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A bright day dawns over Africa as American student Ben Dabney arrives in Zimbabwe in 1982. He finds a country newly born, its president celebrated around the world. ‘We are all Zimbabweans now!’ exclaims Robert Mugabe in conciliatory largesse. The capital sees rollicking good times, and Ben becomes friendly with the new ruling elite through his love affair with Florence Matshaka, a former guerrilla. Ben’s history research begs awkward questions when he learns about a suspicious car accident that happened during the bush war. At first he gets elusive answers, then threats. In untangling this secret, his optimism wears off layer after layer as he discovers more and more harrowing contradictions. By the time Ben experiences the army’s secret offensive in Matabeleland, the president’s phrase has come to mean that all are affected, all complicit. We Are All Zimbabweans Now is a powerful political thriller, and one of the most remarkable recent novels about Zimbabwe.
We Are All Zimbabweans Now is a political thriller set in Zimbabwe in the hopeful, early days of Robert Mugabe’s rise to power in the late 1980s. When Ben Dabney, a Wisconsin graduate student, arrives in the country, he is enamored with Mugabe and the promises of his government’s model of racial reconciliation. But as Ben begins his research and delves more deeply into his hero’s life, he finds fatal flaws. Ultimately Ben reconsiders not only his understanding of Mugabe, but his own professional and personal life. James Kilgore brings an authentic voice to a work of youthful hope, disillusionment, and unsettling resolution.
A journalist’s harrowing account of life in Zimbabwe—and the human rights atrocities perpetuated—under President Robert Mugabe’s despotic rule. Where We Have Hope is the gripping memoir of a young American journalist. In 1980, Andrew Meldrum arrived in a Zimbabwe flush with new independence, and he fell in love with the country and its optimism. But over the twenty years he lived there, Meldrum watched as President Robert Mugabe consolidated power and the government evolved into despotism. In May 2003, Meldrum, the last foreign journalist still working in the dangerous and chaotic nation, was illegally forced to leave his adopted home. Meldrum’s unflinching work describes the terror and intimidation Mugabe’s government exercised on both the press and citizens, and the resiliency of Zimbabweans determined to overturn Mugabe and demand the free society they were promised. “[A] remarkable odyssey . . . A compelling and, ultimately, heartbreaking story that demands to be read by anyone concerned about contemporary Africa.” —Kirkus Reviews, starred review
Saving Zimbabwe is the gripping story of a group of extraordinary black and white Zimbabweans who lived together forming ‘The Community of Reconciliation’. They chose love over hate and integration over segregation. They believed in harmony over discord and that loving your former enemies was a higher way of life. Against all odds they succeeded in transforming a region of the nation in to a life-giving community. By example they demonstrated that the course of Zimbabwe could be changed, and provided a working model for the road ahead. Tragically on 25 November 1987, the sixteen white members of the Community made the ultimate sacrifice and were martyrd. Their killers thought they were ‘liberating’ their people but in fact drove the black community back under the oppressive forces of poverty. Why did they die? This book takes you on a journey to discover the answer to that haunting question and more. With the current political and economic uncertainty in Zimbabwe, the message of Saving Zimbabwe is more relevant than ever. The country needs transformation which should start in the heart of her people. The destiny of a nation and millions of lives are at stake.
Hope Deferred asks the question: How did Zimbabwe, a country with so much promise—a stellar education system, a growing middle class, a sophisticated economic infrastructure, a liberal constitution, and an independent judiciary—come so close to collapse? In their own words, Zimbabweans tell their stories of losing their homes, land, livelihoods, and families as a direct result of political violence. They describe being tortured in detention, firebombed at work, or beaten up or raped to “punish” votes for the opposition. Those forced to flee to neighboring countries recount their escapes: cutting through fences, swimming across crocodile-infested rivers, and entrusting themselves to human smugglers. This book includes. Zimbabweans of every age, class, and political conviction—from farm laborers and academics to doctors and artists—ordinary people surviving the fragmentation of a once-thriving nation.
