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“Captivating…equal parts memoir and cultural history, Henry Alford seamlessly interweaves heartwarming and hilarious anecdotes about his deep dive into all things dance” (Misty Copeland, The New York Times Book Review). When Henry Alford wrote about his experience with a Zumba class for The New York Times, little did he realize that it was the start of something much bigger. Dance would grow and take on many roles for Henry: exercise, stress reliever, confidence builder, an excuse to travel, a source of ongoing wonder, and—when he dances with Alzheimer’s patients—even a kind of community service. Tackling a wide range of forms (including ballet, hip-hop, jazz, ballroom, tap, contact improvisation, Zumba, swing), Alford’s grand tour takes us through the works and careers of luminaries ranging from Bob Fosse to George Balanchine, Twyla Tharp to Arthur Murray. Rich in insight and humor, Alford mines both personal experience and fascinating cultural history to offer a witty and ultimately moving portrait of how dance can express all things human. And Then We Danced “is in one sense a celebration of hoofer in all its wonder and variety, from abandon to refinement. But it is also history, investigation, memoir, and even, in its smart, sly way, self-help…very funny, but more, it is joyful—a dance all its own” (Vanity Fair).
This memoir shares the early, troubled years of the author's wife and transitions to their first meeting, relationship, and marriage. A woman with low self-esteem found courage, comfort, and support and dared to dream again. Friends and family often referred to their marriage as a romance meant to be. Frontotemporal Dementia, FTD, interrupted that love story. The author devotedly cared for his wife until her passing. He weaves in journals, letters, and posts and lays bare their life through her incurable disease. Throughout much of the book, the author offers dementia mileposts, tips, and observations to assist those struggling in their own journeys. While dementia will differ person to person, many will find similarities to their own experiences. The book serves two purposes as both an aid to those in a dementia care partner role but also as a love story.
"In We Danced, author Lin Sons presents a story-like couples devotional using her 40-year marriage intertwined with a theme of dance. Lin offers life lessons applicable to any couple, whatever their own personal story. Each life lesson is followed by a dance tip designed to bring couples finesse in their dance of marriage."--Jacket.
Autobiography of a Ziegfeld Follies star, an copartner of Arthur Murray Dance Studios, a quarter horse ranch owner in Oklahoma, and at age 88, the recipient of a Bachelor of Arts degree from the University of Oklahoma.
Within intellectual paradigms that privilege mind over matter, dance has long appeared as a marginal, derivative, or primitive art. Drawing support from theorists and artists who embrace matter as dynamic and agential, this book offers a visionary definition of dance that illuminates its constitutive work in the ongoing evolution of human persons. Why We Dance introduces a philosophy of bodily becoming that posits bodily movement as the source and telos of human life. Within this philosophy, dance appears as an activity that humans evolved to do as the enabling condition of their best bodily becoming. Weaving theoretical reflection with accounts of lived experience, this book positions dance as a catalyst in the development of human consciousness, compassion, ritual proclivity, and ecological adaptability. Aligning with trends in new materialism, affect theory, and feminist philosophy, as well as advances in dance and religious studies, this work reveals the vital role dance can play in reversing the trajectory of ecological self-destruction along which human civilization is racing.
A conversation between a Tel Aviv waitress and her elderly customer sparks a journey of healing in this compelling novel by the author of Light Fell. At eighty-four, Teo, one of the world’s most influential choreographers, is ready to withdraw from the bombast and romance surrounding his long and illustrious career. But then he meets Vivi, a waitress at a Tel Aviv café, and the slumbering passions of his youth are rouses once more. Suddenly and unexpectedly, his desire for a woman’s touch, his anguished memories of World War II, and his complex, soulful engagement with dance all come rushing back. Vivi’s life will change, too, as Teo’s affection forces her to confront her guilt over an illicit relationship during her days as a soldier. Soon their interactions with art, their very investment in living, will reawaken ghosts of their painful, suppressed pasts—from Warsaw to Copenhagen, from Berlin to Tel Aviv—that cry out for forgiveness and peace.
Distinguished historian Martin Pugh offers a colourful and controversial revisionist history of Britain in the 1920s-30s.
The Grace of God and the extraordinary world of modern medicine, as well as love, hope and strength made our miracle possible. Each year, we would recall exactly what we were doing when the phone rang that morning. We would reminisce over each incident, right up to the time when the surgery doors swung closed behind him. It was all so remarkable; we never wanted to forget even the smallest detail. And Then We Danced will tell you how two people loved more deeply, drawing from each other's strength as their shared hope became a reality. Along with the miracle, however, came new challenges. Three years after Zann lost her mother to lung disease, she realized it was that experience that would help her prepare for a brand-new challenge. Her husband, who had also been diagnosed with lung disease, began to consider a lung transplant. She knew that, as the primary care giver, she would need an outlet to record the events that would transform their lives. She would need time for quite reflection, so she began writing in a journal. Over the years, Zann wrote hundreds of pages dealing with the treatment, its crises and successes, as well as the ordinary family and social events that fill up our lives, which she shares through her book. Zann currently spends her free time writing, as well as volunteering with Carolina Donor Services and Lung Transplant Patient Support groups. Her professional career includes finance and health insurance.
We Danced Until Dawn is the sequel to the l800’s family saga of Fallow Are the Fields. After the tragic and triumphant end of the American Civil War, a new beginning took hold all across America and changed the lives of Steven Jett and his family once again. It is a happy story filled with intrigue, historical events, and wondrous new things. The turn of the century and early l900’s would never be the same. The Author
The Winter We Danced is a vivid collection of writing, poetry, lyrics, art and images from the many diverse voices that make up the past, present, and future of the Idle No More movement. Calling for pathways into healthy, just, equitable and sustainable communities while drawing on a wide-ranging body of narratives, journalism, editorials and creative pieces, this collection consolidates some of the most powerful, creative and insightful moments from the winter we danced and gestures towards next steps in an on-going movement for justice and Indigenous self-determination.