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The Midnight Carnival The carnival grounds sprawled across a desolate field on the outskirts of town. Flickering lanterns illuminated a sprawling maze of tents and rides, each one more twisted and bizarre than the last. A towering Ferris wheel creaked eerily as it spun, its skeletal structure silhouetted against the inky blackness. The calliope's haunting melody echoed through the night, drawing the curious and the unsuspecting alike.
By the time the Pulitzer Prize-winning Heart's Needle appeared in 1959, W. D. Snodgrass had been accepted as a peer by some of the most important postwar American poets, including Robert Lowell, Randall Jarrell, Theodore Roethke, and John Berryman. The intensely personal and emotional nature of the poetry shocked critics. In writing about the intimacies and betrayals of family life, Snodgrass joined Lowell in creating what became commonly known as "confessional poetry". The personal lyric, reintroduced in Heart's Needle, arguably became the dominant poetry of the 1960s and 1970s. Snodgrass was a decade ahead of his time. The Poetry of W. D. Snodgrass: Everything Human gathers a rich selection of book reviews and critical essays and provides the first attempt to appraise the entire scope of this poet's work. Contributors include John Hollander, Hayden Carruth, Denis Donoghue, J. D. McClatchy, Harold Bloom, Hugh Kenner, and Dana Gioia. Stephen Haven's chronology of the poet's life and work supplements the reviews and essays in tracing Snodgrass's evolution as an artist and shedding new light on his work.
Now updated to 2020, this is an account of the development and output of the great young traditional jazz band Tuba Skinny, which is based in New Orleans. Many recommendations are included of videos to watch and recordings available for purchase.
"Women, the body and primitive accumulation"--Cover.