Focusing mainly on the process of identity formation among members of Zimbabwe's coloured community, this book challenges conventional wisdom on race and ethnic identities. When viewed in the broad perspective of studies which focus on identities in general, this work is one of the few that clearly tries to demonstrate how social identities are produced and reproduced in the dialect of internal and external definition while paying adequate attention to the role played by the people themselves.
This book responds to the failures of human rights—the way its institutions and norms reproduce geopolitical imbalances and social exclusions—through an analysis of how literary and visual culture can make visible human rights claims that are foreclosed in official discourses. Moore draws on theories of vulnerability, precarity, and dispossession to argue for the necessity of recognizing the embodied and material contexts of human rights subjects. At the same time, she demonstrates how these theories run the risk of reproducing the structural imbalances that lie at the core of critiques of human rights. Pairing conventional human rights genres—legal instruments, human rights reports, reportage, and humanitarian campaigns—with literary and visual culture, Moore develops a transnational feminist reading praxis of five sites of rights and their violation over the past fifty years: UN human rights instruments and child soldiers in Nigerian literature; human rights reporting and novels that address state-sponsored ethnocide in Zimbabwe; the international humanitarian campaigns and disaster capitalism in fiction of Bhopal, India; the work of Médecins Sans Frontières in the Sahel, Afghanistan, Democratic Republic of Congo, and Burma as represented in various media campaigns and in photo/graphic narratives; and, finally, the human rights campaigns, fiction, and film that have brought Indonesia’s history of anti-leftist violence into contemporary public debate. These case studies underscore how human rights norms are always subject to conditions of imaginative representation, and how literature and visual culture participate in that cultural imaginary. Expanding feminist theories of embodied and imposed vulnerability, Moore demonstrates the importance of situating human rights violations not only in the context of neo-liberal development policies but also in relation to the growth of security networks that serve the nation-state often at the expense of the security of specific subjects and populations. In place of conventional victims and agents, the intersection of vulnerability and human rights opens up readings of human rights claims and suffering that are, at once, embodied and shareable, yet which run the risk of cooptation by security rhetoric.
The ongoing crisis in Zimbabwe has led to an unprecedented exodus of over a million desperate people from all strata of Zimbabwean society. The Zimbabwean diaspora is now truly global in extent. Yet rather than turning their backs on Zimbabwe, most maintain very close links with the country, returning often and remitting billions of dollars each year. Zimbabwe's Exodus. Crisis, Migration, Survival is written by leading migration scholars many from the Zimbabwean diaspora. The book explores the relationship between Zimbabwe's economic and political crisis and migration as a survival strategy. The book includes personal stories of ordinary Zimbabweans living and working in other countries, who describe the hotility and xenophobia they often experience.
What are the right questions to ask when seeking out the spirit of a nation? In November, 2017, the people of Zimbabwe took to the streets in an unprecedented alliance with the military. Their goal, to restore the legacy of Chimurenga, the liberation struggle, and wrest their country back from more than 30 years of Robert Mugabe's rule. In an essay that combines bold reportage, memoir, and critical analysis, Zimbabwean novelist and journalist Panashe Chigumadzi reflects on the "coup that was not a coup," the telling of history and manipulation of time and the ancestral spirts of two women--her own grandmother and Mbuya Nehanda, the grandmother of the nation.
Zimbabwe's severe crisis - and a possible way out of it with a transitional government, and the new era for which it prepares the ground - demands a coherent scholarly response. 'Progress' can be employed as an organising theme across many disciplinary approaches to Zimbabwe's societal devastation. At wider levels too, the concept of progress is fitting. It underpins 'modern', 'liberal' and 'radical' perspectives of development pervading the social sciences and humanities. Yet perceptions of 'progress' are subject increasingly to intensive critical inquiry. Their gruesome end is signified in the political projects of Robert Mugabe and ZANU-PF. John Gray's Black Mass: Apocalyptic Religion and the Death of Utopia indicates this. It is expected that participants will engage directly in debates about how the idea of 'progress' has informed their disciplines - from political science and history to labour and agrarian studies, and then relate these arguments to the Zimbabwean case in general and their research in particular. This book was published as a special issue of the Journal of Contemporary African Studies.