. Focusing on vital connections between poems, individuals, and their communities, Heart Beats is an important study of the history and power of memorized poetry.
A leading contrarian thinker explores the ethical paradox at the heart of history's wounds The conventional wisdom about historical memory is summed up in George Santayana's celebrated phrase, "Those who cannot remember the past are condemned to repeat it." Today, the consensus that it is moral to remember, immoral to forget, is nearly absolute. And yet is this right? David Rieff, an independent writer who has reported on bloody conflicts in Africa, the Balkans, and Central Asia, insists that things are not so simple. He poses hard questions about whether remembrance ever truly has, or indeed ever could, "inoculate" the present against repeating the crimes of the past. He argues that rubbing raw historical wounds--whether self-inflicted or imposed by outside forces--neither remedies injustice nor confers reconciliation. If he is right, then historical memory is not a moral imperative but rather a moral option--sometimes called for, sometimes not. Collective remembrance can be toxic. Sometimes, Rieff concludes, it may be more moral to forget. Ranging widely across some of the defining conflicts of modern times--the Irish Troubles and the Easter Uprising of 1916, the white settlement of Australia, the American Civil War, the Balkan wars, the Holocaust, and 9/11--Rieff presents a pellucid examination of the uses and abuses of historical memory. His contentious, brilliant, and elegant essay is an indispensable work of moral philosophy.
A collection of poems in which Joy Harjo explores themes of female despair, awakening, power, and love.