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First published in 1979, in Ways to Paradise Michael Loewe, an internationally recognised authority on Han China, assesses a wealth of an archaeological evidence in an attempt to uncover the attitudes of the pre-Buddhist Chinese to matters relating to death and hereafter. Dr Loewe examines in particular three major subjects of Han art and iconography: a recently found silk painting from Central China dating from around 168 BC; the numerous bronze mirrors of the so-called TLV pattern that came into fashion at the beginning of the Christian era, and which are especially rich in cosmological symbolism; and the representations of the Queen Mother of the West which appear as a leading motif of Chinese art from perhaps a century later. These Dr Loewe sets within a framework of contemporary literature and historical incident to create a wonderfully vivid picture of religious life and thought in this early and fascinating period of Chinese history which was to contribute so much to later developments in Far Eastern Philosophy, religion and art.
What Allah says in the Holy Bible AboutAllah: "See that I Myself am He! There is no god besidesme."About Allah's Word: "Heaven andearth will pass away, but mywords will never passaway."About Allah's love for you: "Ihave loved you with an everlasting love; I have drawn you withunfailing kindness."About Allah's invitation foryou: "Here I am! I stand at the door and knock. If anyonehears my voice and opens the door, I will come in . .."About Paradise after Judgment Day:"Allah's dwelling place is now among the people, and he will dwell withthem. They will be his people, and Allah himself will be with them andbe their God. He will wipe every tear from their eyes. There will be nomore death or mourning or crying or pain, for the old order of thingshas passed away."About who will enterParadise: ".. . only those whose names are written in the . . .book of life!"In The Way toParadise, Renod Bejjani takes youon a journey to discover Allah's Word in the Holy Bible about the Oneand only Way a person can enter Paradise.Insha'Allah, you,too, can enjoy eternal life with Allah. Learn more about Allah and Hisplans for your future in The Way to Paradise.
Dante's Inferno is often presented today in lurid 'gothic' terms as if it were no more than an entertaining demonic freak-show. Alternately, it is taken as merely a cultural and political commentary on Dante's own place and time, cast in allegorical terms. But the Inferno, and the Divine Comedy as a whole, are much more than that. The human passions, and the Mystery of Iniquity of which they are expressions, are fundamentally the same in any place and time; the Inferno presents not so much a history of sin as a catalogue of the archetypes of sin, the fundamental ways in which all of us are tempted to betray the human form. Based on the works of a number of the Greek Fathers, on the writings of several members of the Traditionalist School, notably Frithjof Schuon and Rene Guenon, and on the kind of wide personal experience of the violation of the human form that is available to anyone in these times with both the requisite discernment-rooted in love-and the courage to keep his or her eyes open, Jennifer Doane Upton has once again seen Dante's Inferno as it really is. It is the record of the struggle of the human mind, will, and emotions to discover and name, by the grace of God, the sins resident in the human soul. As both a traditional re-presentation and a contemporary revisioning of the 'examination of conscience', individual and collective, Dark Way to Paradise is at once an exegetical masterpiece and a handbook of demonology of concrete use to any true physician of the soul. In its direct application of metaphysical principles to 'infernal psychology', it is unique among Dante commentaries. And in a time like ours, when the Western Church appears to be dissolving before our eyes, to save again what Dante himself saved out of the great medieval Christian synthesis has never been so timely.
Elegant, brutal, and profound—this magnificent debut captures the grit and glory of modern Hawai'i with breathtaking force and accuracy. In a stunning collection that announces the arrival of an incredible talent, Kristiana Kahakauwila travels the islands of Hawai'i, making the fabled place her own. Exploring the deep tensions between local and tourist, tradition and expectation, façade and authentic self, This Is Paradise provides an unforgettable portrait of life as it’s truly being lived on Maui, Oahu, Kaua'i and the Big Island. In the gut-punch of “Wanle,” a beautiful and tough young woman wants nothing more than to follow in her father’s footsteps as a legendary cockfighter. With striking versatility, the title story employs a chorus of voices—the women of Waikiki—to tell the tale of a young tourist drawn to the darker side of the city’s nightlife. “The Old Paniolo Way” limns the difficult nature of legacy and inheritance when a patriarch tries to settle the affairs of his farm before his death. Exquisitely written and bursting with sharply observed detail, Kahakauwila’s stories remind us of the powerful desire to belong, to put down roots, and to have a place to call home.
