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An illustrated version of the classic Woody Guthrie folk song, perfect for a family singalongs! Since its debut in the 1940s, Woody Guthrie's "This Land Is Your Land" has become one of the best-loved and most timely folk songs in America, inspiring activism and patriotism for all. This classic ballad is now brought to life in a richly illustrated edition for the whole family to share. Kathy Jakobsen's detailed paintings, which invite readers on a journey across the country, create an unforgettable portrait of our diverse land and the people who live it.
Private property is everywhere. Almost anywhere you walk in the United States, you will spot “No Trespassing” and “Private Property” signs on trees and fence posts. In America, there are more than a billion acres of grassland pasture, cropland, and forest, and miles and miles of coastlines that are mostly closed off to the public. Meanwhile, America’s public lands are threatened by extremist groups and right-wing think tanks who call for our public lands to be sold to the highest bidder and closed off to everyone else. If these groups get their way, public property may become private, precious green spaces may be developed, and the common good may be sacrificed for the benefit of the wealthy few. Ken Ilgunas, lifelong traveler, hitchhiker, and roamer, takes readers back to the nineteenth century, when Americans were allowed to journey undisturbed across the country. Today, though, America finds itself as an outlier in the Western world as a number of European countries have created sophisticated legal systems that protect landowners and give citizens generous roaming rights to their countries' green spaces. Inspired by the United States' history of roaming, and taking guidance from present-day Europe, Ilgunas calls into question our entrenched understanding of private property and provocatively proposes something unheard of: opening up American private property for public recreation. He imagines a future in which folks everywhere will have the right to walk safely, explore freely, and roam boldly—from California to the New York island, from the Redwood Forest to the Gulf Stream waters.
Mark Holloway doesn't want to talk about the bloody history of New Zealand and its people but he discovers that God does. God explains how we got into the mess of racial tension we're in, that neither is without guilt. He unfolds the reason he brought Māori and Pākehā to New Zealand - a reason that would ultimately change the entire world.
In We Cry Justice, leaders of the Poor People's Campaign-a movement against racism, poverty, ecological devastation, militarism, and religious nationalism-uncover what the Bible really says about justice and poverty. Liz Theoharis is joined by pastors, organizers, scholars, low-wage workers, and people in poverty in interpreting sacred stories about the poor seeking healing, justice, and freedom. Find in the pages of Scripture God's persistent call to repair the breach and fight poverty, not the poor. Book jacket.
Reflecting on the practice of disciple making in young adult, college, graduate, and local church contexts, Jonathan Dodson has discerned some common pitfalls. For many, discipleship is reduced to a form of religious performance before God. For others, it devolves into spiritual license and a loose adherence to spiritual facts. Both approaches distort biblical motivations for Christian obedience and are in need of reform. By explaining various motivations for discipleship, Dodson charts a biblically faithful, grace-driven alternative. Additionally, he provides a practical model for creating gospel-centered discipleship groups—small, reproducible, missional, gender-specific groups of believers that fight for faith together. This book blends both theology and practice to inspire and equip Christians to effectively fight sin, keep Jesus central, and make gospel-centered discipleship a way of life. Both new and growing Christians will learn to trust the gospel in community as they fight together for holiness as well as how to start gospel-centered community groups in any local church.
In Land Is the Cry! Susanne Starling tells the fascinating story of Warren Angus Ferris, Rocky Mountain fur trader, surveyor, farmer, and "Father of Dallas County". Ferris was one of the two founders of Dallas, along with land speculator William P. King. But Ferris merited fame even before he came to Texas in 1837, for his remarkable story encompasses three arenas: the Niagara frontier of western New York, the fur-trading country of the Rocky Mountains, and frontier northeast Texas during the years of the Republic. Ferris served as the official surveyor for Nacogdoches County, which then included much of northeast Texas. Warren Ferris spent another thirty-five years of his eventful life in Texas.
This thoughtful, poetic book uses metaphors and beautiful imagery to explore the reasons for our tears. In a soft voice, Mario asks, “Mother, why do we cry?” And his mother begins to tell him about the many reasons for our tears. We cry because our sadness is so huge it must escape from our bodies. We cry because we don’t understand the world, and our tears go in search of an answer. Most important, she tells him, we cry because we feel like crying. And, as she shows him then, sometimes we feel like crying for joy. This warm, reassuring hug of a book makes clear that everyone is allowed to cry, and that everyone does.
In Yes, Lord, I Will Follow You, Chris Fenner documents his spiritual pilgrimage in prayers, praises and cries of his heart joining the ancient Israelites in declaring: 'The LORD--he is God! The LORD--he is God!' He invites you to join him.
African History through Sources recounts the history of colonial Africa through more than 100 primary sources produced by a variety of actors: ordinary men and women, the educated elite, and colonial officials. Including official documents, as well as interviews, memoirs, lyrics, and photographs, the book balances coverage of the state and economy with attention to daily life, family life, and cultural change. Entries are drawn from all around sub-Saharan Africa, and many have been translated into English for the first time. Introductions to each source and chapter provide context and identify themes. African History through Sources allows readers to analyze change, understand perspectives, and imagine everyday life during an extraordinary time.