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In the early 1980s I wrote a story about an extremely ill patient cared for in our medical intensive care unit (MICU) at Mt. Sinai Hospital, Cleveland. Called A Case For Intensive Care, the story was for a general audience and appeared in a local college literary magazine. Until then all my published writing had been for doctors only, and I wanted to explain a complicated medical case in a way that anyone could understand. In the ensuing years I wrote many other patient-centered stories, each intended for a general audience. They are now collected in We Cant Kill Your Mother! and Other Stories of Intensive Care. This book is for the general reader - In fact the only requirement is an interest in humanity. Illness and medicine are universal and everyone has some familiarity with hospitals, if only from the position of consumer. Most people have, at some point, either been hospitalized or visited a family member in the hospital. These stories take you inside the medical intensive care unit, a major part of every acute care hospital. Thats the setting, but the subject is people and their serious (and sometimes strange) afflictions. The first chapter gives an overview of intensive care rounds and how the MICU operates. Succeeding chapters are devoted to one or two patients and the challenges they present. Like Harold Switek, too ill to leave MICU, too psychotic to stay. And Willie the Yellow Man, whose love affair with alcohol exceeded anything youve ever seen. Youll meet a young socialite hospitalized with rapid onset of total paralysis and wonder as we did will she ever hug her kids again? And another woman about to have her baby during a terrifying asthma attack. I am not the first, and will certainly not be the last, medical professional to write about his or her patients. In a literary sense doctors and nurses are privileged; what we see in our daily jobs is more than enough to fill many interesting books. Lawrence Martin, M.D. Cleveland, Ohio
In this fascinating, informative, and entertaining collection, internationally acclaimed, award-winning author Colm Tóibín turns his attention to the intricacies of family relationships in literature and writing. In pieces that range from the importance of aunts (and the death of parents) in the English nineteenth-century novel to the relationship between fathers and sons in the writing of James Baldwin and Barack Obama, Colm Tóibín illuminates not only the intimate connections between writers and their families but also, with wit and rare tenderness, articulates the great joy of reading their work. In the piece on the Notebooks of Tennessee Williams, Tóibín reveals an artist "alone and deeply fearful and unusually selfish" and one profoundly tormented by his sister's mental illness. Through the relationship between W.B. Yeats and his father, or Thomas Mann and his children, or J.M. Synge and his mother, Tóibín examines a world of family relations, richly comic or savage in its implications. In Roddy Doyle's writing on his parents we see an Ireland reinvented. From the dreams and nightmares of John Cheever's journals Tóibín makes flesh this darkly comic misanthrope and his relationship to his wife and his children.The majority of these pieces were previously published in the Londron Review of Books, the New York Review Review of Books, and the Dublin Review. Three of the thirteen pieces have never appeared before.
Novelist and critic Colm Tóibín provides “a fascinating exploration of writers and their families” (Entertainment Weekly) and “an excellent guide through the dark terrain of unconscious desires” (The Evening Standard) in this brilliant collection of essays that explore the relationships of writers to their families and their work. Colm Tóibín—celebrated both for his award-winning fiction and his provocative book reviews and essays—traces the intriguing, often twisted family ties of writers in the books they leave behind. Through the relationship between W. B. Yeats and his father, Thomas Mann and his children, Jane Austen and her aunts, and Tennessee Williams and his sister, Tóibín examines a world of relations, richly comic or savage in their implications. Acutely perceptive and imbued with rare tenderness and wit, New Ways to Kill Your Mother is a fascinating look at writers’ most influential bonds and a secret key to understanding and enjoying their work.
