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Revised and expanded edition of the punk classic with six new interviews and a new introduction, bringing the definitive book of conversations with the underground's greatest minds up to 2007. New interviews include talks with bands like The Gossip and Maritime, a conversation with punk legend Bob Mould and many more. Punk Planet has consistently explored the crossover of punk with activism, reflecting the currents of the underground while simultaneously challenging the bleak centrism of today's popular culture.
“Collects some of [Punk Planet’s] best interviews from the past half-decade . . . serves as a reminder that punk is not just music but a movement.” —The A.V. Club Updated with six more interviews and a new introduction, the expanded edition of We Owe You Nothing is the definitive book of conversations with the underground’s greatest minds from the pages of Punk Planet. New interviews include talks with bands like The Gossip and Maritime, a conversation with punk legend Bob Mould, and more . . . in addition to the classic interviews from the original edition: Ian MacKaye, Jello Biafra, Thurston Moore, Noam Chomsky, Kathleen Hanna, Black Flag, Sleater-Kinney, Steve Albini, Frank Kozik, Art Chantry, and others. “We Owe You Nothing made me feel vital and alive.” —Seattle Weekly “The magazine Punk Planet has quietly been one of the most intelligent voices in the kingdom of punk and post-punk . . . [and] anyone with the vaguest interest in music would be well-served to learn from these captured moments [in We Owe You Nothing].” —Detroit Metro Times “No book has illustrated this relationship between punk and its believers more than We Owe You Nothing.” —Daily Herald “Straight talk with no bullshit, no spin. The result is an airblast of honesty, an antidote of attitude. Music fans will love this book, and so will fans of independent thinking.” —Flagpole “A wholly unique vision wrought not by consensus but by cultural cynicism and never-say-die musical populism.” —Magnet
A collection of 51 plays that features previously unpublished works, contemporary plays by women, and the modern classics.
Updated 2009 edition of this evergreen punk-rock classic!
Updated with six more interviews and a new introduction, the expanded edition of We Owe You Nothing brings the definitive book of conversations with the underground's greatest minds up to 2007. New interviews include talks with bands like The Gossip and Maritime, a conversation with punk legend Bob Mould, and more . . . in addition to the classic interviews from the original 2001 edition: Ian MacKaye, Jello Biafra, Thurston Moore, Noam Chomsky, Kathleen Hanna, Black Flag, Sleater-Kinney, Steve Albini, Frank Kozik, Art Chantry, and others. Daniel Sinker has been the editor and publisher of Punk Planet magazine for twelve years.
"Music journalist Andrew Earles provides a rundown of 500 landmark albums recorded and released by bands of the indie rock genre"--
Listen to Punk Rock! Exploring a Musical Genre discusses the evolution of punk from its inception in 1975 to the present, delving into the lasting impact of the genre throughout society today. Listen to Punk Rock! provides readers with a fuller picture of punk rock as an inclusive genre with continuing relevance. Organized in a roughly chronological manner, it starts with an introduction that explains the musical and cultural forces that shaped the punk genre. Next, 50 entries cover important punk bands and subgenres, noting female punk bands as well as bands of color. The final part of the book discusses how punk has influenced other musical genres and popular culture. The book will give those new to the genre an overview of important bands and products related to the movement in music, including publications, fashion, and films about punk rock. Notably, it pays special attention to diversity within the genre, discussing bands often overlooked or mentioned only in passing in most histories of the movement, which focus mainly on The Sex Pistols, The Clash, and The Ramones as the pioneers of punk.
"Extending Play examines the ubiquity of brand partnerships within the contemporary music industries. Though brand partnerships exist across all media industries, they are a distinct phenomenon for the music business because of their associations with fan club merchandise, concert merchandise, and lifestyle branding. It also foregrounds women's participation in shaping these economies through fan labor and image management. While brand partnerships are common among male and female musicians, this book focus specifically on how female-identified musicians use them tactically to extend their commercial and creative longevity after they have established their recording careers by commodifying their creative acumen with either hegemonically feminine cultural knowledge or traditionally masculinized skills through branded consumer goods that they make in partnership with companies associated with the beauty, fashion, food, or musical equipment industries. Through textual and discourse analysis of artists' songs, music videos, interviews, social media usage, promotional campaigns, marketing strategies, and business decisions, Extending Play investigates how female-identified musicians co-create branded feminine-coded products like perfume, clothes, makeup, and cookbooks and masculine-coded products like music equipment as resources to work through their own ideas about gender and femininity as workers in industries that often use sexism and ageism to diminish women's creative authority and diminish the value of the recording in order to incentivize musicians to internalize the demands of industrial convergence"--
Israeli American journalist Schalit distinguishes between the Israel he knows and the image of it in the minds of Americans. “An incisive look at the connection between the US and Israel, and their respective roles on the world stage . . . Israel vs. Utopia is a book that could only be written by someone intimate with the ethos of both countries.” —Jerusalem Post Israel is a synonym for many things: the ancestral home of the Jewish people, the hell of the Palestinians, the realization of a centuries-old dream of freedom, and the heart of the War on Terror. No country inspires as much debate about its rights and wrongs, its legitimacy and illegitimacies, than Israel. Historically associated with Europe, such debate finally became common in the US during the Bush era, as America deepened its involvement in the region, and Israel fought three wars. In his new book, Israel vs. Utopia, Israeli American journalist Joel Schalit distinguishes between the Israel he knows, and the image of it that exists in the imagination of Americans. Israel is a state of mind, Schalit argues, as much as it is its own sovereign state. Exploring this tension, in America, in Israel, employing a combination of personal observation, political, and cultural commentary, Schalit defines the instability of Israel, as a metaphor, and America’s troubled love for it, as only an Israeli American would know.