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We Once Met by Chance: Four Life Stories During the American Civil War follows four peoples lives during the American Civil WarJohn S. Mosby, Charles Russell Lowell, Laura Ratcliffe, and James Robinson. Col. John S. Mosby was a Confederate officer from Virginia, assigned to lead guerrilla activities outside the city of Washington. His mission was to keep the Union soldiers stationed there rather than fighting in the field against the army of Northern Virginia under General Robert E. Lee. Charles Russell Lowell of Massachusetts was a Harvard graduate from a prominent abolitionist family. He joined the Union army, eventually becoming the colonel of the Second Massachusetts Cavalry. He was sent to Virginia to capture or kill Mosby. Laura Ratcliffe was a young Southern lady living in Northern Virginia. She supported her home state of Virginia during the war in any way she could, including spying for Colonel Mosby. James Robinson was an African-American man living with his family in Manassas, Virginia. The land that he owned and lived on would become the central part of the battleground for two of the major battles during the war. We Once Met by Chance is the story of the Civil War from the perspective of these four individuals. Readers learn about their lives, their families, and their aspirations during these tumultuous four years in American history.
2014 Christy Award winner! Darek Christiansen is almost a dream bachelor—oldest son in the large Christiansen clan, heir to their historic Evergreen Lake Resort, and doting father. But he’s also wounded and angry since the tragic death of his wife, Felicity. No woman in Deep Haven dares come near. New assistant county attorney Ivy Madison simply doesn’t know any better when she bids on Darek at the charity auction. Nor does she know that when she crafted a plea bargain three years ago to keep Jensen Atwood out of jail and in Deep Haven fulfilling community service, she was releasing the man responsible for Felicity’s death. All Ivy knows is that the Christiansens feel like the family she’s always longed for. And once she gets past Darek’s tough exterior, she finds a man she could spend the rest of her life with. Which scares her almost as much as Darek learning of her involvement in his wife’s case. Caught between new love and old grudges, Darek must decide if he can set aside the past for a future with Ivy—a future more and more at risk as an approaching wildfire threatens to wipe out the Christiansen resort and Deep Haven itself.
Grelet's solitary sailor is a radical theoretical figure, herald angel of an existential rebellion against the world and against philosophy's world-thought. Over a decade ago, Gilles Grelet left the city to live permanently on the sea, in silence and solitude, with no plans to return to land, rarely leaving his boat Théorème. An act of radical refusal, a process of undoing one by one the ties that attach humans to the world, for Grelet this departure was also inseparable from an ongoing campaign of anti-philosophy. Like François Laruelle's "ordinary man" or Rousseau's "solitary walker," Grelet's solitary sailor is a radical theoretical figure, herald angel of an existential rebellion against the world and against philosophy's world-thought, point zero of an anti-philosophy as rigorous gnosis, and apprentice in the herethics of navigation. More than a set of scattered reflections, less than a system of thought, Theory of the Solitary Sailor is a gnostic device. It answers the supposed necessity of realizing the world-thought that is philosophy (or whatever takes its place) with a steadfast and melancholeric refusal. As indifferently serene and implacably violent as the ocean itself, devastating for the sufficiency of the world and the reign of semblance, this is a lived anti-philosophy, a perpetual assault waged from the waters off the coast of Brittany, amid sea and wind.
"How We Met" is a collection of true love stories recounting the unique and magical ways that couples have come together. This book also addresses spiritual themes in the familiar context of romantic stories.