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A BEST CHILDREN’S BOOK OF THE YEAR: New York Times, Washington Post, New York Public Library, Kirkus Reviews, Globe and Mail, Horn Book, and Boston Globe STARRED Reviews in Kirkus, Publisher’s Weekly, The Horn Book, School Library Journal A 2022 Best Book for Babies From Julie Flett, the beloved author and illustrator of Birdsong, comes a joyous new book about playtime for babies, toddlers, and kids up to age 7. Animals and kids love to play! This wonderful book celebrates playtime and the connection between children and the natural world. Beautiful illustrations show: birds who chase and chirp! bears who wiggle and wobble! whales who swim and squirt! owls who peek and peep! and a diverse group of kids who love to do the same, shouting: We play too! / kimêtawânaw mîna At the end of the book, animals and children gently fall asleep after a fun day of playing outside, making this book a great bedtime story. A beautiful ode to the animals and humans we share our world with, We All Play belongs on every bookshelf. This book also includes: A glossary of Cree words for wild animals in the book A pronunciation guide and link to audio pronunciation recordings
After a humiliating scandal, a young writer flees to the West Coast, where she is drawn into the morally ambiguous orbit of a charismatic filmmaker and the teenage girls who are her next subjects. FINALIST FOR THE LAMBDA LITERARY AWARD • ONE OF BUZZFEED’S BEST BOOKS OF THE YEAR • “A blistering story about the costs of creating art.”—O: The Oprah Magazine Not too long ago, Cass was a promising young playwright in New York, hailed as “a fierce new voice” and “queer, feminist, and ready to spill the tea.” But at the height of all this attention, Cass finds herself at the center of a searing public shaming, and flees to Los Angeles to escape—and reinvent herself. There she meets her next-door neighbor Caroline, a magnetic filmmaker on the rise, as well as the pack of teenage girls who hang around her house. They are the subjects of Caroline’s next semidocumentary movie, which follows the girls’ clandestine activity: a Fight Club inspired by the violent classic. As Cass is drawn into the film’s orbit, she is awed by Caroline’s ambition and confidence. But over time, she becomes troubled by how deeply Caroline is manipulating the teens in the name of art—especially as the consequences become increasingly disturbing. With her past proving hard to shake and her future one she’s no longer sure she wants, Cass is forced to reckon with her own ambitions and confront what she has come to believe about the steep price of success.
Play is one of humanity's straightforward yet deceitful ideas: though the notion is unanimously agreed upon to be universal, used for man and animal alike, nothing defines what all its manifestations share, from childish playtime to on stage drama, from sporting events to market speculation. Within the author's anthropological field of work (Mongolia and Siberia), playing holds a core position: national holidays are called "Games," echoing in that way the circus games in Ancient Rome and today's Olympics. These games convey ethical values and local identity. Roberte Hamayon bases her analysis of the playing spectrum on their scrutiny. Starting from fighting and dancing, encompassing learning, interaction, emotion and strategy, this study heads towards luck and belief as well as the ambiguity of the relation to fiction and reality. It closes by indicating two features of play: its margin and its metaphorical structure. Ultimately revealing its consistency and coherence, the author displays play as a modality of action of its own. "Playing is no 'doing' in the ordinary sense" once wrote Johan Huizinga. Isn't playing doing something else, elswhere and otherwise ?
Porchlight’s Best Leadership & Strategy Book of The Year An inspiring memoir from the CEO of DICK’s Sporting Goods that is “not only entertaining but will be of great value to any entrepreneur” (Phil Knight, New York Times bestselling author of Shoe Dog). It’s How We Play the Game shows how a trailblazing business was created by giving back to the community and by taking principled, and sometimes controversial, stands—including against the type of weapons that are too often used in mass shootings and other tragedies. Ed Stack’s memoir tells the story of a complicated founder and an ambitious son—one who transformed a business by making it about more than business, conceiving it as a force for good in the communities it serves. In 1948, Ed Stack’s father started Dick’s Bait and Tackle in Binghamton, New York. Ed Stack bought the business from his father in 1984, and grew it into the largest sporting goods retailer in the country, with 800 locations and close to $9 billion in sales. The transformation Ed wrought wasn’t easy: economic headwinds nearly toppled the chain twice. But DICK’s support for embattled youth sports programs earned the stores surprising loyalty, and the company won even more attention when, in the wake of yet another school shooting—at Marjory Stoneman Douglas High School in Parkland, Florida—it chose to become the first major retailer to pull all semi-automatic weapons from its shelves, raise the age of gun purchase to twenty-one, and, most strikingly, destroy the assault-style-type rifles then in its inventory. With vital lessons for anyone running a business and eye-opening reflections about what a company owes the people it serves, It’s How We Play the Game is “a compelling narrative…In a genre that can frequently be staid, Mr. Stack’s corporate biography is deeply personal…[Features] surprising openness [and] interesting and humorous anecdotes” (Pittsburgh Post-Gazette).
