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“Bestor-Siegal switches perspective among a group of characters with tenderness and intimacy. . . . The writing is smooth as honey. . . It's utterly absorbing.” — NEW YORK TIMES BOOK REVIEW “Thrilling and deeply moving, gorgeously written and intricately plotted . . . bold and brilliant." –ELIZABETH MCCRACKEN Recommended by New York Times Book Review • USA Today • Glamour • Business Insider • Popsugar • CrimeReads • The Millions • BookRiot • and more! Set in a wealthy Parisian suburb, an emotionally riveting debut told from the point of view of six women, and centered around a group of au pairs, one of whom is arrested after a sudden and suspicious tragedy strikes her host family—a dramatic exploration of identity, class, and caregiving from a profoundly talented new writer. Paris, 2015. A crowd gathers outside the Chauvet home in the affluent suburban community of Maisons-Larue, watching as the family’s American au pair is led away in handcuffs after the sudden death of her young charge. The grieving mother believes the caretaker is to blame, and the neighborhood is thrown into chaos, unsure who is at fault—the enigmatic, young foreigner or the mother herself, who has never seemed an active participant in the lives of her children. The truth lies with six women: Géraldine, a heartbroken French teacher struggling to support her vulnerable young students; Lou, an incompetent au pair who was recently fired by the family next door; Charlotte, a chilly socialite and reluctant mother; Nathalie, an isolated French teenager desperate for her mother’s attention; Holly, a socially anxious au pair yearning to belong in her adopted country; and finally, Alena, the one accused of the crime, who has gone to great lengths to avoid emotional connection, and now finds herself caught in the turbulent power dynamics of her host family’s household. Set during the weeks leading up to the event, The Caretakers is a poignant and suspenseful drama featuring complicated women. It’s a sensitive exploration of the weight of secrets, the pressures of country, community, and family—and miscommunications and misunderstandings that can have fatal consequences. “A deep, enthralling pleasure, as wise as it is lovely. I read it voraciously, desperate to discover the fates of its unforgettable characters . . . Magnificent.” – ROBIN WASSERMAN
A lush, disorienting novel, The Caretaker takes no prisoners as it explores the perils of devotion and the potentially lethal charisma of things Following the death of a renowned and eccentric collector—the author of Stuff, a seminal philosophical work on the art of accumulation—the fate of the privately endowed museum he cherished falls to a peripatetic stranger who had been his fervent admirer. In his new role as caretaker of The Society for the Preservation of the Legacy of Dr. Charles Morgan, this restive man, in service to an absent master, at last finds his calling. The peculiar institution over which he presides is dedicated to the annihilation of hierarchy: peerless antiquities commune happily with the ignored, the discarded, the undervalued and the valueless. What transpires as the caretaker assumes dominion over this reliquary of voiceless objects and over its visitors is told in a manner at once obsessive and matter-of-fact, and in language both cocooning and expansive. A wry and haunting tale, The Caretaker, like the interplanetary crystal that is one of the museum’s treasures, is rare, glistening, and of a compacted inwardness. Kafka or Shirley Jackson may come to mind, and The Caretaker may conjure up various genres—parables, ghost stories, locked-room mysteries—but Doon Arbus draws her phosphorescent water from no other writer’s well.

Hearings

United States. Congress. House. Committee on Appropriations

Published: 1931

Total Pages: 2208


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