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"Untold hysterical and historical stories about his 33 years serving New Hampshire and America."--Cover.
In the shadow of Soura’s last line of defense, a new threat sharpens its knives. After escaping empires, dragons, and hammer-wielding barbarians, Huan finds himself unable to escape the contract his sister Mei negotiated for him, but just as he schemes to escape military training under the one-armed knight Sir Marcus, a dark shadow crosses his path. Meanwhile, Magdala Gallus is planning to finally get some studying done so that she’ll be ready when her suspension from the Academy ends. However, when her uncle Lord Bartholomew Kalan is attacked, she must abandon her books and chase down the sorcerer responsible. Hope. Despair. Realization. All these collide in Walton, linchpin of the Southern Line and Soura’s last line of defense against the dead Vanurian hordes.
One flight up the narrow, steep stairs, Robin finds himself swallowed up by the darkness, terrified and hating the thought of the misery and fear his knock will bring to the wretched families who huddle behind every door in the building. Thus begins the story set in a grim tenement district of New York City before the turn of the twentieth century. It is there that Robin, once protected by a loving mother and father, both now dead, must contend with a brutal stepfather, Hawker Doak. Yet Robin is faced with only two choices: remain in the ruthless charge of Hawker, collecting the hated rents, and, perhaps worse, being sent to work in a factory or escape into the treacherous slum streets, haunted by, among other horrors, the bullying boys who work and live in the streets, and whom Robin so fears. Either choice provides a sure recipe for a very short life. But in the end it is fear for the life of his baby brother that makes Robin's agonizing decision for him. The answer to whether or not they survive will only be found when Robin discovers the secret guarded by a place called St. Something. Within this true picture of tenement life, Barbara Brooks Wallace has created another chilling mystery that starts with one kind of terror, only to weave its way into yet another, deepened by intrigue and unspeakable treachery.
Never produced until this year (1998), NOT ABOUT NIGHTINGALES (1938), portrays a shocking prison scandal in which convicts leading a hunger strike in prison were locked in a steam-heated cell and roasted to death. Williams himself later said that he had never written anything to compare with it in violence and horror. The play indelibly presages the great plays he was later to write. Copyright © Libri GmbH. All rights reserved.
Winner of the Anisfield-Wolf Book Award for Fiction Winner of the Gotham Book Prize One of Barack Obama's "Favorite Books of the Year" Oprah's Book Club Pick Named one of the Top Ten Books of the Year by the New York Times, Entertainment Weekly and TIME Magazine A Washington Post Notable Novel From the author of The Heaven & Earth Grocery Store, the National Book Award–winning The Good Lord Bird, and the bestselling modern classic The Color of Water, comes one of the most celebrated novels of the year. In September 1969, a fumbling, cranky old church deacon known as Sportcoat shuffles into the courtyard of the Cause Houses housing project in south Brooklyn, pulls a .38 from his pocket, and, in front of everybody, shoots the project’s drug dealer at point-blank range. The reasons for this desperate burst of violence and the consequences that spring from it lie at the heart of Deacon King Kong, James McBride’s funny, moving novel and his first since his National Book Award–winning The Good Lord Bird. In Deacon King Kong, McBride brings to vivid life the people affected by the shooting: the victim, the African-American and Latinx residents who witnessed it, the white neighbors, the local cops assigned to investigate, the members of the Five Ends Baptist Church where Sportcoat was deacon, the neighborhood’s Italian mobsters, and Sportcoat himself. As the story deepens, it becomes clear that the lives of the characters—caught in the tumultuous swirl of 1960s New York—overlap in unexpected ways. When the truth does emerge, McBride shows us that not all secrets are meant to be hidden, that the best way to grow is to face change without fear, and that the seeds of love lie in hope and compassion. Bringing to these pages both his masterly storytelling skills and his abiding faith in humanity, James McBride has written a novel every bit as involving as The Good Lord Bird and as emotionally honest as The Color of Water. Told with insight and wit, Deacon King Kong demonstrates that love and faith live in all of us.
A talented young musical performer struggles for survival in some of southern California's most disadvantaged neighborhoods, an effort that is complicated by his drug entanglements.