Jada has endured her husband's infidelities for the past two years. The first time she caught Ben in the act, he promised that was the first and last time he would be unfaithful to her. She loves her husband, so made the choice to stay and give him another chance, but the lies and deception continued. His infidelity is taking a toll on her mentally and emotionally. Jada's at an impasse and doesn't know what to do to take control of her marriage.Erika, her best friend, presents Jada with an idea she never would've considered before. Cheat back. Beat Ben at his own game. At first, Jada can't stomach the idea of having sex with another man. She's only shared that kind of intimacy with Ben since their college days. Eventually, Jada comes to the conclusion that it's time for Ben to take a dose of his own medicine. Jada meets two completely different men, Wayne-a successful businessman, and Elijah-a starving artist following his dreams in the Big Apple. The dynamics of the game change, revealing secrets that could destroy her world. Will she beat Ben at his own game, or will Jada be scarred for life, attempting to play a game she was never equipped to win in the first place?
Children pout when the rain begins, but, soon, properly dressed, they enjoy playing outdoors in the rain.
Young and successful, Alexandria Witt, has found herself in a world full of drama. Heartbroken and lost from her previous relationship with Brandon Taylor, she only has her friends to look to for guidance. Yet her friends may be leading her down the wrong path. Even though she has her doubts, she attempts to piece together her heart with the charming Nicholas Bennett, hoping this time she hasn't made a mistake. But Brandon refuses to give up on Alexandria. Of course they’ve had their ups and downs but, what relationship hasn’t? Is what he has done really that unforgivable? He feels he has no choice but to show Alexandria they belong together no matter the risk. Despite what his homeboy, Vonte Johnson, thinks he has to win her love back. However, Brandon has no limits and even wonders to himself just how far he will go. When Vonte sees how ridiculous his homeboy is being, he feels the need to protect Alexandria...after all, the way he sees it Alexandria should belong to him. Soon he befriends her and warns her of Brandon's crazy way in hopes to get Brandon out of the picture and take his rightful place and have his chance at love.
'A gripping account of how Shakhtar Donetsk came to represent embattled Ukraine's hopes for the future' Sunday Times 'We want to show to the world that we are alive. That we are strong. Not just us - the whole of Ukraine. We are continuing to play. We are continuing to win.' Darijo Srna 'Excellent ... a symbol of Ukrainian resistance' Ada Wordsworth Shakhtar Donetsk have not played in their home stadium since 2014. Their matchdays now typically have no crowds, air raid sirens interrupt games and thoughts of and fears for family, friends and hometowns frontline troops loom large in the players' minds ahead of every game. These are extraordinary times - but Shakhtar is an extraordinary club. Displaced when fighting first began in the Donbas region, and then again when Russia mounted a full-scale invasion of Ukraine in February 2022, this book honours a club - players, coaching staff, management - who choose to play on. In a time of chaos and conflict, they have become emblems of hope and unity. They are winning on the pitch, and winning hearts and minds across the world. Following the club's meteoric rise from domestic team to domineering European contenders, Andy Brassell expertly weaves a story of Shakhtar through the ages - their origin story after Ukrainian independence, their evolution and their reinvention. The war forced an exodus of star players and staff and the club has had to find itself once again. With direct testimony and exclusive interviews from those at Shakhtar, this book delivers unparalleled insight to the club's journey - one that is all too often hidden from view. The result is an ode to Shakhtar Donetsk, shining a light on the beauty and force of their football and their fight to play on.
Three boys spend their childhood together experiencing life in very similar ways. After spending two decades apart, their paths meet up again. How different things are for each of them now, some of it predictable, some good, some bad. This story is about how personal choices affect the outcome of our lives. More importantly, this story is about how some things that happen in our lives are clearly not a result of our choice but the intervention of One who cares more about the choices we make than we do.
Shakespeare's plays are permeable to the contexts in which they are performed: they take on and speak to local concerns. Ours As We Play It takes a close look at several contemporary Australian productions of three Shakespearean plays; exploring masculinity and madness in Hamlet , the role of landscape and the multiple roles of Rosalind in .