‘Your mother’s death was not natural, it was foul play. Nobody knows about it. If you want to know the truth, meet father Wilson. He is admitted to St. Joseph’s hospital. Stay safe.’ Joyce Fernandes received this letter a few days after her mother's funeral. She meets Detective Tilak Majumdar who investigates the mystery and unfolds some shocking secrets. But, will he discover the truth? What price will Joyce have to pay to find the truth? ‘Sorrows of Joy’ is a thrilling story of Joyce Fernandes who had faced tragedies in her life since childhood. Her father left her and her mother a long time ago and no one has his whereabouts. She is also dealing with a mental condition known as Schizophrenia due to which she hallucinates about herself in the costume of a joker which is also related to her past. Read the complete story to feel the pain and sorrows of Joyce Fernandes. Sorrows of Joy – "The Story of Joy. But Not a Joyful Story"
“A book of great value for every daughter and every mother; useful for sons, too.”—Benjamin Spock, M.D. From the Introduction: The goal of this book is to help readers achieve that separation so that they can either find a way to be friends with their mothers, or at least recognize and accept that their mothers did the best they could—even if it wasn't “good enough”—and to stop blaming them. Among the issues to be covered: • To understand how a daughter's attachment to her mother—more so than her relationship with her father—colors all her other relationships, and to analyze why it is more difficult for daughters than sons to separate from their mothers, as well as why daughters are more subject than sons to a mother's manipulation • To recognize the difference between a healthy and a destructive mother-daughter connection, and to define clearly the “bad mommy,” in order to help readers who have trouble acknowledging their childhood losses to begin to comprehend them • To conjugate what I call the “Bad Mommy Taboo”—why our culture is more eager to protect the sanctity of maternity than it is to protect emotionally abused daughters • To describe the evolution of the "unpleasable" mother—in all likelihood, she was bereft of maternal love as a child—and to recognize the huge, and often poignant, stake she has in keeping her grown daughter dependent and off-balance • To illustrate the consequent controlling behavior—in some cases, cloaked in fragility or good intentions—of such mothers, which falls into general patterns, including: the Doormat, the Critic, the Smotherer, the Avenger, the Deserter • To understand that the daughter has a similar stake in either being a slave to or hating her mother—the two sides of her depen dency and immaturity • To illustrate the responsive behavior—and survival mechanisms —of daughters, which is determined in part by such variables as birth rank, family history, and temperament, and which also falls into patterns, including: the Angel, the Superachiever, the Cipher, the Troublemaker, the Defector • To show how to redefine the mother-daughter relationship, so that each can learn to see and accept the other as she is today, appreciating each other's good qualities and not being snared by the bad • Finally, to demonstrate that a redefined relationship with one's mother—adult to adult—frees you from the past, whether that re definition ultimately results in real friendship, affectionate truce, or divorce.
The teenage descendants of Medusa - Gretchen, Grace and Greer - face their toughest test yet as the mythological and the modern collide in a fast-paced urban fantasy adventure. The girls cannot hesitate as they seek the location of the lost door between the realms, even as monsters and the gods of Olympus descend on San Francisco in battle-ready droves. Greer must use her second sight to prevent anything from stopping her sisters' mission - even though a god is playing with her mind. Grace wants to trust her adopted brother, Thane, but will his secret put the girls in even more danger? And Gretchen has trained her sisters to stop the monsters, but her role as a huntress comes with more responsibility than she ever imagined. What will the girls' immortal legacy be? The concluding book in this action-packed series with plenty of romance.
A girl without a past is struggling to build her future. It's difficult though, as every day further back than three months is lost to her. Signs are taped over everything she owns with notes to help her know what they are. At least in her home she is safe. But what about in the world where everything changes so fast that it throws even the most knowledgeable into chaos? Follow Dia in her quest to stay sane in a world of insanity. This edition holds books 7-9: Egg, Bird, and Cage. In them Dia returns to the country she escaped. Many things are revealed. Through it all, her mind is on the one she left behind. She has to get back to him. No matter what happens there, when she makes it back to campus, will he still want her?
After many years of peace in the Lands of Men, there came Dragon Weather: a wave of incredible heat, oppressive humidity, dark angry clouds . . . and dragons. Dragons with no remorse, no sympathy, no use for humans; dragons who destroyed an entire village and everyone in it. Everyone, that is, except the young boy Arlian. Orphaned and alone, Arlian was captured by looters and sold as a mining slave. He finally escaped, fueled by years of hatred and a personal vow to bring justice to all who had wronged him. After killing those who enslaved him, Arlian sought out The Dragon Society, whose sworn purpose was to stand against the dragon menace. It was there, among his peers, that Arlian discovered he is humanity's best hope for defeating the dragons . . . permanently. Now, Arlian seeks his final vengeance: death to all of dragonkind. But as he begins to destroy the evil beasts, wild magic seeps into the Lands of Men, sowing chaos and destruction in its wake. Will Arlian's all-consuming quest for justice consume humanity as well? The answer may lie within his ancient foe's most lethal weapon: Dragon Venom
Luis a Texan,unknowingly starts to work for the Mexican drug Cartel in hopes of providing for his mother in a wheelchair. But then he is kidnapped and taken down to Mexico.Now,he is caught in a shoot out between two Mexican Drug Cartels. How will he escape?
Light-skinned newcomers are changing the Land of the Three Tribes. Dark-skinned Satha and her husband Loic are torn asunder. With the Creator's aid there is hope they will be reunited and find their mutual destiny, even if it means losing the love and respect of their families, clans, and tribes.