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We Call It Home begins in the 19th century, when the private sector failed to provide affordable housing for the poor. This led the Liberal government to build the first state houses in 1905: workers' dwellings. It moves on to examine the state house styles -- the archetypal state house of the first Labour Government is well known, but this wasn't the only kind of state house. Schrader asks why the government seemed so keen on housing nuclear families at the expense of other family groups, and through his interviews finds out who did the chores, what they ate, and what they did together, and charts the changing structure of state house families. Finally, Schrader looks at the changing public perceptions of state housing. In the 1930s securing a state house was viewed as a 'step up', but by the 1970s it had come to be seen as a 'step down'. Why the change? It is the author's hope that We Call It Home " ... will give readers a greater understanding of the ways in which state housing has affected the lives of generations of Kiwis, and of the important role it has played in shaping New Zealand society."
Five short stories that contain special places that make the characters feel at home. Charley's Home holds safety in it's abandoned walls. Ooma of the forest leaves certain death to find a new life and laughter. Circles tells how many things never change. The Diary tells of deception, death, greed and unexpected happiness. The Brick Monstrasity has a family in it that needs to change their spending habits..
Faith holds up a photo of the boarded-up, vacant house: "It’s the first thing I see. And I just call it ‘the Homeless House’ ‘cause it’s the house that nobody fixes up." Faith is one of fourteen women living on Syracuse’s Southside, a predominantly African-American and low-income area, who took photographs of their environment and displayed their images to facilitate dialogues about how they viewed their community. A Place We Call Home chronicles this photography project and bears witness not only to the environmental injustice experienced by these women but also to the ways in which they maintain dignity and restore order in a community where they have traditionally had little control. To understand the present plight of these women, one must understand the historical and political context in which certain urban neighborhoods were formed: Black migration, urban renewal, white flight, capital expansion, and then bust. Ducre demonstrates how such political and economic forces created a landscape of abandoned housing within the Southside community. She spotlights the impact of this blight upon the female residents who survive in this crucible of neglect. A Place We Call Home is the first case study of the intersection of Black feminism and environmental justice, and it is also the first book-length presentation using Photovoice methodology, an innovative research and empowerment strategy that assesses community needs by utilizing photographic images taken by individuals. The individuals have historically lacked power and status in formal planning processes. Through a cogent combination of words and images, this book illuminates how these women manage their daily survival in degraded environments, the tools that they deploy to do so, and how they act as agents of change to transform their communities.
Fall in love with this lyrically written and lushly illustrated exploration of multicultural heritage that celebrates all the people and places who make us who we are. "And where shall we go?" Mama asks as she tucks me in. "South Africa. Where I was born." My answer summons Mama's stories, stories that send us soaring back in time to when I was a baby. Out my window. Down my street. Across water. Across continents. "Where do you come from? Where does your family come from?" For many children, the answers to these questions can transform a conversation into a journey around the globe. In her first picture book, author Patrice Gopo illuminates how family stories of far-off lands help shape children, help form their identity, and help connect them with the broader world. Her lyrical language, paired with Jenin Mohammed's richly textured artwork, creates a beautiful, stirring portrait of a child's deep ties to cultures and communities beyond where she lays her head to sleep. Ultimately, this story speaks a truth that all children need to hear: The places we come from are part of us, even if we can't always be near them. All the Places We Call Home is a quiet triumph that encourages an awakening to our own stories and to the stories of those around us.
More than twenty years after the ground-breaking anthology This Bridge Called My Back called upon feminists to envision new forms of communities and practices, Gloria E. Anzaldúa and AnaLouise Keating have painstakingly assembled a new collection of over eighty original writings that offers a bold new vision of women-of-color consciousness for the twenty-first century. Written by women and men--both "of color" and "white"--this bridge we call home will challenge readers to rethink existing categories and invent new individual and collective identities.
A treasurable history of the Falls City region of Indiana
John Creedon has always been fascinated by place names, from growing up in Cork City as a young boy to travelling around Ireland making his popular television show. In this brilliant new book, he peels back the layers of meaning of familiar place names to reveal stories about the land of Erin and the people who walked it before us. Travel the highways, byways and boreens of Ireland with John and become absorbed in the place names, such as 'The Cave of the Cats', 'Artichoke Road', 'The Eagle's Nest' and 'Crazy Corner'. All hold clues that help to uncover our past and make sense of that place we call home, feeding both mind and soul along the way.
It is 1941 in rual California. Paula Harmon and Ken Nishimura have been friends and neighbours for as long as they can remember. But around them racial tension mounts as World War II intensifies and Pearl Harbor is bombed. Suddenly, Ken and his family are considered enemies in their own country and Paula and Ken's friendship is tested by the horrifying events that follow. Suggested level: intermediate, junior secondary.
Names We Call Home is a ground-breaking collection of essays which articulate the dynamics of racial identity in contemporary society. The first volume of its kind, Names We Call Home offers autobiographical essays, poetry, and interviews to highlight the historical, social, and cultural influences that inform racial identity and make possible resistance to myriad forms of injustice.
Welcome to Ballycove, the home of Corrigan Mills... Set against the backdrop of the beautiful Irish countryside the famed Corrigan Mills are run by the seemingly perfect Corrigan family, but every family has its secrets, and they don't always stay hidden. Ada has forever lived her life in her sister's shadow. Wanting only to please her mother and take over the family business, now Ada has to take a look at what her heart really wants. Callie has a flourishing international career and a man who loves her dearly, she appears to have it all. But when she's unceremoniously turfed out of the design world, Callie might just get what she's been yearning for. The chance to go home. Simon has always wanted more. More money, more fame, more notoriety. The problem child. Simon has more enemies than friends, and when one of his latest schemes falls foul he'll have to return to the people who always believe in him. Ballycove isn't just a small Irish town. It's a place to call home. Praise for The Place We Call Home: 'A story that takes you far away' Amazon 5* Review 'I feel like I've just binge-watched my next favourite series on Netflix' Amazon 5* Review 'This story pulls you in from the first page' Amazon 5* Review 'An amazing read by Faith Hogan' Amazon 5* Review 'Thoroughly enjoyed this book and was sorry to finish reading it' Amazon 5* Review 'Beautifully written, enjoyable and heartwarming to read' Amazon 5* Review 'As fantastic as ever, The Place We Call Home delivers on all counts and will have readers counting down the days until the next Faith Hogan novel' Amazon 5* Review