New York Times bestselling authors Carl Weber and Mary B. Morrison team up to bring you the ultimate tale of obsession . . . After a rocky marriage, irresistibly seductive Jay Crawford is ready for a new woman--and a new challenge. It doesn't take him long to discover both in one fine package: Ashlee Anderson. She's just what he's looking for--hard-to-get, feisty, and freaky. When their one-night stand extends into months of lovemaking that's too hot to give up, Jay finds he's in way over his head. For Ashlee has no intention of letting their relationship ever end. Trouble is, her psycho behavior turns him on like nothing else. But when Ashlee makes a shocking confession, Jay knows she definitely ain't the one and he's got to escape before she completely destroys his life. . . "Weber spins a lively, revelation-packed tale deepened by genuine emotion, convincing detail and smart dialogue." --Publishers Weekly on The Preacher's Son "Mix dirty red drama, relationship scandals, suspense, love, and you get my girl Mary B. Morrison." --Vickie Stringer
Explore the world of barbecue as food and culture through first-person stories from pit masters, barbecue joint owners, sausage makers, and wood suppliers. It’s no overstatement to say that the state of Texas is a republic of barbecue. Whether it’s brisket, sausage, ribs, or chicken, barbecue feeds friends while they catch up, soothes tensions at political events, fuels community festivals, sustains workers of all classes, celebrates brides and grooms, and even supports churches. Recognizing just how central barbecue is to Texas’s cultural life, Elizabeth Engelhardt and a team of eleven graduate students from the University of Texas at Austin set out to discover and describe what barbecue has meant to Texans ever since they first smoked a beef brisket. Republic of Barbecue presents a fascinating, multifaceted portrait of the world of barbecue in Central Texas. The authors look at everything from legendary barbecue joints in places such as Taylor and Lockhart to feedlots, ultra-modern sausage factories, and sustainable forests growing hardwoods for barbecue pits. They talk to pit masters and proprietors, who share the secrets of barbecue in their own words. Like side dishes to the first-person stories, short essays by the authors explore a myriad of barbecue’s themes—food history, manliness and meat, technology, nostalgia, civil rights, small-town Texas identity, barbecue’s connection to music, favorite drinks such as Big Red, Dr. Pepper, Shiner Bock, and Lone Star beer—to mention only a few. An ode to Texas barbecue in films, a celebration of sports and barbecue, and a pie chart of the desserts that accompany brisket all find homes in the sidebars of the book, while photographic portraits of people and places bring readers face-to-face with the culture of barbecue. “This beautiful collection, colorful enough to display as a coffee-table book, contributes significantly to the oral history tradition and the study of barbecue simultaneously.” —Journal of American Folklore “Tar Heels probably shouldn’t own up to liking Texas barbecue, but we have no hesitation about saying that we love this book about it. The voices of the folks who make it happen and this book’s wonderful photographs add up to a splendid portrait of Lone Star barbeculture.” —John Shelton Reed and Dale Volberg Reed, authors of Holy Smoke: The Big Book of North CarolinaBarbecue
Elizabeth Berg, bestselling author of The Art of Mending and The Year of Pleasures, has a rare talent for revealing her characters’ hearts and minds in a manner that makes us empathize completely. Her new novel, We Are All Welcome Here, features three women, each struggling against overwhelming odds for her own kind of freedom. It is the summer of 1964. In Tupelo, Mississippi, the town of Elvis’s birth, tensions are mounting over civil-rights demonstrations occurring ever more frequently–and violently–across the state. But in Paige Dunn’s small, ramshackle house, there are more immediate concerns. Challenged by the effects of the polio she contracted during her last month of pregnancy, Paige is nonetheless determined to live as normal a life as possible and to raise her daughter, Diana, in the way she sees fit–with the support of her tough-talking black caregiver, Peacie. Diana is trying in her own fashion to live a normal life. As a fourteen-year-old, she wants to make money for clothes and magazines, to slough off the authority of her mother and Peacie, to figure out the puzzle that is boys, and to escape the oppressiveness she sees everywhere in her small town. What she can never escape, however, is the way her life is markedly different from others’. Nor can she escape her ongoing responsibility to assist in caring for her mother. Paige Dunn is attractive, charming, intelligent, and lively, but her needs are great–and relentless. As the summer unfolds, hate and adversity will visit this modest home. Despite the difficulties thrust upon them, each of the women will find her own path to independence, understanding, and peace. And Diana’s mother, so mightily compromised, will end up giving her daughter an extraordinary gift few parents could match.