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A stunning memoir of a mother and her daughter's survival in WWII and their subsequent lifelong struggle with faith In this captivating and elegantly illustrated graphic memoir, Miriam Katin retells the story of her and her mother's escape on foot from the Nazi invasion of Budapest. With her father off fighting for the Hungarian army and the German troops quickly approaching, Katin and her mother are forced to flee to the countryside after faking their deaths. Leaving behind all of their belongings and loved ones, and unable to tell anyone of their whereabouts, they disguise themselves as a Russian servant and illegitimate child, while literally staying a few steps ahead of the German soldiers. We Are on Our Own is a woman's attempt to rebuild her earliest childhood trauma in order to come to an understanding of her lifelong questioning of faith. Katin's faith is shaken as she wonders how God could create and tolerate such a wretched world, a world of fear and hiding, bargaining and theft, betrayal and abuse. The complex and horrific experiences on the run are difficult for a child to understand, and as a child, Katin saw them with the simple longing, sadness, and curiosity she felt when her dog ran away or a stranger made her mother cry. Katin's ensuing lifelong struggle with faith is depicted throughout the book in beautiful full-color sequences. We Are on Our Own is the first full-length graphic novel by Katin, at the age of sixty-three.
A “canny, funny, impressively detailed debut novel” (The New York Times) that blurs the lines between life and art with the story of a film director’s unthinkable experiment in the Amazon jungle. When a nameless, struggling actor in 1970s New York gets the call that an enigmatic director wants him for an art film set in the Amazon, he doesn’t hesitate: he flies to South America, no questions asked. He quickly realizes he’s made a mistake. He’s replacing another actor who quit after seeing the script—a script the director now claims doesn’t exist. The movie is over budget. The production team seems headed for a breakdown. The air is so wet that the celluloid film disintegrates. But what the actor doesn’t realize is that the greatest threat might be the town itself, and the mysterious shadow economy that powers this remote jungle outpost. Entrepreneurial Americans, international drug traffickers, and M-19 guerillas are all fighting for South America’s future—and the groups aren’t as distinct as you might think. The actor thought this would be a role that would change his life. Now he’s worried if he’ll survive it. This “gripping, ambitious…vivid, scary novel” (Publishers Weekly) is a thrilling journey behind the scenes of a shocking film and a thoughtful commentary on violence and its repercussions.
In search of God - Joy - Spiritual childhood.
On Our Own Strength examines the political activities of the most influential intellectual movement in interwar French-occupied Vietnam. The far-reaching work of the Self-Reliant Literary Group (Tự Lực Văn Đoàn) included applied design, urban reform, fashion, literature, journalism, and cartoons; its work was deeply political in both form and intent. The Group drew upon a wide range of global intellectual currents and practices to build an enlightened public that would one day serve as the basis of a modern Vietnamese nation. Its nationalist vision sought a nonviolent middle path between colonialism and anticolonial struggle, advocating a process of gradual decolonization that ultimately ended in Vietnamese autonomy. This form of cosmopolitan nationalism proved tremendously popular among ordinary Vietnamese and necessarily shaped local politics, influencing the political agenda of even rival groups such as the newly revived Indochinese Communist Party (ICP). On Our Own Strength shows how the Group’s vision framed the ways ICP positioned itself and sought popular support in the years leading up to the August Revolution and beyond. In later years, the party attempted to erase the Group’s early influence on national politics, banning their writings and casting them as little more than bourgeois literary figures. In recovering the Group’s unique response to the world around them, this book bridges the areas of political, cultural, and intellectual history, drawing them together into a rich narrative of Vietnamese nation-building from the bottom-up within a larger global context​. On Our Own Strength offers a dynamic model for the field of Vietnamese studies as it continues to move beyond Cold War political narratives of its most tumultuous period. This book engages broadly with global history, European history, and imperial studies to explore colonialism’s hybrid cultural and political forms. Martina Thucnhi Nguyen examines how the Self-Reliant Literary Group weighed in on everything from women’s fashion and public housing to the major political ideologies of their era, in a unique style that mixed French-inflected ideas with Vietnamese norms and forms. As a deep case study of important figures on the Vietnamese moderate left, On Our Own Strength provides an injection of color and nuance into a history that is often too monochromatic.​​
Hundreds of stories look back to a time when imaginations soared and kids were never bored.
Modern life tells us that it's up to us to forge our own identities and to make our lives significant. But the Christian gospel offers a strikingly different vision—one that reframes the way we understand ourselves, our families, our society, and God. Contrasting these two visions of life, Alan Noble invites us into a better understanding of who we are and to whom we belong.
In walked a handsome young man, sized up Giaand Ron. His Dad said Gia's beautiful he's crazyshe's damn gorgeous! He's been sent to keep an eyeout for the two, can't tell them yet. His Dad said, takeit nice and easy. This is a big favor to the big guy, Matteo De Ventino, seeing Gia it will be easy.a double wow and him a confirmed bachelor.Then went into his act, "May I ask what the hell you're doing in my lodge?"Whew! What a grouch thought Gia, answeredhonestly. "We have permission from Scott Curtis-Jones, Sr.! Here's his key! May I ask who the hellare you?"He grinned, she's a spunky one, dangled his key, "I'm Scott Curtis-Jones, Jr.!""Ron lets get our bags, hit the road quick! He's trouble seeing he doesn't know about us!"Scott stopped them. "Wait a minute! Not RonRonchetti and Gia DeVentino?""Let's get the hell out of here Ron, quick!" Gia yelled."Stop this minute!" Scot shouted. "I won't harm you. Dad and Matt told me about
Our Own Agendas is the second collection of essays by McGill women. The first, A Fair Shake, was published a decade ago. The second volume both reflects the current climate of openness and shows that many barriers remain to be challenged. Our Own Agendas makes a lively and enlightening contribution to our understanding of women's experiences and to Canadian social history.