Now with a new Preface and Afterword by the author “Outstanding . . . [Isobel Coleman] takes us into remote villages and urban bureaucracies to find the brave men and women working to create change in the Middle East.”—Los Angeles Times In this timely and important book, Isobel Coleman shows how Muslim women and men across the Middle East are working within Islam to fight for women’s rights in a growing movement of Islamic feminism. Journeying through Saudi Arabia, Iraq, Iran, Afghanistan, and Pakistan, Coleman introduces the reader to influential Islamic feminist thinkers and successful grassroots activists working to create economic, political, and educational opportunities for women. Their advocacy for women’s rights based on more progressive interpretations of Islam are critical to bridging the conflict between those championing reform and those seeking to oppress women in the name of religious tradition. Socially, culturally, economically, and politically, the future of the region depends on finding ways to accommodate human rights, and in particular women’s rights, with Islamic law. These reformers—and thousands of others—are the people leading the way forward. Featuring new material that addresses how the Arab uprisings and other recent events have affected the social and political landscape of the region, Paradise Beneath Her Feet offers a message of hope: Change is coming to the Middle East—and more often than not, it is being led by women. Praise for Paradise Beneath Her Feet “Clearly written, deeply moving, and wonderfully enlightening.”—Reza Aslan, author of No god but God “[An] engrossing portrait of real Muslim women that reveals how Islamic feminists . . . are working with and within the culture, rather than against it . . . to forge ‘a legitimate Islamic alternative to the current repressive system.’ Coleman doesn’t diminish the enormity of the struggle, but she argues convincingly that it might yet rewrite Islam’s future.”—Publishers Weekly (starred review) “A nuanced view of Islam’s role in public life that is cautiously hopeful.”—The Economist “Eye-opening . . . Deeply religious, profoundly determined and modern in every way, these are twenty-first-century women bent on change. Hear them roar and see a future being born before our eyes.”—Booklist
There is a development between expectation for the rebuilding of the New Jerusalem/Temple in the Old Testament and the coming of the New Jerusalem/Temple in Revelation. In Revelation, there is a dynamic relation between the New Jerusalem and the Heavenly Jerusalem: the New Jerusalem is the descent of the Heavenly Jerusalem. Moreover, there is no Temple building which was expected as the eschatological promise in the Old Testament but rather God and the Lamb is the Temple. How can this shift be explained? Pilchan Lee examines the exegetical tradition which existed between the Old Testament and Revelation. He assumes that as the exegetical tradition, the early Jewish (apocalyptic) literature functions as a key element for forming the idea of the New Jerusalem in Revelation. John's main argument is that the church (which is symbolized by several images) is placed in heaven now (chapters 4-20) and the church (which is symbolized by the New Jerusalem) will descend to the earth from heaven in the future (21-22).
#1 NEW YORK TIMES BEST SELLER • From the award-winning, best-selling author of the classic A Little Life—a bold, brilliant novel spanning three centuries and three different versions of the American experiment, about lovers, family, loss and the elusive promise of utopia. A BEST BOOK OF THE YEAR: VOGUE • ESQUIRE • NPR • GOODREADS To Paradise is a fin de siècle novel of marvelous literary effect, but above all it is a work of emotional genius. The great power of this remarkable novel is driven by Yanagihara’s understanding of the aching desire to protect those we love—partners, lovers, children, friends, family, and even our fellow citizens—and the pain that ensues when we cannot. In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him—and solve the mystery of her husband’s disappearances. These three sections comprise an ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.
An award-winning journalist and documentary filmmaker chronicles her personal year-long journey to discover the truth about her ancestry through DNA testing, sharing her findings as well as her insights into controversies surrounding modern Latino identity.
"In the beginning was the Word, and the Word was with God, and the Word was God." So opens the Gospel of John, an ancient text translated into almost every language, at once a compelling and beguiling metaphor for the Christian story of the Beginning. To further complicate matters, the words we read now are in any number of languages that would have been unknown or unrecognizable at the time of their composition. The gospel may have been originally dictated or written in Aramaic, but our only written source for the story is in Greek. Today, as your average American reader of the New Testament picks up his or her Bible off the shelf, the phrase as it appears has been translated from various linguistic intermediaries before its current manifestation in modern English. How to understand these words then, when so many other translators, languages, and cultures have exercised some level of influence on them? Christian tradition is not unique in facing this problem. All religions--if they have global aspirations--have to change in order to spread their influence, and often language has been the most powerful agent thereof. Passwords to Paradise explores the effects that language difference and language conversion have wrought on the world's great faiths, spanning more than two thousand years. It is an original and intriguing perspective on the history of religion by a master linguistic historian.